45 Years


Action / Drama / Romance

Rotten Tomatoes Critics - Certified Fresh 99%
Rotten Tomatoes Audience - Upright 80%
IMDb Rating 7.1 10 23693


Uploaded By: LINUS
Downloaded 63,538 times
January 04, 2016 at 03:56 PM



Charlotte Rampling as Kate Mercer
Tom Courtenay as Geoff Mercer
Dolly Wells as Charlotte
720p 1080p
704.39 MB
23.976 fps
1hr 31 min
P/S 1 / 19
1.45 GB
23.976 fps
1hr 31 min
P/S 5 / 12

Movie Reviews

Reviewed by Ashwin Hegde 6 / 10

A novel that should have been a short story

A sequence of events in the run up to a big celebration of the couple's 45th anniversary. An unexpected letter with some unsettling news that pulls, just a little, at the seams of the marriage.

Scenic English country side outside a historic market town. Accomplished performances by all of the cast. Charming British accents. Lovely camera work. Tight scripting & dialogs that brings out the affections and tensions of a long, childless marriage. All of this points to an engaging movie, and it is.

Except, there isn't enough in it. It's like someone took the plot of a short story and decided to spin it out into a novel and you wish they hadn't. It's like a samosa where they skimped on the aloo. It is worth a watch, just about, especially on a day where you feel your life has been too dramatic and you want to tamp it down a little.

Reviewed by Turfseer 2 / 10

Critics flummoxed by lugubrious tale of aging couple beset by negligible crisis

With nary a critical word to be found amongst the fawners in the film critics' pantheon, 45 Years has gone on to receive a surfeit of undeserved approbation in such places as Metacritic, with an unbelievable "metascore" of 94. My first reaction to this onslaught of film critic stupidity was simply to ask, "How can this be?"

45 Years may be infected with a simple case of being "too British." Now don't get me wrong—I love quite a number of British films, which often prove superior to their American counterparts. But when a film ends up being "too British," it often suffers from glacial pacing and a rather dry demeanor which 45 Years obviously suffers from throughout.

But there are plenty of films featuring lugubrious plots with humorless characters that still remain compelling. What's needed of course is a plot that goes somewhere, and characters that manage to avoid being pejoratively labeled as "sad sacks." Unfortunately, 45 Years avoids none of this and more!

It's all supposed to be about some kind of marital crisis that befalls an aging, childless couple by the name of Kate and Geoff Mercer who live in the flatlands of Norfolk, in eastern England. Kate and Geoff's idyllic existence is suddenly shattered when Geoff receives a letter that his ex-girlfriend Katya's body, lost in an Alpine hiking accident 50 years earlier, has been suddenly found perfectly preserved inside a glacier in the Swiss Alps.

Andrew Haigh, the writer-director here, apparently was quite enamored with this gimmick of an inciting incident which he conscripted from a short story entitled Another Country. Haigh's idea is to show how Kate's perspective on the marriage changes after new information comes to light regarding Geoff's relationship with the ex-girlfriend.

Geoff remains what he's been all along: a curmudgeon. He can't understand why Kate should be upset over a relationship he was involved in years ago. The revelation that Katya took his surname bothers Kate but not Geoff, who merely takes to smoking cigarettes to assuage the anxiety he's experiencing over Kate's growing dissatisfaction with him. Oh yes, he's a bit of a lefty too as it's revealed that he once called Kate's friend a "fascist," during a political discussion that got out of hand.

As for Kate, one wonders why she should be upset over something that happened fifty years earlier. It's mainly the principle of Geoff not being honest with her. But she appears to throw her principles out the window when she surreptitiously and underhandedly goes up to the attic and views some old slides of Katya, taken by Geoff right before the accident. There, (simmering with jealousy), she spies a close-up picture of Katya, visibly pregnant.

While all this is going on, the couple is getting ready for their 45th wedding anniversary. Kate simply has to put on a good face while the couple is finally heralded by all their friends at the actual banquet. Kate's "new perspective" on her marriage is the "big" revelation that we're supposed to get excited about.

The critics use big words to describe what is really a simple change in circumstances: "devastating truth," a "sensitive and devastating portrait of a long, happy marriage in sudden crisis," "quietly moving and deceptively tragic," a story "about whether secrets can be survived," "two people haunted by a specter from another lifetime," "deep reserves of inner torment." You get the picture!

Charlotte Rampling and Tom Courtenay can do little with the material foisted upon them and the viewer only perks up when one or another nostalgic tune from the 60s pops up intermittently on the film's soundtrack.

In the end, the critics would like you to believe that 45 Years represents the second coming of Ingmar Bergman. Nothing could be further than the truth. If your protagonists are deadly dull to begin with, and your inciting incident leads to the feeblest of epiphanies, then please explain to me what the critics' brouhaha is all about.

Reviewed by Martin Bradley ([email protected]) 10 / 10

The best film of 2015 so far

I have no doubt that in 70 years from now Andrew Haigh's new film will be as highly thought of as "Brief Encounter" is today. "Brief Encounter" dealt with a love affair that wasn't and the effect it had on a conventional middle-class marriage. "45 Years" is set within similar territory but here the disruptive love affair is, arguably, all the more powerful and its effect all the more devastating. It takes place over six days, Monday to Saturday, and begins when husband Geoff receives a letter in German informing him that the body of the girl he loved 50 years before, and who died in an accident in the Swiss mountains, had been found, presumably preserved in ice just as she was the day he lost her, and ends up at the party held to celebrate Geoff's 45 year marriage to Kate.

It's a love story, plain and simple, and is, in its quiet way, unbearably moving. As the days pass between the receipt of the letter and the planned party, Kate comes to realize that she might not have been first in Geoff's affections, let alone the great love of his life and this knowledge becomes unbearable to her. For most of the picture Geoff and Kate are the only two characters on the screen, (the only other sizeable part is that of Lena, Kate's best friend, beautifully played by Geraldine James). In a very short space of time we get to know these people intimately. It helps that they are magnificently played by Tom Courtenay and Charlotte Rampling, neither of whom has ever been as good before and both of whom should be brushing up on their acceptance speeches come the awards season, (they have both already taken home Silver Bears at Berlin). The picture belongs very much to them but it also establishes Andrew Haigh as perhaps the foremost director working in Britain today; the leap from "Greek Pete" through "Weekend" to this is staggering. Haigh never puts a foot wrong; every detail of the picture is perfect. Nor is there an ounce of sentimentality to be found though the closing scene is a heart-breaker of the kind rarely found in the cinema. I have no hesitation in calling "45 Years" a masterpiece. Its success in Britain is guaranteed; let's hope the Academy are as welcoming come Oscar time.

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