99 River Street


Action / Crime / Drama / Film-Noir / Thriller

Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 79%
IMDb Rating 7.5 10 1718


Uploaded By: FREEMAN
Downloaded 501 times
July 05, 2016 at 10:07 PM



John Payne as Ernie Driscoll
Evelyn Keyes as Linda James
Brad Dexter as Victor Rawlins
Ian Wolfe as Waldo Daggett
720p 1080p
586.76 MB
23.976 fps
1hr 23 min
P/S 2 / 1
1.24 GB
23.976 fps
1hr 23 min
P/S 5 / 4

Movie Reviews

Reviewed by bmacv 9 / 10

John Payne/Phil Karlson combo makes for potent punch

The underrated John Payne -- an ideal Everyman -- teamed with director Phil Karlson in a number of 50s thrillers. All bear viewing, but maybe the pick of the crop is 99 River Street. Payne plays a washed-up boxer now driving a hack, and the movie opens in a frame-within-a-frame of his watching himself in an old bout on TV. Trying to win back the affections of his couldn't-care-less wife (Peggie Castle), he discovers that she's two-timing him. Meanwhile an old gal-pal with theatrical yearnings (Evelyn Keyes, and maybe her finest hour) tries to enlist him in a scheme of her own, which backfires. Next, his wife turns up dead....Karlson keeps the tension high but well-modulated while managing to strike most of the images and motifs on the noir keyboard (including some evocative night footage of the Jersey waterfront). Overall, this installment in the cycle (which has never appeared on commercial videotape) remains one of the most satisfying and characteristic examples of noir in the early Eisenhower era -- slightly less spooky than its 40s predecessors, but a bit more brutal, too.

Reviewed by jimmccool 10 / 10

A Must-See For Noir Fans

Think Kansas City Confidential - and you'll known where this hot potato is a-comin' from.

Terse, twisty, and more than a bit brutal, with performances from both main and secondary characters that are never short of excellent, 99 River Street is a real treat for hard-boiled Noir fans. This 'B' was an unknown quantity to me and gave me a real pleasant-as-cold-beer-on-a-hot-Sunday surprise. The plot turns and twists like a rattlesnake on ketamine, while the host of slimy villains oozing their way through the deitrus of the Dark City - when not force-feeding puppies! - reflect an ocean of corruption and moral decay. Even Payne is a very flawed hero, wrestling with wife-beating rage, and lashing out even at those who try to care for him. Stand-outs include Brad Dexter as a sleaze-ball crook, even more cunning than the homicidal private eye he played in Asphalt Jungle; and Jack Lambert, brilliantly playing the Dum-Dum psycho as always, as in The Killers, TheEnforcer.

99 River Street - 'B' Movie Hell, Pulp Noir Heaven!

Reviewed by telegonus 9 / 10

Payne Against the World

As in the the previous year's Kansas City Confidential, John Payne is a most put-upon protagonist. Directed by KC Confidential's Phil Karlson, and photographed in gorgeous black and white, alternately harsh and painterly, by Franz Planer, this one has Payne as a washed up prizefighter who must avenge his worthless wife's murder, not because he cared particularly for her but because he is (falsely) implicated in it. Payne has to take on a good number of unsavory characters, and proves himself if nothing else still a most able man with his fists. There's a nice feeling for fifties urban night life in this one, of a less than high class style. Karlson shows an almost Fritz Langian feeling for the traps people fall into, personal and criminal, and like Lang doesn't go much for self-pity. In the Karlson scheme of things guys get framed for things they didn't do every day, affluent crooks wear expensive overcoats and take cruises fairly regularly, while working stiffs get the wrong end of the stick every time. It takes a tough man to survive in this universe. Payne is not only tough he's so resolute and bad tempered as to make the real bad guys look like the respectable businessmen they claim to be. It's Payne Against the World in this one. Or Pain Against the World, as the character Payne plays seems to suffer as much from internal anguish as anything the villains of the piece cook up for him.

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