Hannah, after losing her twin brother 18 months ago, has moved into her
mother's shed and has stubbornly refused to move on. She and her
brother were very creative together and she continues her creative
efforts by making videos of thumb puppets traveling in space which
earns her constant criticism from her mother, who has taken a tough
love approach to forcing Hannah to move on by forcing her to vacate the
shed by her 30th birthday.
Hannah's mother, grandmother, suitor, and girlfriend are all delightfully quirky. If you like quirky, this movie is for you. These characters are not one dimensional, but all have strengths and flaws that are shown to us by a very gifted writer/director.
One explosion, no car chases, and no gratuitous violence make this a movie that does not waste ones time with formulaic nonsense for the brain dead. Instead it illustrates through actions the panic and struggle of letting go a loss so great that one thinks her life will never be the same, that it's impossible to move on. And the film illustrates the jolts of losing the precious things, one at a time, that keep her isolated and bound to her dead twin.
Yet there is nothing morbid or overly dramatic in this presentation. The film is full of humor. Hannah must look after a young boy whose mother is dying, knowing what he will face. Yet he's a young cowboy and his own quirkiness mirrors Hannah's, as does his journey. Hannah is pursued awkwardly by Brandon, a somewhat shy individual who manages to approach her at the worst times, like when she's peeing behind a boat. And her dead twin appears to her in snorkeling gear which may be a clue to his death, or just his sense of humor.
There's not a surprise ending to spoil. This movie is about the journey and not the outcome and like all good films, it's made up of moments which are captivating to watch and feel as well as some good laughs along the way. I highly recommend it.
Adult Life Skills
Adult Life Skills
Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
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April 19, 2017 at 04:27 AM