Action / Drama / Fantasy / Romance


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October 17, 2014 at 04:26 AM


John Goodman as Al Yackey
Holly Hunter as Dorinda Durston
Keith David as Powerhouse
720p 1080p
868.86 MB
23.976 fps
2hr 2 min
P/S 3 / 6
1.85 GB
23.976 fps
2hr 2 min
P/S 3 / 7

Movie Reviews

Reviewed by Nathan 10 / 10

A graceful swan song for Audrey Hepburn

This is a quality film, and it is one of the reasons why I think John Goodman is a really a good actor who often goes unnoticed. This movie would have been decent with any cast, but I think the combination of John Goodman, Holly Hunter, and Richard Dreyfuss really brought the story to life. Additionally Spielberg does a good job of incorporating the supernatural presence of Pete Sandich's ghost without relying on dramatic special effects. This movie is somewhat similar in theme to Ghost (which came out one year after Always), but Ghost focuses more on the supernatural aspects and goes to great lengths to show the ghost walking through doors and other objects. To a certain extent these special effects take center stage in ghost, whereas in Always you never see Richard Dreyfuss walk through anything. All of the cool supernatural stuff happens offscreen leaving the plot and the characters as the main focal point. That being said I think that the action scenes with the planes flying over the forest fires are really thrilling. It's beautiful, and intense. (I think it makes the dogfights in Top Gun look like a Carousel ride) Go rent this movie.

Reviewed by truthsayer2001 5 / 10

Why I love the film Always...

I'll just be honest here --- when I originally saw Always at the cinema in 1989, it was just a few months after my big brother passed away prematurely at the age of forty, and I'm not at all afraid to say that I cried like a baby. Like so many Americans, I have watched far too many films that i have taken to heart, but you know, Always is probably one of the final American films to ever really explore and display such deep human issues as unconditional love, mortality, and what a hero really is -- and isn't. It may be mushy, romantic, and a bit flawed, but I am proud that Spielberg made this bitter-sweet film -- I just saw it again and, if anything, it comes across as even more humane and honest in today's America of aggression, greed, and "relative" truth. If you've ever really, honestly, been so in love and committed to someone that you were willing to unconditionally put their needs before you own, or if you've ever lost anyone who meant the world to you, check it out. It changed my life when I first saw it because it made consider death in a new light... and it is about to totally change my life again as I have decided to live every moment for the rest of it as honest and decent and true to myself as possible --something that few of us today are willing to admit is lacking in our lives.

Reviewed by Mark Krasselt ([email protected]) 5 / 10

A film worth revisiting

It has been a while since I have seen this 'Always.' The years, I should say, have done this film justice.

A noted cinephile, I know when to eat my words, and this is one is for the books. Sincere. Honest. Touching. Obviously sparked with a late-eighties, Spielbergian hyper-real, cinematic extensions and flair, these elements do not bog the film downs as, say, with '1941' or 'The Color Purple.' And why should we expect modern filmmakers to be like those of the forties or fifties? Modern filmmakers are just that -- modern.

Holly Hunter is a walking dream and she has talent in droves. I have long had a crush on her and her funny mouth. She is simply enchanting and steals the show. Goodman, for once, is kept under control. Dreyfuss, with the thankless role of revisiting his past and commenting on the future, is the weakest link but only just. Sumptuously photographed by deftly edited, this story of unrequited love is as universal as mothers and babies. If it doesn't bring tears to your eyes, shame on you. The best advice to view this film is to forget it is a Spielberg film. Enjoy it for the love story that it is and sink into its voluptuous and charged charm.

We should all hope we become angels in the mist, able to return to Earth to right all the wrongs of the world.

This may be one Spielberg's most romantic films, next to A.I., which is a supremely magnificent film and, also, equally dismissed when it first arrived on the scene.

I urge all to give this film a second chance.

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