Action / Drama / Thriller

Rotten Tomatoes Critics - Rotten 31%
Rotten Tomatoes Audience - Spilled 50%
IMDb Rating 6.1 10 2948


Uploaded By: FREEMAN
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June 23, 2016 at 02:09 AM

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1hr 30 min
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Movie Reviews

Reviewed by zif ofoz 5 / 10

Life is a pain

And the only escape from the pain of life is total sensory deprivation! And this is what this story focuses on; those people in society who seek to escape the pain of living and the unintended or intended effect it has on the people in society who manage to live their daily life pain or not.

Each character has their own story and most of them are unhappy, mentally fragile, or have fallen into the pit of substance abuse. Only one 'the professor' seem to be truly happy in his life and of course by movies end he suffers the most. We have seen other movies with this format where what appears to be people living separate lives eventually converge due to one event.

'Anesthesia' is an OK movie well acted and edited and scripted. The story will keep your interest but at movies end - that's it. It ends and you get the message. It's a take it or leave it flick for me!

Reviewed by imizrahi2002 10 / 10

if you don't like philosophical, emotionally complicated, eloquent movies...

i'd DEFinitely say this movie is NOT for you...SURE it's flawed in ways i'd rather not discuss. i don't want you to be looking for the things that unsettled me. aside from the stories themselves. i've seen and see many, many movies. was born and raised in b'klyn, ny. this movie takes place in, mostly, manhattan(and places close enough to still be considered ny. although a commute away...). i rarely vote a score for a movie...but the ratings were ALmost low enough to dissuade me from seeing this. and that would've, truly, been a loss...i consider this movie to be a masterpiece in that it mixes lots of important thoughts and questions into the story. questions that need asking/addressing. i found it so thick with drama...or moments/conversation that i had to think about that i was almost overwhelmed. i was sooooo glad that i didn't see this in the movies. i had to stop it a number of times to absorb what had just happened...either emotionally or intellectually. and the cast! i can't believe NOTHING from this film was nominated i said, it IS flawed in certain respects...but overall? it's a 'wower'. but not a Hollywood movie. well...not a typical one,'s uncompromising in that it doesn't cater to being popular. though it IS successful in being ironically twisting in ways that'll make you feel like you've had a rough appointment at the chiropractor... some of the performances are noteworthy...and i think some of you will very much enjoy seeing actors you're familiar with(but don't know their names. yet...)from places like 'boardwalk empire' or 'buffy the vampire slayer'...falling skies/saints and sinners/mr of cards/the strain... i COULD go on. seriously. these are the 'lesser names'. but not performances... i haven't posted a movie review in quite a while...but i wanted no one else to ALmost miss this work of great storiestelling... and i ALSO, very much, wanted to thank those few reviewers that already posted reviews saying that it was good. you were the tipping points...

Reviewed by David Ferguson ([email protected]) 6 / 10

Planting cabbages

Greetings again from the darkness. The comparisons to Crash, the 2006 Oscar winner for Best Picture, will be numerous and understandable. However, rather than an expose' on racial tension, writer/director/actor Tim Blake Nelson turns his pen and lens towards the somewhat less profound, though still fruitful subject matter of suburban angst amidst the educated elite.

An opening featuring a violent mugging on the stoop of a NYC brownstone grabs our attention quickly, and rather than follow the immediate aftermath, we are instead taken back in time to study the characters and events leading to that tragic moment. The tangled web of intertwined stories is made up of no fewer than fifteen different characters, each of whom is impacted by what happens in that opening sequence.

Sam Waterston plays a beloved Columbia University Philosophy Professor who is exceedingly happily married to Glenn Close. Director Tim Blake Nelson plays their son, who is married to Jessica Hecht, and together they have a teenage son and daughter (Ben Konigsberg, Hannah Marks). Michael K Williams plays a big shot attorney who forces his best friend (K Todd Freeman) into drug rehab with a renowned doctor (Yul Vazquez), while Gretchen Mol plays the mother of two daughters and wife of Corey Stoll.

All of the above might seem simple enough, but Mr. Nelson's script jumbles things up for each character … just like what happens in real life. Waterston discovers that his prized pupil (Kristen Stewart) has psychological issues and needs professional help – just as he decides it's time to retire from teaching. While their kids are smoking pot and exploring sexual frontiers, Hecht and Nelson are dealing with a medical dilemma. During his rehab, Freeman is quietly confronted by a nurse while being let down by his only friend; and as Ms. Mol turns to the bottle to numb her daily pain, her hubby is making plans with someone else (Mickey Sumner) … and China may or may not play a role. Whew!!

Daily life creates many opportunities. Some of these turn out good, while others seem destined to create pain. It's that pain … sometimes quite arbitrary … and how we deal with it, which is at the core of these characters and their stories. There is also the always-present quest for truth and search for the meaning of life. We know we are in for a ride when Waterston's character says "I used to believe in nothing. Now I believe in everything." Worlds colliding at every turn keep the pace of the film brisk, and the familiar cast of actors allows us to easily accept each of the characters. A bit more polish on the script could have elevated this, but even as is, the film delivers a worthy punch, and has us questioning if we should be "planting cabbages" (Montaigne).

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