Beat the Devil


Action / Adventure / Comedy / Crime / Drama / Romance


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Downloaded 8,517 times
March 12, 2016 at 08:48 AM



Peter Sellers as Billy Dannreuther
Humphrey Bogart as Billy Dannreuther
Jennifer Jones as Mrs. Gwendolen Chelm
Gina Lollobrigida as Maria Dannreuther
720p 1080p
636.62 MB
23.976 fps
1hr 29 min
P/S 0 / 8
1.34 GB
23.976 fps
1hr 29 min
P/S 3 / 4

Movie Reviews

Reviewed by Justin Behnke 9 / 10

Amazing how clueless some people are

If you're a classic film fan, you're going to come across this film sooner or later. And chances are, being a fan of how movies were made back in the day, you'll understand what these creative folks were going for.

It's a satire/spoof! It's not a blatant attack on movies of similar genres (a la Naked Gun), but a subtle one because THEY PLAY IT STRAIGHT. And therein lies the genius of this film. It's a satire that's played straight. Even though the actors, bless their hearts, seem like they're sometimes about to bust a seam speaking the lines, they are intentionally trying to be serious. Every cast member, especially Edward Underdown and Robert Morley (as Chelm and Peterson), understood and delivered their lines to perfection. "The men of this world most in need of a beating up are all so incredibly large..." Or something like that. Hell, Bogart just sat back and let the humor flow all around him. And good old Jennifer Jones. The old Selznick factory product finally gives a performance that's not artificial. What's amazing is that renowned Italian actress Gina Lollobridgia took part in this production. My theory is, she didn't know what the hell was going on. They gave her the script, told her to play it seriously, and didn't clue her in on the joke. There had not been a film made like this before, and there hasn't been one made since.

Perhaps this film has served a lesson to studios over the years. Sometimes, I think some of todays satire/spoofs do venture close to Beat the Devil ground (Zoolander), but none of them ever reach it for fear of the audience not getting it, as I understand most of Beat the Devils audience of 1954 did not get it. Imagine Mike Myers playing Austin Powers straight, and not trying to be funny in all the situations he's in. To me, that would be immensely more funny.

Reviewed by Righty-Sock ([email protected]) 7 / 10

Bogart himself called it a "mess."

The plot, if you can call it that, concerned a group of six stranded adventurers in an Italian port whose plan is to buy up some East African land that supposed1y contains uranium… Double-crossing quickly becomes the name of the game as Bogart and his fellow conspirators (including Robert Morley, Peter Lorre, Gina Lollobrigida, and a seemingly endless parade of bizarre characters) outdo each other in inspired crazy way…

Bogart, trying desperately to maintain his composure, delivered such priceless lines as: 'I'm only in on this because the doctor told me I needed plenty of money. Without money I become dull, listless, and have trouble with my complexion." But his lines weren't the only offbeat ones… In a room where he's being questioned after being captured, while a firing squad goes about its routine work outside, he is asked straight-faced, "Now tell me, do you really know Rita Hayworth?"

The film is one of those rare items that viewers either seem to love or hate, no middle ground accepted… and declared that only the "phonies" thought it was really funny… Many reviewers thought the whole thing was a tasteless joke and decried the waste of time, talent, and money…

In any case, Bogart gave an immensely satisfying performance in his tongue-in-cheek role and the film itself has now become a regular attraction in Bogart film retrospectives… It is also an excellent example of how much Bogart had matured as an actor, since it is not easy to overcome apparently inept material and still give a performance with some meaning and substance…

Reviewed by jim_altman 10 / 10

Brilliant Dry Humor

Most of the reviews of 1953's "Beat the Devil" regard it as a Humphrey Bogart picture. Certainly his company produced it, but it is truly a John Huston film. Huston's legendary dry wit suffuses the whole enterprise from start to finish. Essentially, a comedy of errors, Huston's script, co-authored by Truman Capote, also serves up wry social commentary on a range of subjects from social position to the industrial world's exploitation of Africa, a place near and dear to Huston's heart. Jennifer Jones' prophecy that Africa will become an ugly place with "all those holes," has long since become a reality. A brilliant cast, with Bogie playing his typical world-weary existentialist, spiral avarice and misconception into hilarity; a comic exposition of the proverb, "What a tangled web we weave . . ." Often criticized for being unrealistic, Huston's and Capote's comic script has none-to-funny real parallels in the present day debacles of Enron and WorldCom. In "Beat the Devil," greed and deceit are brilliantly juxtaposed to reveal the ultimate folly of even the most devious criminal enterprise. This is a superior black comedy that plays even better today than it did 52 years ago.

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