No wonder this lacks the cult following of Hill and Rothmann's other
films--its myriad clashing elements suggest this movie's conception and
shooting might have occurred at widely spaced times, whenever money or
locations were available. Apparent female leads come and go. Sometimes
the focus seems on satirizing pretentious "beatnik" art a la "Bucket of
Blood." Then the film will stop dead for lengthy minutes of laughable
"modern dance" by alleged dancers of highly varied ability. (Even the
best seem in desperate need of an actual choreographer.)
Beautiful young women are being killed by an alleged "vampire" painter allegedly descended from a line of vampires/artists stretching back to the 11th century. It's anyone's guess why most of the characters seem to be early 60s hipster-parody Los Angeleans, complete with wanderings on beach and in balmy surf. Meanwhile, we're told a particular castle and bell tower date back to (again) an ancestral 11th century? It's all supposed to be one city. Apparently "Vampire" aka "Blood Bath" was shot in both Venice, CA and Belgrade, Serbia-- ah, the mysteries of international funding! Trust me, the locations do not become seamless in the editing.
This movie is bizarre and erratically well-crafted enough to hold interest, but it's still a disconnected mess that falls far short of the drive-in classics by Hill (Spider Baby, Switchblade Sisters) or Rothman (The Student Nurses, Terminal Island). It's a curiosity.
A crazed artist who believes himself to be the reincarnation of a murderous vampire kills young women, then boils their bodies in a vat.
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June 29, 2016 at 02:03 PM