Cannibal Holocaust


Action / Adventure / Crime / Horror / Mystery

Rotten Tomatoes Critics - Certified Fresh 65%
Rotten Tomatoes Audience - Upright 63%
IMDb Rating 6 10 42104


Uploaded By: OTTO
Downloaded 49,077 times
November 03, 2014 at 09:02 PM


Robert Kerman as Professor Harold Monroe
Ruggero Deodato as Man Sitting in University Campus
755.90 MB
23.976 fps
1hr 35 min
P/S 16 / 67

Movie Reviews

Reviewed by Snake-666 7 / 10

A clever,disturbing masterpiece of exploitation cinema

Professor Harold Monroe (Robert Kerman aka porn star Richard Bolla) travels into the jungles of South America to try and discover what happened to a group of three documentary film makers who have been missing now for some time. After locating a primitive tribe Monroe manages to strike a deal and salvage what is left of Alan (Gabriel Yorke), Faye (Francesca Ciardi) and Jack (Perry Pirkanen).

They say there is a fine line between genius and insanity and I think in ‘Cannibal Holocaust' director Ruggero Deodatto made that line as thin as possible. To call this movie depraved and sick would only give it half the credit it deserves because ‘Cannibal Holocaust' is meant to be sick as it shows how sickening our own society is but in the most morally corrupt way imaginable. Featuring numerous repulsive acts such as a real live turtle flaying, a foetus being ripped from a woman's body, rape, castration and impalement the film sets about to portray the `civilised' documentary filmmakers as no better than the primitive cannibals. Even though the actors are barely competent enough to do their job it becomes almost enjoyable (in a very sadistic way) to watch them suffer at the hands of those they have wronged. However, from a moralistic standpoint even watching this movie is wrong.

I don't think this is the type of movie you either love or hate on an entertainment basis but you either agree or disagree with how it presents its case. ‘Cannibal Holocaust' is certainly nothing short of an endurance test in viewing as the senses are raped by the foul imagery constantly portrayed within. Filmed on a shoe string budget with virtually no production values evident, ‘Cannibal Holocaust' has a disturbing realistic grittiness that is almost unparalleled by any other movie and a huge influence for ‘The Blair Witch Project' almost twenty years later. I feel that because the movie is so badly made and the very fact it was produced is more damning to society than the events portrayed within many people feel that it is nothing more than a senseless bloodbath with no redeeming features and a hypocritical storyline – and to an extent they are probably right! Whether the viewer appreciates or despises this movie is totally dependant on the viewer and it is unfair for anybody else to make judgements on that person based on their opinion of this movie.

‘Cannibal Holocaust' is not about a sharp storyline, great acting or superb special effects (though the unsimulated effects are generally good). Instead it is about humanity in general. If you believe you can cope with violent and repulsive imagery and scenes of unbelievable cruelty then go ahead and watch it but otherwise it is certainly one to avoid. Some people will probably find the moralising over such repulsive subject matter offensive and I can't say that I blame them. However, there is a message there and this movie makes an extremely bold statement. The question is though whether it was right to make the statement in this way? From an artistic standpoint it holds no real value but remains an interesting movie. My rating for ‘Cannibal Holocaust' – 6/10.

Reviewed by Helltopay27 10 / 10

A look into the evil of humanity

Ruggero Deodato may be the most hated film director on the planet for his disturbing exploitation masterpiece that is Cannibal Holocaust. It's truly one of the few films that lives up to the hype its marketing gives it. The posters scream, "The one that goes all the way!" How true. "Can a movie go too far?" I think in this instance, yes. Cannibal Holocaust is now and will always be the most disturbing motion picture ever made. The brutality in what it shows and the unbelievable disregard for emotion that the film makers portray is enough to make you shudder without actually seeing the movie. Some of the displays in the movie are hard to even believe a human being could think up such vile and putrid acts, and they're shown in raw, uncut form. Deodato doesn't try to stray away from the action or try to censor with camera tricks. He sticks the camera right into the mix and displays some of the most shocking and nauseating images ever put to film. Of course it's perverse, and of course it's putrid, objectionable, and all other vile things you can think of, but despite all this, it's still an incredible film; a true landmark in movie history.

The movie begins with a TV program about the documentarians who go missing - Alan Yates, director; Faye Daniels, script girl and Alan's fiancé; and Mark Tomasso and Jack Anders, both cameramen. NYU anthropology professor Harold Monroe heads to the Amazon to lead the search "team," which consists of a hardened jungle guide and his young, talented assistant. They witness disturbing and shocking rituals by all three local tribes, the Yakumo, Yanomano, and Shamitari, which is the beginning of the moral stand Deodato takes. After gaining some trust with the Yanomanos, Monroe discovers that the documentarian troupe had been killed. Frustrated with the Yanomanos' hostility and brutality, Monroe trades the group's footage (possessed by the Yanomanos) for a tape recorder. Back in New York, he views the material and discovers who the real savages are. As the film starts out, we sympathize with these four who, for the sake of information, go into the jungle for research, only to be savagely mutilated by brutal primitives. However, we come to realize that the natives were the victims of civilized society by being tortured and exploited in incredibly grotesque and inhumane ways by the documentarians, which ultimately lead to their demise in an incredible, horrifying, and disturbing climax. The climax is all the more disturbing that Faye, the script girl, received the full blunt of retribution, when she was, in fact, seemingly innocent and took no participation in the evil (and actually tries to stop it). The trouble is that she's powerless to the three other men in her group. What Deodato's intentions were to include a character like Faye is unclear, other than maybe to heighten the disturbing factor of the film's climax.

It pulls no punches. There is no chance for you to escape. Every time you think you're finally safe, you're slammed with more and more visceral content. It never stops. However, Deodato does make these horrifying and disturbing images into a cinematic masterpiece. What separates Cannibal Holocaust from other exploitative sleaze (other than being competently made and well acted) is the inclusion of subtle social commentary. Had this been a film that was grotesque for the sake of being grotesque (like Lenzi's later Cannibal Ferox), it would be as reprehensible as many claim. However, the movie instead tests our ethics and our stomachs with some of the most realistically gruesome images ever portrayed on film. The message is simple: while we can think of outsiders and, in some cases, primitives as savages, our hate and discrimination can turn US into the savages (such as racist hate of minorities). The film makes us look into ourselves. We came from savagery, and savages we are. The pinnacle of this is during a scene where the film makers impale a young girl that they just raped, and are smiling at the disturbing result. This also reflects what incredibly visceral images we as humans can find as entertaining, and also suggests that the media stages their sensationalized footage (like the film makers in the movie). And if not, it condemns the media for focusing on the violence and exploitation of the news instead of trying for honest journalism. How is easily explained. The team's goal was to produce harrowing and nasty footage, all to make into a "documentary," and obviously, the more shocking, the more unbelievable, the more successful, and staged the footage to achieve this. The all too obvious irony is that this film is in itself morally reprehensible, and still has an incredible following and fan base.

Though it is an incredible film, it's obviously not for everyone, especially the animal activist, as six animals are actually killed on screen, which is probably the most controversial aspect of the film, and the worst part of which is that the animal killings are actually unnecessary, and have no ground in the plot or morals of the rest of the movie. However, the fake human violence alone, whether it's simple gore or horrific rape, is enough to make it the most brutal movie experience ever. Other mainstream shockers such as Texas Chain Saw Massacre pale in comparison to the savagery of what is Cannibal Holocaust. Never have I felt so depressed after viewing a film, which is amplified by Riz Ortolani's beautiful, flowing melody that shocks and disturbs at times by playing during the most disturbing parts of the movie. If you are able to stomach the film enough to see it, hopefully you'll be able to look past the violence, disgusting material, cruel animal killings, and the outright evil this film depicts and see the true nature of a political statement. The downfall of the cannibal genre, Cannibal Holocaust truly stands in a league of its own.

Reviewed by Zombie79 10 / 10

A must see experience

Cannibal holocaust is a truly charged viewing experience; in all its 20 years of existence no other non mondo film (until maybe Men behind the sun) had such a reputation to shock, even today it is believed by some at the UKs trading standards to be an actual snuff film. CH is not the goriest film ever made, but in terms of themes and narrative its still the cruellest, most fascinatingly harsh piece of filmaking in the horror genre. Ive seen all the Traces of death, the men behind the sun films, and the Guinea pigs and I still think this is king. It is simply so well made, acted, atmospheric and the brilliant score by Riz Ortalani sets the scene so well. The fake documentary style never slips up. But perhaps the most unsettling thing about CH is that it is an exploitation film, and the scenes of animal cruelty (and even human) unsettle because they are being shown to promote a response...should you look away or not?Like I said Cannibal Holocaust is a truly unique experience, not some Gory novelty like Cannibal Ferox, and in this time of increased media coverage of true life atrocity maybe its pertinent? Maybe its just nasty cruelty, maybe it even dissapoints just have to see it to gauge you're own response. For me at least its a classic.

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