Charley Varrick


Action / Crime / Drama / Thriller

Rotten Tomatoes Critics - Certified Fresh 86%
Rotten Tomatoes Audience - Upright 83%
IMDb Rating 7.5 10 8498


Uploaded By: OTTO
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March 18, 2015 at 05:30 AM



Walter Matthau as Charley Varrick
Joe Don Baker as Molly
Andrew Robinson as Harman Sullivan
Norman Fell as Mr. Garfinkle
720p 1080p
814.12 MB
23.976 fps
1hr 51 min
P/S 3 / 6
1.65 GB
23.976 fps
1hr 51 min
P/S 0 / 13

Movie Reviews

Reviewed by ccthemovieman-1 8 / 10

Matthau Makes The Modern-Day Noir Work

This was a pleasant surprise; better than I thought it would be, although I shouldn't have been surprised since Walter Matthau usually plays interesting roles.

What I appreciated was the realism of the story, except for two things at the end of the film such as no one coming to investigate a loud chase scenes and firebombing? Overall, the ending, however, was a very satisfying one, and one that brings you back for future viewings. Matthau also makes the film realistic, as he typecast perfectly for this role.

Other than Matthau, the cast isn't a big-name one but a lot of familiar faces and names from movies in the '60s and very early 70s such as John Vernon, Sheree North, Joe Don Baker and Felicia Farr.

Andy Robinson, is a not a known name in movies because he did years of television, but viewers might remember him as the creepy "Scorpio Killer" in the first "Dirty Harry" film.

"Charlie Varrick" is considered a film noir even though it's 1973 and in color, but it's noir in story and that's good enough for me. This is definitely worth a look if you like crime films.

Reviewed by KEVMC 8 / 10

Slick, understated and intelligent.

Veteran small time crook Charley Varrick and his gang rob a small bank in the south west. Expecting modest takings, Charley is shocked to discover that the haul is $750,000. The catch is that the money belongs to the Mafia, who are soon on the trail of the robbers. Charley must devise a scheme to escape with his life, and hopefully the money as well.

This is a very pleasing piece of work all round. Directed with customery efficiency and style by Don Siegel, it twists and turns, always keeping you interested. Its helped by good casting. The ever watchable Walter Matthau effortlessly slips into the role of Varrick, Joe Don Baker is quite chilling as the ruthless hitman with impeccable manners and John Vernon extracts some sympathy as the Banker/Mafia man trying to smooth everything over. Add some pleasant locations and an intelligent script and the result is a very satisfying, if different '70s crime thriller.

As I watched this again last night on BBC1, I remembered that on its previous screening it was preceeded by an introduction by Mark Kermode. In it he commented on the fact that Matthau hated the film. After a second viewing I still can't imagine why.

Reviewed by Geofbob 5 / 10

Are we really seeing what's going on or is Don Siegel throwing dust in our eyes?

This quick-moving thriller demonstrates that cinematic amorality has been around a long time. Made in 1973, it allows crop-duster and bank-robber, Charley Varrick, played by Walter Matthau, to get away with a heap of stolen money, the theft of which has led to the death of about half a dozen people, including his wife. The movie is directed, in his usual snappy but artful way, by Don Siegel, who taught Clint Eastwood everything Clint knows about direction, but not necessarily everything Don knew.

The movie also demonstrates that in the days when movies spent less time on technical wizardry, they could spend more on character development. For example, on "Molly" (Joe Don Baker), a courteous but sadistic heavy from the deep South, who can beat a man to death without losing his cool or creasing his sharp suit. Other noteworthy character studies are Andy Robinson as Charley's sweaty, weasly accomplice; Sheree North as a two-timing photographer; John Vernon as Maynard Boyle, a suave but crooked bank owner; and Marjorie Bennett as a nosey trailer park resident.

The plotline is supposed to be that Charley expects to get only a modest sum from the bank heist, and then has to get his thinking cap and skates on when he realises he's taken a pile of Mafia loot. But Siegel teases us, and it's never very clear just how much Charley knows and how far ahead he's thinking; perhaps there was an insider and Charley knew about the big money before the raid. Overall, can we believe what we're seeing, or is Siegel playing with us, like Bryan Singer in The Usual Suspects?

Which leads to the third thing demonstrated by this and other Siegel movies - that current hotshots like Quintin Tarantino owe him a debt.

(Incidentally, those IMDb commenters who are offended by Charley bedding Boyle's secretary (Felicia Farr) because she is too young for him should check Ms Farr's DOB. Also, she was married to Jack Lemmon, Matthau's friend and film-partner, so the bedroom scene is something of an in-joke.)

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