Chernobyl Diaries


Action / Horror / Mystery / Sci-Fi / Thriller

IMDb Rating 5 10 55766


Uploaded By: OTTO
Downloaded 67,759 times
October 04, 2012 at 09:44 AM

720p 1080p
649.25 MB
23.976 fps
1hr 26 min
P/S 2 / 9
1.20 GB
23.976 fps
1hr 26 min
P/S 2 / 13

Movie Reviews

Reviewed by roasthead 10 / 10

I live in Ukraine, I was in Chernobyl,Prypyat. I know what it is!

I disagree with all previous reviews. I want to say that film was rather better in his genre(horror) - film wasn't filled with cheap scary tricks, as for me, it is important. Also, this point of view on that tragedy, which was in 1986, much better than others - we had better to laugh then cry! You don't see every year this tears and memory-concerts. They destroy bravest of people, who saved us many years ago (they aren't alive now)don't grateful to us. Because we create a great problem on that base. Do you, foreigners, know with what words we start 26 of April every year? No, you don't! In translation they will look like this:"Black pain, a day of black pain and death"(Chernobyl Eng. - Чернобиль ukr.; Chern-Черний - black; Byl- біль - pain).

I'm very grateful to the author of the film, he must continue it and film the second part an third. Also I recommend him to make an accent on computer game "S.T.A.L.K.E.R." in filming.

I want to add that when I was in area which is near Nuclaer station an both cities (Chernobyl, Prypyat) it is really scary, even if you know that radiation only kill and don't effect mutation. The author really good pass it to spectator (For example me). I have refelt the feelings that i'm in red forest again!

I strongly recommend this film to everybody!!!

Reviewed by Tyler Grubbs 7 / 10

Not as horrible as everyone's saying

This movie honestly isn't as bad as everyone's rating it. Sure, it had some predictable scenes and bad acting, but this isn't supposed to be a serious movie. If you going to see it with the mindset of it being deep and intellectual, you are more than likely not going to enjoy it. It uses tension to scare you more than anything else. Not very much gore and violence. It's worth seeing, despite everyone's reviews. I didn't know what was going to happen next for the majority of the movie. If you have to choose between this and "Cabin In The Woods" you should definitely see cabin. This, however, is worth seeing as well. I hope people who go to see this won't be expecting a intriguing movie with a deep story, and just go for the sheer excitement of the film.

Reviewed by DON NUKE T.O. 2 / 10

Chernobyl Diaries: Disastrous Waste

Bradley Parker's Chernobyl Diaries kicks off with a happy-go-lucky montage of American Euro-trippers goofing around to Supergrass's "Alright." It's a sequence you'd even groan about if your good friends whipped it together on iMovie. The video diary aspect of the film's title is established here, and soon after the overconfident douchey horror cliche, Paul (Jonathan Sadowski)charms (?) his brother's two friends into joining an "extreme tour" into Pripyat.

Haven't heard of Pripyat or Chernobyl? The writers were thinking of you (Paul: "Who here's heard of Chernobyl?" Natalie: "Isn't that where the nuclear disaster happened?"). I couldn't decide if Natalie was being written as a horror ditz (she wasn't) or if the expositional writing was beyond awful (probably). However, in retrospect, I wonder how many teens in the audience actually need Chernobyl explained to them? Near the end of the film, when two of the protagonists find themselves inside the ghostly ruins of the nuclear plant, the audience is let in on some important information: "We need to get out of here before the radiation kills us." This is good advice, seeing as their faces are melting. I wonder how convincing nuclear lobbyists have been at hiding the dangers of being near radiation.

I'm still trying to figure out why this film was made. The eerie presence of off-limit radiation zones has been masterfully handled in Tarkofvki's Stalker, which shouldn't even be mentioned next to this stinker. The tension between characters doesn't grow beyond "You're never there for me as a brother" and falls miles short of the complex relationships in Neil Marshall's spelunking survival-horror The Descent. John Boorman's Deliverance marks a more nuanced look at extreme tourism, where city slickers want to raft down an isolated river system before the whole area is flooded by new dams. The antagonists of the film are the locals who don't take kindly to cocky outsiders, and yet have no way of knowing that they will be displaced or drowned (see Up the Yangtze for a non-fiction displacement situation in China).

The closest Chernobyl Diaries comes to anything beyond a Ukrainian The Hills Have Eyes, is the attempt at portraying a conflicted character in Uri, the tour guide. He is old enough to have lived through the disaster, as well as the shifting political landscape, and as an ex-soldier he establishes his tour company because of what seems like limited financial options. The film hints at Uri knowing about the hidden radiation victims around Pripyat, and yet, while the tourists mess around in the abandoned homes, the big soldier has tears in his eyes. He also includes an abandoned carnival on the tour, alluding to a May Day celebration that never happened. Uri clearly feels for the workers whose lives were destroyed by the meltdown, and yet shows very little malice for the disrespectful brats he guides around. However, because he is the most physically capable, and possesses crucial knowledge of the place, he is of course the first to die. Keeping Uri alive would have resulted in a much more interesting film.

The writers were clearly not interested in investigating in any thoughtful issues. If the argument is going to be made that this is a horror film and is only produced to scare you, I'd suggest you pay your friends a dollar to jump out at you a number of times throughout the day. Excellent horror films are more than a popped paper bag. If we've forgotten about nuclear dangers (even amongst the recent Fukushima disaster), have we also forgotten how to haunt? None of the bumps-in-the-night were as chilling as the sick feeling caused by the depiction of radiation poisoning near the end of the film, and even this haunting feeling is tossed out the window for one final scare which shifts all the blame from Western tourists to the big-bad-probably-still-our-enemy-generic-Eastern-European-government. The thesis of the film seems to be "stay out of dangerous countries that can't even take care of their own issues." I remember looking through one of my dad's National Geographic magazines on Chernobyl and being horrified by the children born with major health problems and missing limbs. The image is still frozen in my mind. I'm not morally upset that the filmmakers turned these children into ravenous killer mutants, but I am disappointed at the wasted potential Chernobyl offered the filmmakers. Again, the film could have used Uri's heart.

There are 439 operating nuclear power plants in the world today, and that leaves me uneasy. This movie only leaves me uneasy about the state of film. It's as though Chernobyl Diaries was produced by a pro-nuclear committee: blame is shifted elsewhere, and the whole thing is easily forgettable. Cue the Supergrass.

BY D.P. Clark (a writer based in Toronto, Ontario, Canada)

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