Biography / Drama

Rotten Tomatoes Critics - Certified Fresh 88%
Rotten Tomatoes Audience - Upright 76%
IMDb Rating 7 10 4719


Uploaded By: FREEMAN
Downloaded 103,222 times
March 06, 2017 at 05:43 AM



Rebecca Hall as Christine
Michael C. Hall as George
Maria Dizzia as Jean
720p 1080p
866.08 MB
23.976 fps
1hr 59 min
P/S 46 / 260
1.8 GB
23.976 fps
1hr 59 min
P/S 41 / 212

Movie Reviews

Reviewed by paul_a_salt 8 / 10

A moving film about depression with a fantastic lead role

I'm going to write this review as if you had not heard the sensational and tragic story of Christine Chubbuck. If you are unfamiliar with Christine's story then I suggest you do not read into it before seeing this film. I shall reveal very little of it here.

The story concerns the real life story of Christine Chubbuck, a reporter in Florida in the 1970s. As an opportunity opens up at a bigger news station, Christine finds herself attempting to adopt the station manager's sensationalist approach to the news. The film details her struggle with depression and it's impact on her personal life and work.

The depression is seen as both the result and cause of Christine 's difficulty in connecting with others. Many characters throughout the film reach out to her only for her to pull away. The cyclical nature of depression is all too familiar but what's interesting here is that each character who reaches out to Christine is well meaning but insist on viewing her depression in their own way instead of actually speaking with Christine.

At one point Christine screams "why is no one listening to me?!" and it's true. No one listens to Christine. Her mother is certain that she just needs a man. The anchor on her news show is certain she just needs therapy. Her friend at the station is certain that she just needs ice cream. Everyone is so quick to offer possible remedies and solutions that Christine is actually overlooked.

This is exemplified in the "Yes, but" game as seen in the trailer for the film. In the game the speaker tells the listener their problems. The listener then suggests a solution to which the speaker replies "yes, but" and points out the issues with that solution. The idea may be to get to the heart of the speaker's problems or for them to simply run out of problems and start thinking about solutions but the effect is clear. The issues and concerns of the speaker are being dismissed, one by one. Often with just a few words.

This portrayal of the isolating effects of depression is very affecting. We see Christine attempt to bury herself in work, buying a radio scanner to listen in on police frequencies in an attempt to find the gruesome story she needs to gain recognition. As we see her hunched over her notepad listening to two police officers brag about sexual conquests, we can see the cracks starting to appear.

The entire film hinges on Rebecca Hall's ability to play a character who is simultaneously spiralling out of control and deeply sympathetic and fortunately she accomplishes this extremely well. She is magnetic to watch even as she shrinks into the backgrounds of the scenes in which Christine finds herself. Her awkwardness and frustration are told through tiny movements and gestures.

The film takes some liberties with the real life of Christine Chubbuck. Some people on her life have been omitted and some incidents have been made to occur later than they actually did for dramatic effect. However if you walk into this film without knowing how Christine's story ended then I am sure you will be as shocked as the world was back in 1975 and hopefully you will reflect on how you personally react to depression, in yourself and others. If you're anything like me you will emerge from the cinema desperate to know more about this enigmatic and tragic young woman.

The film is a very tense and uncomfortable slow burn with some surprisingly funny moments. Performances are excellent all round but this really is Hall's show and is an excellent showcase for her talents as a screen presence.

Reviewed by A_Different_Drummer 8 / 10

Not a simple review

Let's start with a truism.

Simple reviews are for simple films. This is not a simple film.

On the one hand, you have a drama based on a true story of a reporter in the 70s who had a nervous breakdown and ultimately self-destructed.

Films with "known" endings are always a challenge because, you have to ask, what is there to hold the attention of the viewer if you already know what happens? Here we have an answer: to hold the attention, we have Rebecca Hall's best-ever performance of her already-solid career. Dressed down, no makeup, she not only disguises her natural beauty (clearly seen in other films she has starred in) but actually creates a character that simultaneously engages and horrifies the viewer at the same time.

Her portrayal of real-life reporter Christine Chubbuck is not unlike one of those "suspense" films about a time-bomb that needs to be defused before it explodes and takes an entire building with it. The manic energy Hall builds is a show-stopper and one cannot avoid the prediction that this performance will be noticed, and honored, down the road.

On an entirely different level, however, director Antonio Campos never misses an opportunity to paint this story against a broader canvas, a canvas that is as appropriate to the events of today -- this review written on the eve of the Trump inauguration -- as it was during the 70s, when incoming president Ford "pardoned" outgoing president Nixon.

Campos achieves this by clever edits and inserts, the selection of a specific sound bite here, the choice of a special movie Chubbuck watches by herself there (for example, Christine on her free time chooses to watch Carnival of Souls 1962, a film about a heroine who goes quietly insane because she is not sure about who she actually is.) The fact is that the news media is no better today than it was then, and likely much worse. Years ago, MAD MAGAZINE did a satire on the NYT's motto "all the news that's fit to print," re-imagining it as "all the news that fits, we print." An argument can be made that the west's news services (90% of which are owned by only six corporations in 2017) are merely glorified ad agencies. At best, they are pushing endorphins. At worst (check out the 2016 scandal over the DNC) they are pushing ideas into people's heads that are partial and biased.

If Ms. Chubbuck were alive today, one doubts if she would be any more pleased with the job she so desperately tried to perform.

Highly recommended.

Reviewed by meeza ([email protected]) 9 / 10

One word: no not Christine, but REBECCA!!! WOW!

The true story of Christine Chubbuck is not a happy one, but it is an important one. Her story is lensed out in Director Antonio Campos' bio flick "Christine" (no there is not a creepy red car in this one). Christine Chubbuck was a 1970's reporter in a Sarasota television station who infamously & sadly committed suicide in a live television news broadcast. Chubbuck's story inspired Peter Finch's character in Sidney Lumet 70's classic "Network". I do have to report that Rebecca Hall's performance as Christine is the best one I have seen on screen by a lead actress since Jessica Chastain's work in "Zero Dark Thirty". And if you disagree with me, I will be "mad as hell and will not take your disagreement anymore". All kidding aside, Rebecca Hall totally transformed herself into Christine Chubbuck, from her quirky mannerisms to her isolated depression; it was worth a million bucks to see and hopefully come Oscar nomination time, the Academy will be hailing Hall with a Best Actress Oscar nomination. I still have my Hall pass, so I will be speaking about another Hall; that would be Dexter himself, Michael C. Hall. He delivered quite admirably with his portrayal of the station's main television anchor George; who is semi-narcissistic but also semi-caring; like most anchors these days; hence Brian Williams; just kidding, just kidding this is not the "life of Brian". Also superb with supporting thespian contributions to "Christine" is Tracy Lett as the station manager Michael, and Maria Dizzia as Jean the station's camerawoman and also a Chubbuck confidante. Now, Campos does excel in orchestrating "Christine" but the mood of the film is very gloomy as also its look. But this was most of all Rebecca Hall's showcase, and one that should not be tuned out by the movie going public. Signing off. ***** Excellent

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