Computer Killers


Action / Comedy / Horror / Sci-Fi

Rotten Tomatoes Audience - Spilled 44%
IMDb Rating 5.2 10 969


Uploaded By: OTTO
Downloaded 22,407 times
September 03, 2015 at 05:56 PM



Michael Gough as Dr. Christian Storm
Dennis Price as Mr. Pollack
701.10 MB
24.000 fps
1hr 30 min
P/S 2 / 5

Movie Reviews

Reviewed by Graham Rix ([email protected]) 10 / 10

Super 70's horror comedy

Horror Hospital is an excellent slice of vintage British horror, produced in the early 70's when films were getting gorier (notice the numerous decapitations). Michael Gough is on top nasty form as a doctor who performs brain experiments (sound familiar?) on his young victims, and Robin Askwith is the unsuspecting youth caught up in his evil schemes. Dennis Price has an amusing cameo, and there's even a 70's guy called Abraham with big hair. Lots of comedy action scenes too with motorbike-helmet wearing leather-suited baddies. This is a must see!

Reviewed by lost-in-limbo 7 / 10

Absurd garbage? You bet!

A worn out musician decides to take break and go a relaxing vacation. He chooses to stay at health farm located out in the country and on the way there, he meets a girl on the train going to the same place to see her aunty. The mysteriously mean, but crippled Dr. Storm, who's performing brain surgery on the holidaymakers and turning them into his obedient zombies, runs the resort. When the two teens find out about his insane experiments and learn that's their fate. They go out of their way to get away. But they not only have the doctor to face, but also his dwarf sidekick, an army of leather wearing zombies and that of a hideous monster.

Just wait a second, as I just pick up my jaw from the ground. Now, what was that all about!? "Horror Hospital" has got to be one of the most ridiculous and over-exaggerated horror films that I've ever came across, but you know what? I had a real ball with this blend of macabre and camp! That's high camp of a VERY demented type. The praise that I've given makes it sound great and I had a good old time with it. Although, don't be expecting anything particularly fresh and this deranged piece is one downright messy film that doesn't have any idea of the word coherence. So from that point it recycles the same old formula and leaves a lot of things up in the air. The cliches and predictability flows freely, without any sort of constraints. Also forget about logic in the script and story as that's thrown out of the window for absurd situations that don't make much sense. Actually the whole film doesn't make a whole a lot of sense, with the so many potholes and laziness. There's so much going on in the plot that there's such vagueness to everything and the problem is it tries to squeeze too much madness without explaining what happen before it and how it came to that situation. But all is forgiven because it's so abnormal and hugely enjoyable. So, just go with the flow because if you try to decipher what's going on, you'll receive a splitting headache for your troubles. The whole mysterious awe about what's going is just so hard to shake that I couldn't keep my eyes off it.

The actual story is no more then a melodrama disguised as a Gothic shocker, which spurts along some exploitation and black humour along the way. Actually, the whole thing turns into a black farce with everything being poked fun at and the blood splattering is pretty much in a comic book state. Because of that the violence isn't particularly gruesome and it doesn't make you squirm, but the gratuitous bloodletting and nudity does run freely. Damn those leather-clad zombies really do like to hand out a beating! The great thing about it is that everyone involved knows how stupid it really is and don't take the thing so seriously. The performances are plain awful and purely amateurish to say the least. But it's Michael Gough's hellishly campy performance that steals the lime light as the crazy Doctor and Skip Martin as Frederick the dwarf adds a cheeky vibe to the film. The dialogue joins it with its ineptness. But even though these things are terrible there's some energy amongst it and you can't go wrong with the tongue-in-cheek approach it takes. Another strong feature is that of the setting. The resort, which more looks like a castle on the inside, has an oppressive awe about it and the grand Gothic exterior makes it look larger and menacing than it really is. Being isolated in the countryside helps provide such a brood atmosphere too. Although, it's definitely hilariously bad, it still does have its eerie moments worked in. Also the robust score builds on the suspense and uneasiness greatly and the soundtrack is reasonably groovy. Well, what do expect from that era. Really, this is purely utter ham that breathes sadism and sleaze in a very cheap way.

No way can you call this a good film, because it's not. The aim of the flick is to entertain with it being heavily laced with bloody, sleazy and humorous context. Even if the production is pure rubbish, it does it effectively enough that I can see this becoming a guilty pleasure of mine. Only for people who really enjoy camp horror and if you do, you're in for one big treat.

Reviewed by Mike Hutchinson 10 / 10

Stunning Piece of British Deconstruction

This film is a wonder. If one was to happen across it one Sunday afternoon, sober and alone, one might struggle to immediately spot its worth.

However, do NOT pass this film by. Director Balch has here crafted a masterclass in horror/b-movie aesthetic and inconsistency. The gleeful abandon with which the film disposes of continuity and good sense is a constant joy - it impossible not to shout "REWIND" every 10mins.

Robin Askwith's frottage, Dennis Price's priceless mirror speech, the musical motorcycles, the guard Dalmatian, the zombie ticket-man, the slugman escape, the "sandwich incident", the hilarious incomprehensibility of Michael Gough's Doctor Storm's central plan, the delectable Judy Peter's, the greatest chat-up line in screen history (sadly unrepeatable here...) and one very fine facial performance after another from the diminutive Skip Martin.

Please, rent or buy this film, grab a your mates and a crate of cheap beer and keep the remote control nearby - this film, from the same year as The Wicker Man and Don't Look Now, defines the genre with its aggressive deconstruction of horror cliches and sizzling script.

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