Conan the Barbarian


Action / Adventure / Fantasy


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Downloaded 38,076 times
February 06, 2016 at 09:30 PM



James Earl Jones as Thulsa Doom
Max von Sydow as King Osric
William Smith as Conan's Father
720p 1080p
951.68 MB
23.976 fps
2hr 9 min
P/S 9 / 12
1.98 GB
23.976 fps
2hr 9 min
P/S 4 / 16

Movie Reviews

Reviewed by ([email protected]) 8 / 10

Brutal, uncompromising, and invigorating

In an age of Xena-esque fantasy adventure films (al la the tepid Scorpion King) It is startling to go back and see just how good this movie still is. "Conan" is not for the faint of heart, and not just for gore - there are far more bloody movies out there - but for the uncompromising warrior-ethos John Milius infused into his vision. There is nothing PC about this fantasy world. When he is asked "what is best in life?" Conan paraphrases Genghis Khan: "Crush your enemies, see them driven before you, and hear the lamentations of their women!" We are not led to believe he is kidding. It is true that Arnold is no great actor, but it is also true he has always stuck with parts he can handle, and he does a fine job as Conan, but the real star here is the director. John Milius is one of the greats, totally unappreciated in his time, and his sweeping scope and epic, gritty battle sequences add a dimension lacking from almost every other S&S film. There is a grim aura of doom pervading the movie that fits the original Howard stories to a T, and I think Robert E Howard would have really liked this movie. James Earl Jones gives a killer performance as the evil Thulsa Doom, rivalling Darth Vader himself. A last point in this film's favor is the score. Basil Poledouris turned out his best score ever for this film: Brooding, powerful and operatic, it lends the film a grandeur Hercules could only dream of. I must have seen this film 40 times and I still never get tired of it.

Reviewed by Thomas Jolliffe (supertom-3) 9 / 10

Great Sword And Sorcery Epic!

A cracking sword and sorcery yarn that has divided movie goer opinions since it's release. Some believing it's a beefy and shallow action movie, glossed up with big sets and fancy costumes. Others believing it is a truly eye popping visual feast of a film with hidden depth. The film was panned on its original release but since then has been something of a critical favourite. While the film is too murky and turgid at times, it is still engaging, despite needing to lighten up a touch, because this is based on a comic book after all. The film is fantastical but at the same time the film doesn't go quite as fantastical as the comic books did. This seems to be more based in reality but it still features a snake-man, giant snakes and witches.

The film follows Conan from childhood when his parents are killed and follows him through his early years as a slave to adulthood when he becomes a fighter and a thief. What drives Conan is pure bloodthirsty revenge on the man who killed his parents(James Earl Jones) and he is constantly spurred on by the belief he is doing his god's (Krom the god of steel) will. Conan constantly interprets important moments as messages from Krom.This film is so visual. The dialogue is minimal and yet meaningful. This gives the film a great atmosphere and really brings to mind two other fantasy action movies I really love, Crying Freeman and Highlander. They are all very similar in style. They all have the same strengths, in that they are both great looking, have a lead character driven by a spirit guide, controlled by his beliefs and a sense of destiny and all three have similar romantic subplot, all told with visuals, and little dialogue. They are all also blessed with unique and rousing scores. It's all very mythical and philosophical in each, with love at first site important. It is the love of the women that drive the men to their goals. In Freeman Dacascos wants to break away from his controlled regime, and take back his life when his love gives him the will to do so. In Highlander McLeod wants to lead a mortal life, to love and grow old with someone, to be human. Conan wants a life after he takes his revenge. The greatness of their romantic story and the purely visual way it is told is that during the movie he says only 5 words to her,and they all come in their first meeting. The film should not get away with something like that, yet it works well. The twist in Conan is that his lover sacrifices herself for him and in effect once he has achieved his goal the film is left with the feeling Conan has no further purpose in life.

The cast are good. Arnold was made into a star here. He is physically the best shape he's ever been in a movie. He is smaller than his bodybuilding days yet as big as he's ever been on screen and at the same time fleet of foot and nimble. Lest we not forget by the time he hit mega stardom he was in his 40's, but Arnold is truly in his prime here. It is a performance though of glaring inconsistency which is the likes of which I have never seen. It is at once his best and his worst performance. For all that Schwarzenegger does with a depth and humanity not seen in his films since, he overplays and looks amateurish in others, because of course he was an amateur here. What really does work is the chemistry between Sandahl Bergman and Schwarzy. She gets the best out of him and their scenes together are generally his best. Bergman received a Golden Globe for this and had Arnie consistently been as good as his higher points here, who knows? You get the feeling the philosophical side might occasionally have gone over his head. At times he would bawl out "Kraaoomm!!!" without knowing why he was delivering the line. Bergman is good. She is enigmatic and quite sexy in a "why is she sexy?" kind of a way. Bergman kicks ass and her dance background shows as she moves with grace. The showstoppers though are the supporting cast with the legend Mako, excellent as the wizard and narrator. Max Von Sydow is superb as king Osric and he gets some of the best dialogue but it is the chilling James Earl Jones who is particularly excellent as Thulsa Doom.

What makes this film great is the fact that it feels older than it is. It feels like a b-movie fantasy film from the golden ages of the 50's and 60's, with some of the charming elements of the legendarily cheap Italian fantasy films. The film even at times feels like it is dubbed. While all it lacks is a stand out Ray Harryhausen moment. The nearest we get is the giant snake. I would have loved to have seen more creatures and beasts in this movie with some HarryHausen effects but it come a tad too late really. Also Basil Poledouris' score is fantastic and old fashioned a big reason the film feels like it is from the golden age of this sword and sorcery quest movies. The score is the real standout part of the movie. It's very old fashioned, medieval and a bit baroque and works marvellously well with some rousing themes.

The film is directed with visual flourish by John Milius, whose tragically lame career since makes you wonder what happened. In that sense it has another similarity with Highlander as the even more talented Russell Mulcahy was never matched the quality or success of Highlander since. This is a top notch film that fantasy enthusiasts will love. ****

Reviewed by CelluloidRehab ([email protected]) 10 / 10

A Classic and the Best of Schwarzenegger !!

I have a soft spot in my heart for this movie, being that this is one of the first movies I can remember seeing. As I grew up I never stopped enjoying this movie and could come away with something new every time I watched it (now around 50+ times). The movie is multi-layered. On one level there is the action (which is very graphic). There is also philosophical layer (why am i here ?? that which doesn't kill you....). Mix that in with some wonderful cinematography (filmed in Spain) and very appropriately accompanied by dark, serious, foreboding music (by Basil Poledouris - who also did the music for Hunt for Red October) and you get the ultimate action movie (that is more than just an action movie - its the thinking man's action movie).

Conan is based on the work of Robert E. Howard. Howard once described writing the Conan stories (which were published in Weird Tales) as this : At sunset, he could feel the presence of Conan coming into his room, looming over him and compelling or forcing him to write the stories. The movie captures the spirit of Conan, as portrayed in the stories. He is one who has lived a harsh existence, yet endures. He has been everything from a barbarian, to a swashbuckler, to a soldier, to a thief, to a general and eventually to even king. He is considered a barbarian by all the people he meets, include those considered to be "civilized". Conan plays by his own rules and morals. Even though he kills, he does so in much the same way a tiger eats its prey. At the same time, he displays more humanity, mercy and honor than most of the civilized world. This movie is perfect in the above respects. John Milius (the director and co-writer) does an excellent job along with Oliver Stone (co-writer) in getting the feel of the stories into the movie world. Schwarzenegger is cast perfectly in the role of Conan. I don't think anyone else would have been able to pull it off as well as he could have and still kept the role in the way it was meant to be. Conan does not say much, but when he does you better listen because it is important. Along with Schwarzenegger, the rest of the cast does a brilliant job to support the story. James Earl Jones is wickedly evil and Mako is perfect as the reluctant sorcerer.

There are so many wonderful scenes that stick out in my mind. So many in fact that you should go out and see the movie for yourself (make sure you get the special edition DVD since it has extra footage and a great making of with all the cast including Schwarzenegger). By far my two favorite scenes/sequences of the movie are : 1) Prior to the battle in the desert, Conan says a little prayer to his god, Crom. This prayer embodies everything that Conan stands for. WHAT A PRAYER !!!. 2) The sequence thats starts from Conan's return to the Tower of Power to confront Thulsa Doom all the way to the end. It is wrought with meaning and some great cinematography. This movie is an absolute must see. 10/10

-Celluloid Rehab

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