Action / Animation / Comedy / Crime / Drama


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July 25, 2014 at 05:00 AM



Al Lewis as The Godfather
Scatman Crothers as Pappy / Old Man Bone
Philip Michael Thomas as Randy / Brother Rabbit
Ralph Bakshi as Cop with megaphone
720p 1080p
696.62 MB
23.976 fps
1hr 40 min
P/S 1 / 7
1.24 GB
23.976 fps
1hr 40 min
P/S 2 / 12

Movie Reviews

Reviewed by zetes 7 / 10

Very interesting

Streetfight (aka Coonskin) is a very unique film directed by animation pioneer Ralph Bakshi. It is an oddity of the cinema, and is very much worth seeing. It is live action mixed with animation, seemingly influenced on Disney's legendary Song of the South, almost as if it is a response to that flick. Philip Michael Thomas, later to become Don Johnson's sidekick on Miami Vice, and Scatman Crothers, most famous for his role in Kubrick's The Shining, are prison escapees. Charles Gordone and Barry White (yes, that Barry White) are Thomas' friends and plan to help him escape prison. They are stuck at a police roadblock, and Crothers tells Thomas a story about a black rabbit, a bear, and a fox who move from the South to Harlem in order to find a more peaceful existence. The story is animated, and provides a lot of wonderous things to see. Like all of Bakshi's films, most will be annoyed and will dislike the animation. True animation lovers will forgive its clunkiness and fall in love with its inventiveness. The movie is very violent, very sexual, and it is mostly about battles between the races. For a long time, I thought I was watching something extremely important, but after a while, especially after I got done watching it, it started to seem more like a run-of-the-mill blacksploitation flick, along the lines of Superfly. It's very sloppy and doesn't really say anything. Besides, isn't Bakshi white? Whatever the answer to that, Coonskin/Streetfight is still very much worth watching for animation aficionados as well as cult movie fans. 7/10.

Reviewed by Le Samourai 9 / 10

Fantastic examination of Racist Stereotyping

One of the most interesting movies to be classified as "blaxploitation," Bakshi's "Coonskin" is a rich text full of wonderful insight. He wrote it in collaboration with Scat Man Crothers and Barry White, who appear in the film as well. The racist imagery can often be disturbing, but the message of the movie was so powerful that the NAACP gave it an endorsement (but only grudgingly).

I highly recommend this movie to anyone who is interested in an examination of the pervading atmosphere of racism that Bakshi attempts to deconstruct. Wonderful stuff.

Reviewed by Julia Arsenault (ja_kitty_71) 10 / 10

A satire and a very,very urban retelling of the old Uncle Remus stories

I had watched this film from Ralph Bakshi (Wizards, Hey Good Lookin'), one night ago on, and I didn't see anything racial - I am not stupid. I do admit the character designs are a bit crude and unaccpectable today, but I think it's a satire and a very,very urban retelling of the old Uncle Remus stories that the Black American culture, created right down to the main characters and the blatant nod to "The Tar Baby" and "The Briar Patch." These aren't bigoted stories, mind you, but cultural icons created by Black Americans, and me being a white woman read and love those stories. And I also found it an interesting time-capsule view on the black culture in Harlem, New York in the 70's.

Well to get to the nitty-gritty of this film: This film is a live-action/animated film, which begins in live-action with a fellow named Sampson and the Preacherman rush to help their friend, Randy escape from prison, but are stopped by a roadblock and wind up in a shootout with the police. While waiting for them, Randy unwillingly listens to fellow escapee Pappy, as he begins to tell Randy the animated story of Brother Rabbit, a young newcomer to the big city who quickly rises from obscurity to rule over all of Harlem. You know, to me Rabbit,Bear and Fox are animal versions of Randy,Sampson and the Preacherman. An abstract juxtaposition of stylized animation and live action footage, the film is a graphic and condemnatory satire of stereotypes prevalent in the 70s — racial, ethnic, and otherwise.

So anyway, it is another good Bakshi movie. And should we sweep films like this under the rug? pretend they never exist? I think that would be a shame. I think we should watch these films entacted, and learn about what goes on back then, just how far we come since then.

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