Dawn of the Dead


Action / Horror / Thriller


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February 16, 2015 at 11:45 AM


George A. Romero as TV Director / Nick - Biker in Santa Claus Suit
Tom Savini as Motorcycle Raider
Ken Foree as Peter
931.03 MB
23.976 fps
2hr 7 min
P/S 7 / 70

Movie Reviews

Reviewed by The_Void 10 / 10

An undeniable masterpiece of cinema

Dawn of the Dead is concrete proof that extreme gore and violence doesn't always equal a dumb movie and that the two can make very nice bedfellows indeed. This film is a rare thing in that it will please both gorehounds and fans of art cinema, and there isn't a vast amount of films that do that. Aside from doing what I've just mentioned, this follow up to Night of the Living Dead established George Romero as a household name in many a gore fan's home and his trilogy of zombie films will ensure for ever more that the name 'Romero' and the zombie film will always go hand in hand. The plot of this film follows four survivors of the zombie apocalypse that has ensued after the events of Night of the Living Dead as they hold up in a shopping mall to try and hide from the events going on in the outside world. However, this poses another problem, as once their home has been built up in the midst of the atrocities; will our hero's be able to give up all that they have built?

The commentary on society and the trappings of consumerism that Romero appears to be keen to implement in his film come off as being somewhat muddled, due to the fact that it's lost under the reality that what we see our hero's doing makes absolute perfect sense. This, however, is where the genius behind the commentary comes into play; it's a depiction of what people within a consumerist society would do in this situation, which makes the commentary all the more potent. Despite it being a film about zombies, Romero implements a sense of realism into the proceedings, which works due to the fact that he never overindulges in anything. Sure, the gore towards the end is over the top; but even that is realistic as it is what you would expect a zombie massacre to be. Because of his sense of realism, we are able to care for the characters that Romero has presented us with, even though we really know little about them. The audience is able to put themselves into their situation and we are constantly given the feeling that we are actually involved in the events on screen. This makes the ending of the movie more potent by way of the sense of security that Romero has lulled you into throughout the movie, and at the end; we really feel for what is happening to our characters and even though we want to see the massacre happen (as that's why we're watching the film at the end of the day), we sort of don't want to see it at the same time. This kind of mind-game isn't carried off successfully very often, but Romero has it down to an art form here.

The movie benefits massively from a great score by Dario Argento's house band, Goblin. In fact, with the obvious exception of Suspiria; I would even go as far as to say that this is their best work ever. The score blends so well with the happenings on screen that it's impossible to have one without the other. Some films have a superfluous score, or one that doesn't add anything to the film; but it's undeniable that the score of Dawn of the Dead not only adds to what we're seeing, but 'makes' it. As many people will be tuning in to see gore, I am pleased to tell you that this film doesn't disappoint in that respect. It's one of the goriest films ever made, with many sequences reaching a level of disgustingness that is rarely seen in cinema (intestine dinner, anyone?). As you are probably aware, Tom Savini did the make-up effects for Dawn of the Dead and it is the film that made his career and established him as the gore guru that he is often seen as today. The film is also notable for a certain line that has been quoted more times than any other line uttered in any other horror movie. I am of course talking about the fabulous; "When there's no more room in hell, the dead will walk the Earth".

Dawn of the Dead is undoubtedly one of the most important films ever made. It inspired a barrage of rip-off's that are still being made today and it stands tall on many a horror fan's list of favourite horror films. Dawn of the Dead is one of the most recent films to inspire a remake and, unfortunately, it turned out to be terrible. Not that it matters, as the original is where it's at; and this film is an undeniable masterpiece.

Reviewed by Gary Dillon ([email protected]) 5 / 10

How much is that Zombie in the window

By turns horrific, hilarious, disgusting and absurd Dawn of the Dead is the work of a director truly on top of his game. Given almost total control (something which was to be denied Romero in later years) George Romero gives us his unique and vivid view of a world in absolute turmoil.

Not just a mockery of the hedonistic and empty America of the late 70's Dawn is also a parable or warning if you like of the brittle structure of society and how easily it can be disintegrated. Many have criticised the film for being too over the top and questioned the quality of the acting. This for me is one of the joys of the film, Romero uses gaudy sets and effects and combines this with comic book hero dialogue to lull us into a false sense of security. Then masterfully Romero pulls the rug out from under us and brings the reality of the situation crashing in on our heads.

Dawn stands alone well but really comes into its own as part of the trilogy to which it belongs. One theory of mine is that the Alien trilogy (forgetting the miserable fourth installment) takes a lot from the dead trilogy namely the pace and claustrophobia of the two which book-end the mass hysteria and over the top horror and violence of the middle film.

Undoubtedly one of the great Horror films of modern time. Or perhaps there is something about being the only people left alive and living in a shopping mall that appeals to the kid in all of us. 10/10

Reviewed by MisterWhiplash 10 / 10

Still my favorite horror film...

When you want brutal, look no further, but when you also want to see perhaps the greatest of all comic-book movies not based on a comic-book, it's in George Romero's original take on his continuing mythology. It's not just one of the towering horror films, or horror comedies (what will a poor dead fellow do when the escalator starts?!) but one of the great sequels, more ambitious and ass-kicking than its predecessor, with a filmmaker more confident and technically proficient with his abilities.

Romero didn't originally want to do *any* sequel to his original 'Night', but after a visit by some friends to a soon-to-open mall nearby his hometown of Pittsburgh, it struck a chord as to who would be coming here – and what so much consumerism in one place would mean. "Why do they come here?" one of the four survivors that happens upon this mall swarming with these flesh-eaters asks another. "This meant something to them. Instinct, maybe. This was an important part of their lives," he responds.

I don't think necessarily Romero meant to show the film as any sort of 'This is what will happen!" type of social horror thing. It's more about, this is where we are at NOW, and in that sense, though broader and a whole LOT bloodier, it holds a place right next to a film like Network as one of the magnificent satires of its time and place, and as much about what the public is like. Romero acts as both pessimist and optimist in this world though; past all the chopped limbs, exploding heads (oh yeah!), Tom Savini stunt and make-up and intestines ripped apart, what holds up the film for me is seeing these four characters come to grip with the horror they've made for themselves, holding up in this "paradise" of a mall.

Balls-to-the-wall horror, social horror, and some genuine paranoid horror stuff (note to self, never try and fire a gun at a single zombie when in a dark room full of electrical wiring and pipes), and plenty of rock and roll attitude, this is a personal favorite and the most entertaining horror film of its time. And the Goblin music soundtrack… yummy.

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