All star movie about the ebb and flow of various relationships in a small town in Oregon. Sweet charming and so by the numbers as to be like a bland store bought cookie. Its well done, but so unremarkable dramatically as to be almost a blank screen. What can you say about a film where I didn't know that Selma Blair was Greg Kinnear's wife until Morgan Freeman said who she was, nor could I believe that no one, other than Freeman was picking up that she was falling in love with another woman, we're no more than ten minutes in and already I have having trouble accepting what I was seeing. Lesbian romance aside this is an unremarkable movie. It really is. How unremarkable? It's so sweet that it makes Morgan Freeman unbearable in his patented role as great sage. Wait for cable.

Most of the picture appears to be a revisiting of Peyton Place where Greg Kinnear is totally lost in the world of love. He loses his first wife quickly to a lesbian relationship, rushes into a 2nd marriage where the woman has had a relationship with the man she sold a house to several years back. It is only when he cuts his finger to experience pain that he finds the true meaning of love with the emergency room doctor. It almost sounds comical but it is only that the unfortunate idea of tragedy saves this movie from being a disaster.

Morgan Freeman and Jane Alexander play an inter-racially married couple whose doctor son has recently died of an overdose. Alexander has had experience with inter-racial roles having starred in the 1970 hit "The Great White Hope."

As if this isn't enough, a young couple struggle to find love and the woman finds out from a seer that her young boyfriend has but a short time to live. He has come from a dysfunctional home where the mother left long ago. When tragedy intervenes, our pregnant widow is given the opportunity to go live with Freeman and Stevenson, both of whom wish to rebuild their shattered lives.

While depressing, the film does emphasize the continuity of life. It is the ultimate redemption of shattered lives picking up the pieces.

It is always puzzling when films of the caliber of FEAST OF LOVE are short-lived in the theaters, usually scantily attended in the shadows of the big, mean, noisy blockbusters. And when film buffs begin to believe that the meaningful movies only come from foreign sources, out pops the DVD release of a jewel like this film, a story so well written (Allison Burnett), directed (Robert Benton), and acted by a gifted cast to show under scrutiny that it is the equal of the best of the 'sensitive films'.

Based on a novel by Charles Baxter (and adapted by Allison Burnett, another extraordinary writer of his own novels CHRISTOPHER: A TALE OF SEDUCTION and THE HOUSE BEAUTIFUL), the story takes place in Portland, Oregon and examines the lives and love stories of myriad characters, each of whom is connected in some way to the father confessor of the town, one elderly professor Harry Stevenson (Morgan Freeman) who not only narrates the threads of the people's lives that round out this film, but also plays a significant role as a father of an only son who died in the recent past from a heroin overdose, a man bruised and experienced in the vagaries of life, supported by his wife Esther (Jane Alexander), both of whom cope with their loss by extending their love to young people.

Bradley Thomas (Greg Kinnear) is an artist and an optimist who own Jitters, a coffee shop, and is married to Kathryn (Selma Blair) who loves sports...and leaves him for a woman who awakens her lesbian longings. A young recovering drug abuser Oscar (Toby Hemingway) works in Bradley's shop and in a magic moment falls in love with a sensitive free spirit named Chloe (Alexa Davalos) and is hired by Bradley on a whim. Bradley doesn't understand the complications of love: he is an optimistic romantic, but with an indomitable spirit that allows him to progress through marriages like a hero! Searching for a place to live after his marriage fails, he meets real estate agent Diana (Rhadha Mitchell) who despite the fact that she is having an extended love affair with married David (Billy Burke), a relationship consisting solely of 'nooners' with wine and sex, sees the rare vulnerable goodness in Bradley and once again Bradley is in love, headed toward marriage. Meanwhile Oscar and Chloe share dreams for a perfect future despite a problem with Oscar's alcoholic abusive father Bat (Fred Ward) and some ominous warnings from palmist/card reader (Margo Martindale). At the heart of each of these affairs of the heart is the supportive Professor Harry, a wise man who observes reality and yet retains the courage to offer advice and love to all of the characters. In a short time Bradley's marriage to Diana fails as Diana returns to the now available David, and in a moment of angst Bradley wounds himself, is taken to a Dr. Vikashi (Erika Marozsán) for treatment and ends up falling in love yet again - and this time the feeling is wholly mutual. And just when the playing field of love seems even, a major tragedy occurs which bonds all of the players surrounding the wise Harry and Esther and the resolution of all of the aspects of the feast of love come round.

What makes this film so very successful is the gentle manner in which it is written and directed and acted. There is not a weak element here in this survey of the power and force of love. Some may find the generous scenes of lovemaking a problem, but these scenes are in integral part of the story and never border on the superfluous or gratuitous level. The cast is excellent: the pleasure of seeing actors of this wide age range work together in such a fine ensemble manner is doubtless due in large part to not only the individual actors of quality but also to the director. This is a beautiful film, happy and sad, tender and enriching, and hopefully will be seen by a large audience now that it is available on DVD. Highly recommended.

Grady Harp