Irwin Fletcher, or better known as 'Fletch' is a Los Angeles
investigative reporter, who quits his job and heads to Belle Isle a
vast 80-arce Louisiana plantation that he has inherited from his late
aunt. But soon after meeting the lovely attorney and spending the night
together, she is mysteriously dead the next morning. This is where the
trouble comes along, with a local lawyer telling him to leave town, and
a stunning real estate agent has come to make Fletch a healthy offer
for his estate. Though Fletch thinks there's something fishy about all
of this and he goes to hilarious lengths to figure the real truth about
why someone wants his land.
It never seems to amaze me, about how much I get out of this flick. Sure, there's nothing truly great about this feature and you can call it pointless and crude, but I never get tired of the shenanigans and Chevy's wittiness. You could say it's a guilty pleasure of mine that will always be a favourite, no matter what anyone else thinks. 'Fletch Lives' is basically more or less a vehicle for Chevy Chase's dry, smart-ass humour, and his prominently cunning persona. Really, that's about it. During this stage he was one of the funniest comedians in his prime. The others stars who appeared, in the likes of Hal Holbrook, R. Lee Ermey, Julianne Phillips and Richard Libertini basically play off Chase's character and fall under the mockery of his heavy-handed humour. But still, amongst their stupidity are fun performances from the support roles. The beautiful woman in the film seem to be there only for showpieces and to always fall under Fletch's charismatic appeal. Meaning they look nice, but really that's about it.
I'll even go to say that this sequel truly outdoes the original. By containing far more laughs and gags that actually work than that of the original. I don't mind the original, I like it. If you think this sequel is going to be just like the 'Fletch', forget it. It's far from it actually. While the original film was more a mystery story that led into ingenious gags. The mystery in this one takes a back step, and that's a BIG one too. The thin story and Chase's narration isn't much to go by, so most of the elements (or better put, little episodes) provided in the flick are their to give Chase some ammo to pock fun at, while dressing up in his offbeat disguises. In doing so, it basically comes off as parodying that of some movies (look at the title) and the southern states, especially by ridiculing the KKK and Religious gatherings. Some of these scenarios are embarrassing and have no meaning but to pad out the film. But that being said the action and laughs barely let up, as you just roll on with the sharp humour and punch lines. Honestly, its inane drivel that's for sure, but everyone pulls it off well enough. The comical aspect is basically tongue-in-cheek, with a touch of dry remarks and underlying sexual perversion. For some it might be offensive and lowbrow, but I couldn't help myself from raising a smirk from time to time. Chevy Chase's cool-as-ice performance was great fun, and I just enjoyed his manic absurdity overall and Cleavon Little was delightful as Calculus Entropy the caretaker of Fletch's estate.
Nothing will totally gobs-smack you about it, but it's just a sentimental favourite of mine, which I always find something joyous upon each viewing.
Comedy / Crime / Mystery
Comedy / Crime / Mystery
Fletch is a reporter for a Los Angeles newspaper, but he acts more like a detective. When an obscure relative leaves him a Louisiana mansion in his will, Fletch is naturally curious. Arriving in Louisiana, events occur that make him suspect that all is not well, and there is more to the property than he has been led to believe.
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February 14, 2016 at 09:53 AM