Action / Crime / Drama / Mystery / Thriller

Rotten Tomatoes Critics - Certified Fresh 78%
Rotten Tomatoes Audience - Upright 63%
IMDb Rating 6.9 10 41706


Uploaded By: FREEMAN
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July 12, 2016 at 09:55 PM



Harrison Ford as Dr. Richard Walker
Roman Polanski as Taxi Driver Who Hands Over the Matches to Dr. Walker
Emmanuelle Seigner as Michelle
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884.09 MB
23.976 fps
2hr 0 min
P/S 3 / 8
1.83 GB
23.976 fps
2hr 0 min
P/S 0 / 17

Movie Reviews

Reviewed by walterlv 10 / 10

An enjoyably stylish film that is quite thrilling without resorting to gimmicks or tricks

The title does not 100 percent reflect the atmosphere of the film. Yes, as Ford's character rummages through a strange city looking for his kidnapped wife he does become "frantic", it is in a very quiet fashion. No screaming or fits of hysterics, but you can sense it in Ford's acting. Speaking of acting, this film is almost all Ford and Emmanuelle Seigner, very few of the supporting characters make much of a mark here. For me, the most intriguing part is the almost total lack of chemistry between those two characters. Though they are in most of the second half of the film together, neither one cares a rip about the other's wish (him=to get his wife back, her=to get her money). But if you think about it, how much would a young, drug-pushing European girl and a middle-aged, successful American doctor have in common anyway? Theirs is an inspired pairing, and a very good movie is the result. Watch this one.

Reviewed by nycritic 10 / 10

Something Happened on the Way to Paris.

Roman Polanski has an interesting way of returning to tell the story of a simple person whose surroundings, while completely familiar, suddenly become alien and even dangerous. With ROSEMARY'S BABY, neighbors plotted against misguided Mia Farrow; in REPULSION, Catherine Deneuve lost her mind; in THE TENANT, another apartment became the center of some odd occurrences. Even in THE PIANIST, the main character, played by Adrien Brody, slowly gets the rug pulled off his feet as his surroundings become the setting for the horrific Holocaust.

FRANTIC came out in 1988 to critical acclaim but little notice but has since then enjoyed an interesting life on HBO who keeps playing it over and over again. A movie that tells the story of an American couple (played by Harrison Ford and Betty Buckley) who get caught in a web of intrigue while vacationing in Paris, France, FRANTIC is an exceptional and overlooked thriller that evolves slowly, but not too slowly -- deliberately -- and gives its main characters ample time to evolve from how we first see them to full blooded people in a nasty, alien, deadly situation.

Harrison Ford gives yet another of his powerful, masculine performances as Dr. Richard Walker, who is at the center of this intrigue, and his is a performance equally comparable to that of James Stewart in VERTIGO and THE MAN WHO KNEW TOO MUCH. As a tourist searching for his missing wife, Ford displays an amazing amount of control over his character who is virtually in every scene in the movie: we see how he goes from loving husband, to befuddled, to angry at the apparent nonchalance of the Parisian authorities, to flat-out taking matters to his hands, while thankfully not being overblown to the status of an indestructible male god wielding phallic guns that shoot endlessly for the plot's convenience and who not only gets his wife back but a sexy girl in tow. Watch for a quiet moment when he is talking to his daughter over the phone. We never cut to the daughter -- that would have ruined the sequence -- but the camera stays on his face as he speaks to her, listening to the haunting Grace Jones song that pops up ominously, and something she says gives us a hint he and his wife may have gone through rough patches, which tells layers of the Walker's dynamics together even though they're only seen together for the first 10 minutes. The restraint in his face is so intense that it's a wonder he doesn't explode in tears of rage and impotence, because he has to hide the fact that no, he isn't having a swell time in Paris, but also, Mom's gone missing, and no one seems to know what to do, and he is feeling like the world's closed in on him in this alien place.

A lesser movie would have had more exposition of the facts and used a more conventional approach. Polanski has always been a master of subtlety: the scene when Sondra Parker disappears is the best scene in the entire film because it's done without intrusiveness, which makes her disappearance the more troubling and even though Buckley only has several minutes of screen time, she is all we think about; the plot revolves around her. Never do we see flash-cuts; it's all left to us. Never do we see sudden red-herrings that lead nowhere -- here, like in the aforementioned Hitchcock movies, they build upon the story. Never do we see high officials closing in from all around -- this is a resolution that involves the players and only them. Music is kept to a low-key presence, scenes of violence only occur sporadically, which is uncommon for a thriller. Scenes are played out so we don't get too much information as to what exactly is happening, but not so little that allows for those pesky "surprise" endings. This only makes us go through what Ford is going through right to the end.

Interestingly enough, there is an extremely subtle comedy (also a Hitchcock trademark) interspersed throughout: scenes of emotional tension are followed by an almost casual references to humor, and much of it comes from Seigner who plays the tough cookie who only wants her 10,000 francs and even sprays mace on the faces of two Embassy officials (one of them played by John Mahoney) who don't give much help and also casually steals a wallet from a cab driver because, as she practically states, "He won't be needing it anymore." This is a great move -- to make this movie so totally dramatic would have made it feel longer than its 120 minutes.

FRANTIC is a stand-alone thriller from the 80s that feels anything but a product from that decade.

Reviewed by michelerealini 8 / 10

Roman "Hitchcock" Polanski

"Frantic" is the most Hitchcock-influenced movie of Roman Polanski. The director has touched almost every cinematic genre, although always with a special taste for mysteries and disturbing elements. That's his trademark.

"Frantic" is a more conventional movie in Polanski filmography, but it's very well done and the sensation of something disquieting –typical of his films- is always there. An American doctor (Harrison Ford) goes to Paris for a medical congress with his wife. In their hotel the woman disappears without explanations and Harrison Ford begins a nightmarish research throughout the city…

The film reminds us of the Alfred Hitchcock thriller "North by Northwest" (1959) –in that movie a misunderstanding is the motor of the story, here it's something similar but more enigmatic, because we don't know who kidnapped doctor's wife.

This is the first cinematic collaboration between the Polish-French director and his future wife, actress Emmanuelle Seigner –she's the girl who helps Harrison Ford in this adventure.

Intriguing and exciting: these are the words for "Frantic". Perhaps it's not considered among Polanski's most important movies, but it still looks fresh and entertaining.

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