Free the Nipple

2014

Action / Comedy / Drama

6
Rotten Tomatoes Critics - Rotten 18%
Rotten Tomatoes Audience - Spilled 35%
IMDb Rating 3.8 10 1391

Synopsis


Uploaded By: LINUS
Downloaded 55,211 times
February 16, 2016 at 03:54 AM

Director

Cast

Lola Kirke as Liv
Zach Grenier as Jim Black
Griffin Newman as Orson
720p 1080p
567.52 MB
1280*720
English
Unrated
23.976 fps
1hr 18 min
P/S 5 / 10
1.19 GB
1920*1080
English
Unrated
23.976 fps
1hr 18 min
P/S 2 / 7

Movie Reviews

Reviewed by randomepic person 10 / 10

Inspiration

This is a great and inspirational film. I've seen people complain about this film due to poor quality and i think they forget that film makers have budgets. Also their is a complaint that their aren't enough breasts in this film but i don't think they considered the fact that their might be a limit to nudity timings depending on factors like age certificates. Personally i think this is an amazing film. Its inspirational and helps raise awareness for an issue that should be addressed. It has skillfully talked about this issue and showing the strong views and stories of people from free the nipple i love this film. It truly makes you think.

Reviewed by krool1969 1 / 10

Massive hypocrisy

To be fair I turned this movie off almost at once. If you want to make a film about women's rights to be legally equal to men, and you title your film after a political movement to show breasts are not offensive, sexual or shameful you don't blur out the women's breasts. By doing so you are sending the exact opposite message. By blurring out the breasts this film is saying that they should stay covered because it might offend someone.

This film is a waste of time and money. It works in direct opposition to women's rights.

If you want to make a film like this you must have the courage to actually free the nipple. Otherwise, don't bother.

Reviewed by nvehlyn 1 / 10

Two problems

For a movie about female breasts, "Free the Nipple" has two major flaws: The first problem is that there is simply not enough screen time devoted to the Titular subject. I'd estimate that bare breasts are shown in less than half the screen time of this movie--a poor showing indeed. I've seen dozens of movies in which bare breasts are featured in 90 to 95 percent of the total running time. That's really the range you want to be shooting for to give female breasts the exposure they deserve. The second and more significant problem lies in the quality of female breasts cast in the film. There were a handful of worthy performances, but the majority of them were simply not up snuff. *Lina Esco's breasts turn in an excellent performance: round and perky, with just enough heft to bounce, but not enough to sag. *The second lead, Lola Kirke's breasts may have been technically larger as measured by cup size, but when viewed against her overlarge torso, they failed to produce the hour-glass shape necessary to please male viewers, who, in all fairness, likely make up at least half of the film's audience. *Pound-per-pound, Casey LaBow's breasts (full and symmetrical) give what is arguably the strongest performance in the film, but they are sadly underutilized. I can only recall three or four scenes in which they were featured, for a total screen time well under five minutes. Despite pretenses of progressive politics, this independent film hides and marginalizes African American breasts in the shameful tradition of mainstream Hollywood. Monique Coleman plays a substantial supporting role, but her breasts remain inexplicably hidden throughout the film, and undoubtedly would have added some much needed flavor to the mix. Two of the films' strongest portrayals come from an outstanding pair of African American breasts in the film's final montage sequence, but once again, their screen time is utterly brief and deserving of much broader coverage. This final scene does feature at least 20 different pairs of breasts in rapid succession, but the majority of these performances fall flat. Many are of the "pancake" or "banana" variety, and some even suffer from the unforgivable "lazy eye" syndrome. Perhaps most disturbing is the discriminatory casting the filmmakers seem to have practiced against breasts that have been augmented by surgical implants, which by all accounts make for the most satisfying and cinematic mammaries possible.

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