Fury

2014

Action / Drama / War

432
Rotten Tomatoes Critics - Certified Fresh 76% · 262 reviews
Rotten Tomatoes Audience - Upright 84% · 100K ratings
IMDb Rating 7.6/10 10 545862 545.9K

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Plot summary

In the last months of World War II, as the Allies make their final push in the European theatre, a battle-hardened U.S. Army sergeant named 'Wardaddy' commands a Sherman tank called 'Fury' and its five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany.


Uploaded by: OTTO
April 03, 2023 at 08:47 AM

Director

Top cast

Kyle Soller as Medic #1
Brad Pitt as Don 'Wardaddy' Collier
Jon Bernthal as Grady 'Coon-Ass' Travis
Jason Isaacs as Captain Waggoner
720p.BLU 1080p.BLU 2160p.BLU.x265
928.16 MB
1280*720
English 2.0
R
23.976 fps
2 hr 14 min
Seeds 19
1.95 GB
1920*1080
English 2.0
R
23.976 fps
2 hr 14 min
Seeds 52
6.03 GB
3840*1600
English 5.1
R
23.976 fps
2 hr 14 min
Seeds 69

Movie Reviews

Reviewed by RatedVforVinny 7 / 10

Accurate in some respects but fantastic in others.

This film let itself down in the end but was the first U.S war film Iv'e ever seen depicting the reality, that American soldiers were mostly mopping up Hitler Youth fanatics. Also showing that U.S troops were capable of atrocities, just like any other combatant (from other nations). The best part of the movie was seeing a real legendary Tiger Tank in Action. The one that is used in this movie (the only working one in the World), is Tiger 131 (housed at Bovington Tank Museum). Obviously in real warfare it would have smashed those American tanks to a zillion pieces. The ratio of Tiger to Sherman K.O's is 14 to 1. One Tiger knocked out 50 T-34's on the Eastern Front. The ending is the most fantastical war scene I ever seen. All of a sudden 'Fury' turns into Star Wars but way less believable. How do 100's of Waffen SS soldiers fail to beat a a severely crippled tank. It's highly unlikely that they would have been there at the end of the war (singing along a road). The SS committed beastly war crimes (true) but they were also crack combat troopers. My 10 year old boy stated the pure obvious.! "Why the hell did they not fire the boxes of 'Panzerfausts' they had at hand!" I'm sure everyone apart from the Director, was thinking the very same absurdity. Still there is more to like than dislike, so settling on a 7 rating.

Reviewed by Sleepin_Dragon 8 / 10

An energetic octane rush, but historically absurd.

Where to even begin.... I don't make out to be a historian, but I take a keen interest in this time period, it's a fascinating, horrendous era, this .... doesn't give any historical fact or detail, it's basically a shoot 'em up movie which happens to be set during The Second World War.

It surprises me that they didn't have someone beating Hitler up, uppercutting Goebbels in a bunker action sequence.

The Second World War, Hollywood style, some white amazing looking action sequences throughout, it's incredibly atmospheric, you can almost smell the gunpowder and feel the tension.

I hate myself for saying it, but I love this film, it's Brad Pitt and Shia laBeouf both absolutely nailing it.

If you watch any reviews, or read many of the written reviews, you'd come away thinking this film wasn't worth your time, my advice would be to try it, but know what you're getting.

It's absurd, but it's so enjoyable.

8/10.

Reviewed by bob-the-movie-man 7 / 10

"Ideals are peaceful, History is violent"

I can't make my mind up about "Fury". As an escapist war film, it delivers well in a clichéd sort of way. But is it a true reflection on what the latter stages of WW2 were actually like? I doubt it. This film certainly doesn't paint American soldiers in a good light, although after slogging their way across Europe for months on end, facing sense-numbing death and destruction on a daily basis, perhaps it is a realistic portrayal? I just don't know, and would be interested to hear the views of any veterans who were there.

In many of the classic war films of the 50's and 60's, such as "The Longest Day" or "The Great Escape", when people were shot they just threw their arms in the air and fell down: sanitised death – – "war is hell", but let's not show it on screen. Spielberg's "Saving Private Ryan" rather changed all of that, with 15 minutes of the most visceral footage seen to date, which even D-Day veterans agreed was frighteningly realistic. Spielberg followed that with the remarkable "Band of Brothers", with some of the scenes – notably those in the Belgium forest – showing a realistic level of violence but more importantly bringing home the true mental anguish of war. Brad Pitt in (and on) Fury David Ayer's "Fury" differs from this masterpiece in two notable ways: firstly, the 'Tarentino effect' seems to have been brought into play with a level of violence and gore that seems to have gone over the top: heads fly off and faces come off with gay abandon; secondly, the US tank crew at the heart of the film seem to be so cold and brutal that you care very little about what happens to them – cracks in the hardened shell of Brad Pitt's character are not referenced again or followed through satisfactorily. Even the rookie crew member (a very good Logan Lerman) turns from pacifist shirker to hardened nut-job faster than you can say "Dead Nazi". As such, your emotional attachment to him gets severed pretty early on (in fact this is such an unbelievable transition that a "1 month later" subtitle could have been judiciously added at this point).

The tightly knit tank crew (Pitt, Lerman, Shia LaBeouf, Michael Peña, Jon Berthal) all spark off each other well, with LaBeouf as the bible-quoting Boyd Swan being particularly memorable.

The gorgeously vulnerable Alicia von Rittberg plays Emma as the one and only love interest in the film: and for once, Brad Pitt doesn't get the girl! This tense encounter is one of the best dramatic moments in the film. And Harry Potter's Jason Isaacs also delivers a great cameo as a scarred and embattled Captain Waggoner.

In terms of the film-making, it is an effectively put together film by David Ayer ("Training Day", "The Fast and the Furious") who also wrote the film. Real life tanks, from Dorset's Bovington Tank Museum, were used with South Oxfordshire standing in for rural Germany. The 'Zulu-style' climax is tense albeit very far fetched, with German's conveniently choosing to regroup and think about it for a few minutes while dramatic and more reflective moments go on inside the tank.

Music is by Steven Price (his first film score following his Oscar success with "Gravity") is effective – mixing electronica, orchestral and choral to good effect in the more dramatic scenes.

All in all, an enjoyable if rather gory romp with some memorable scenes that stick in the mind after the lights come on. If you watch blood and gore films with your hands over your eyes, this is one you might want to miss: your viewing time will be severely limited! Certainly not as bad as it could have been, but more and better character development could have perhaps turned this from a good war film into a great war film.

(If you enjoyed this review, please sign up to receive my future posts at bob-the-movie-man.com. Thanks.)

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