Hickey & Boggs


Action / Crime / Drama / Thriller


Uploaded By: OTTO
Downloaded 14,332 times
December 07, 2014 at 01:29 PM



James Woods as Lt. Wyatt
Bill Cosby as Al Hickey
Robert Culp as Frank Boggs
Ed Lauter as Ted
720p 1080p
815.14 MB
23.976 fps
1hr 51 min
P/S 2 / 3
1.65 GB
23.976 fps
1hr 51 min
P/S 0 / 1

Movie Reviews

Reviewed by Raegan Butcher 10 / 10

gritty modern noir

Fans of neo-noir should take note of Hickey & Boggs, made in 1972. It has a tart and tangy early script from the great Walter Hill and stars Bill Cosby and Robert Culp as two private dicks who are so down on their luck they can't afford to pay their phone bill. The I-Spy duo give excellent performances Bill Cosby is great. This is my favorite Cosby film. Robert Culp, recently deceased,also directed, and he shows a very sure hand behind the camera.

I was quite surprised by the quality of this film after hearing about it for a number of years. Hickey & Boggs has a gritty downbeat vibe and it feels more desperate and low-rent and real than most private detective movies. A forgotten gem from the 70s.This is certainly one of my favorite films.

Reviewed by bmacv 8 / 10

Culp directs self, Cosby in brutally effective early-70s noir update

Action and suspense films from the early 1970s have a distinctive period flavor to them. The surprisingly effective Hickey and Boggs – co-star Robert Culp's sole directorial effort – embodies that disillusioned and dissolute era of movie making. The rough and choppy editing, the oddly cropped shots keep the viewer on edge; so do the less than pristine cinematography and the cacophonous sound track, with dialogue overlaid on a constant, dull background roar of ambient noise. Often this proved to be a recipe for pretentious but empty disasters and cynical exploitation films; here, it all works to keep the level of unease – of menace – uncomfortably high.

Bill Cosby and Robert Culp play the title characters, a couple of down-on-their-luck Los Angeles private investigators. (Many moviegoers of the era apparently expected a big-screen reprise of their successful pairing in the television spoof of the 1960s, I Spy; how wrong they were.) They are engaged to find a missing woman by one of those creepily effete characters who, since Peter Lorre's Joel Cairo in The Maltese Falcon, exist only to set up private eyes in the movies. And as they go about their sleuthing, they uncover a trail of brutally murdered corpses, a situation which does not endear them to the police. They come to learn that the woman they're tracking holds the take from a robbery of the Federal Reserve Bank in Pittsburgh some years before; they've been hired as finger men by one of a number of murky but vicious groups seeking to retrieve the cash.

The movie forgoes crisp, clockwork plotting for a generalized miasma of corruption, duplicity and malaise. There are allusions to the turbulent politics of the times in the involvement of black militants and Chicano radicals; there are whiffs, too, of the specter of newly hatched sexualities that threaten the status quo. At the scene of one murder, they find crushed amyl nitrite poppers and gay porn, while the jaded oldster who engages them suns himself on a towel sited suspiciously close to a set of swings where young children are cavorting; for that matter Culp, in his cups and a masochistic, self-pitying mood, watches his ex-wife flaunt herself in a strip club to be ogled by drunken strangers.

The malaise, of course, becomes murderous in Walter Hill's very violent screenplay, touching Cosby's character (his estranged wife ends up tortured to death). Still, the two dead-end dicks soldier on, more though one another's goading than from any code or commitment – they're both on the verge of giving up and sliding down into the vortex of lust, avarice and revenge that has become their world (and by extension, THE world). Describing Hickey and Boggs makes it sound like the ultimate downer; it is, but it's an uncommonly compelling piece of film making, and one that has pretty much fallen through the cracks of movie history.

Reviewed by grubstaker58 10 / 10

A Potent Dose of 70's L. A. Noir

Still another lost gem from the "Golden 1970's".It ranks right along side "The Long Goodbye" and Night Moves" as a super slice of "Modern Film Noir"-- 70's Los Angeles style.It truly is character driven (Boggs ,looking for clues under a murder victim's kitchen sink, see's a mouse-trap and then a mouse...he unloads the trap.)Yet there are very impressive , deftly staged ,action sequences...-a mid-day shoot-out in an eerily empty L.A. Coliseum and a night-time bullet exchange in a crowded Dodger Stadium parking lot.The Mob, the Cops , Black Militants, Latino Militants, marital problems...These guys(HIckey&Boggs) are in way over their heads and carry their just dusted off guns- in towels, for crying out loud. But they have each other's back and they're gonna "finsh the job". A Classic.

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