"NOW I OWE YOU!.......YOU PUT TWO HOLES IN ME"!
20 Century Fox's HOMBRE is an excellent and engaging western! Although somewhat unappreciated when it was first released in 1967 it has since gained cult status and is now recognized as a splendid example of the genre. Like the brilliant "The Stalking Moon" made the following year HOMBRE initially suffered from the drop in appeal of westerns with the general public that occurred in the sixties. But now with the production of the western all but extinct and western fans yearning for it to make a meaningful return (sans inane revisionist remakes like the awful "3 Ten To Yuma") - Hollywood's past efforts at producing them in the forties, fifties and sixties have gained considerable popularity with a younger generation. This has resulted in the works of John Ford, Raoul Walsh, Anthony Mann, Delmer Daves, Budd Boetticher and Henry Hathaway becoming just about as popular today as they were all those years ago.
From a fine novel by Elmore Leonard HOMBRE was brilliantly written for the screen by Irving Ravitch and Harriet Frank. Produced by Ravitch and Martin Ritt it was beautifully photographed in Panavision and Deluxe colour in the mountains of Arizona by veteran genius cinematographer James Wong Howe ("King's Row"/"Body & Soul") and was masterfully directed by the underrated Martin Ritt.
Paul Newman is John Russell - a white man raised by the Apaches. He is a discriminated passenger on a Stagecoach occupied by an array of quirkish characters. Jesse (Diane Cilento) is on her way to Bisby to start a new life after her marriage proposal is turned down by (about to go bad) Sheriff Frank Braden (Cameron Mitchell) ("I don't want a wife Jesse...I want out!"). There's Dr. Favor (the always wonderful Fredric March) as the Indian Agent who has just embezzled the Indian funds from the reservation accompanied by his beautiful and pert wife (the lovely Barbara Rush). And Cicero Grimes (Richard Boone) who intends to hold up the Stage and with his waiting gang make off with the Indian funds. But after a series of events in which Russell kills some of the gang and retrieves the money it falls to him to lead the hapless passengers all the way back to town on foot. They take refuge in an abandoned mine-works fending off Grimes and his men until finally Russell confronts Grimes face to face and his Mexican gunman (Frank Silvero). "that Vaquero is more than a fair hand with a gun" Grimes warns Russell followed by what is a climactic but ultimately tragic fast draw shootout.
Performances are quite exceptional from the entire cast! Newman is terrific in what is one of his best ever roles. It is certainly the best western part he played. Terrific too is veteran Fredric March in what would be his third and final film. The rarely seen Diane Cilento (Mrs. Sean Connery at one time) is superb in the female lead and never better is Martin Balsam as the Stage driver. But the acting honours has to go to Richard Boone as the baddie with the cracker of a name Cicero Grimes. His role not terribly unlike that which he played ten years previously in the Randolph Scott classic "The Tall T". And lest we forget the effective brooding score contributed by composer David Rose which lends a melancholy and reflective quality to this memorable and outstanding western.
Classic line from HOMBRE....... When Grimes sees he has been duped by Russell with empty saddle bags he snarls quietly......."Well now....and what do you suppose hell is going to look like?".
Action / Western
Action / Western
John 'Hombre' Russell is a white man raised by the Apaches on an Indian reservation and later by a white man in town. As an adult he prefers to live on the reservation. He is informed that he has inherited a lodging-house in the town. He goes to the town and decides to trade the place for a herd. He has to go to another city. The only stagecoach is one being hired for a special trip paid by Faver and his wife Audra. As there are several seats others join the stagecoach making seven very different passengers in all. During the journey they are robbed. With the leadership of John Russell they escape with little water and the money that the bandits want. They are pursued by the bandits. As they try to evade the bandits they reveal their true nature in a life threatening situation.
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