Hue and Cry


Action / Adventure / Comedy / Crime

Rotten Tomatoes Critics - Certified Fresh 74%
Rotten Tomatoes Audience - Upright 74%
IMDb Rating 6.9 10 1042


Uploaded By: OTTO
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July 02, 2015 at 02:18 AM


Alastair Sim as Felix H. Wilkinson
Andrew Sachs as Schoolboy
720p 1080p
695.57 MB
23.976 fps
1hr 22 min
P/S 1 / 6
1.23 GB
23.976 fps
1hr 22 min
P/S 0 / 1

Movie Reviews

Reviewed by iamian16 9 / 10

"Oh how I loathe adventurous-minded boys!"

Though I don't think this film is particularly well regarded, or even known; this is a splendid little tale of youth as the adult world would prefer it and a rather kindly mentor in the lugubrious shape of Alastair Sim. The plot hinges on the now unknown pursuits of comic strips and collecting vehicle registration (licence) plate numbers.

The humour is more subtle and understated than in the later films, indeed one can feel the transition with the years through films such as The Magnet and The Maggie before we reach the true classics of the genre.

Finally, though many will link the name of the great Alastair Sim with Ealing Comedies, am I right in thinking that this, the first of the Ealing Comedies is the only one to feature him?

Alastair is better known working with other studios I believe.

Reviewed by BJJManchester 7 / 10

The First 'Ealing' Comedy

Generally reckoned to be the first 'Ealing' comedy,a fondly-regarded series of gentle,humorous satires of British life in the late 1940's-early 1950's,this is actually more of a rowdy,fast-paced crime caper than what gradually developed to the above familiar style of this famous film studio.However,it is none the worse for that,with an amusing script and speedy direction by Ealing veterans TEB Clarke and Charles Crichton,and efficient performances by a mostly teenage cast.Looking from a 21st Century viewpoint,it is an astonishing fact how UK teens dressed (in dull tweed suits) and behaved (no guns,knives or bad language) in the pre-rock n' roll era;in this more cynical day and age,it would be the adults stopping the kids committing crime rather than vice versa.This actually helps the film in giving it a quaint period charm which will never be recaptured,as is the well-photographed scenes of war-torn London.Alastair Sim is billed first but the real leading man is inimitable cockney actor Harry Fowler,while the usually genial Jack Warner (a little uncomfortably) is the main adult protagonist,a ruthless villain;Sim is enjoyably buffoonish as a cartoonist,but his is basically a minor character and little seen despite his top billing. The highlight is the final battle between the criminal gang and London street urchins who seem to swarm over their prey like soldier ants.The sequence is funny,exhilarating,thrilling and even spectacular.

HUE AND CRY isn't the best Ealing comedy,and not necessarily the most typical,but despite dated elements is still largely very enjoyable and pleasantly nostalgic for older film-goers.

RATING:7 and a half out of 10.

Reviewed by Glen Readman 10 / 10

Great, Little-known British Post-war Comedy Drama, with Noir Overtones

When I was a 'nippah', I used to go to the cinema on a Saturday Morning, this was one of the films that they showed. It made an impact on me that I always watch it again and again.

A film made in the bombed out post-war east London. It was a proto brat-pack movie (watch out for a very adolescent Anthony Newley). This film is a treasure and a classic that transcends time and generations. The plot is around a bank robbery, but around this are the bombed out scenes of the East End of London, in which the kids made their playground. These scenes are contrasted with the bright, sparkling and summery photography. There are many memorable scenes. Such as the boy re-enacting an aerial dogfight on a bombsite. He makes noises of aircraft, machines-guns, flak and bombs. These are complemented by his gestures. This scene has a genuine intensity to it, the war had obviously made an impact on him, and this intensity is shared. The other scene is that when the group of youth have to negotiate the sewer, we are shown into a subterraenean world. This had to be filmed on location, how could you build a sewer in the studio on a limited budget?. There is also the other scene where the gang manage to trap one of the female villains, they extract the necessary information from her by one of the boys threatening to unleash one of his pet white mice on her.

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