Indiana Jones and the Temple of Doom


Action / Adventure


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September 11, 2012 at 06:37 PM


Harrison Ford as Indiana Jones
Steven Spielberg as Tourist at Airport
George Lucas as Missionary
Dan Aykroyd as Weber
720p 1080p
801.37 MB
23.976 fps
1hr 58 min
P/S 1 / 11
1.75 GB
23.976 fps
1hr 58 min
P/S 26 / 169

Movie Reviews

Reviewed by Jonathon Dabell ([email protected]) 6 / 10

An entertaining experience, but unable to match the sheer brilliance of the original.

Indiana Jones and the Temple of Doom is the second of the Indy films from director Steven Spielberg, though chronologically it is actually the first. This prequel to Raiders of the Lost Ark tries to out-do its predecessor for breakneck spills and gross-out moments, but the sparkle isn't quite there. It's an entertaining film for sure, but not as good as the original, partially because the plotting this time round is a little awkward and partially because Kate Capshaw as the main female character is an almighty irritation.

The film opens in a Shanghai restaurant, where Indiana Jones (Harrison Ford) causes a riot in pursuit of a diamond. Fleeing the scene with American singer Willie Scott (Kate Capshaw) and teenaged pick-pocket Short Round (Ke Huy Quan), he escapes to the airport. However, Indy and his companions unwittingly board an airplane owned by one of Indy's enemies, from which they have to make an audacious mid-air escape when the real pilots bail out mid-flight! Soon, the intrepid trio find themselves in India, where they come across a village in the grip of starvation. The village children have been kidnapped by local cultists to work in a mine, digging for the sacred Sankara Stones, and Indy is persuaded by the distraught villagers to rescue their youngsters. His quest takes him to the opulent Pankot Palace and, beneath it and beyond a maze of tunnels, the Temple of Doom.

Ford is great as Jones, bringing genuine charisma to a role that he was born to play (can you imagine how things would have turned out if Tom Selleck had got the part, as originally planned?) There are some great moments along the way too, including the intentionally subversive opening sequence in Shanghai, a particularly funny and exciting runaway mine-train sequence, and an unforgettable banquet at Pankot Palace in which the food served up is enough to churn any stomach. But Indiana Jones and the Temple of Doom still can't live up to the standard set by Raiders of the Lost Ark. As mentioned, Capshaw is a real pain on the senses as the always-squealing heroine, and the plot seems to over-stretch in an effort to link to the next development or set piece. The hunt-for-the-missing-children plot device allows Spielberg to dip into the kind of cloying sentimentality that occasionally mars his films too. This is certainly an entertaining and professionally assembled film, but in no way a rival or an equal to the excellence of its predecessor.

Reviewed by jhaggardjr 9 / 10

Prequel to "Raiders of the Lost Ark"

It's funny to call "Indiana Jones and the Temple of Doom" a followup to "Raiders of the Lost Ark". This film is a prequel to the 1981 smash hit, a movie where the events that take place actually took place before the events in "Raiders". Notice at the beginning of "Raiders" that the year is 1936. In "Temple of Doom", the year is 1935. See what I mean? "Indiana Jones and the Temple of Doom" is another rollercoaster ride of a movie brought to life by Steven Spielberg and George Lucas. Harrison Ford is back as archaeologist Indiana Jones who this time searches for a sacred stone that was stolen from an Indian village. Along for the ride is American singer/entertainer Willie Scott (Kate Capshaw, aka Mrs. Steven Spielberg) and little Chinese sidekick Short Round (Ke Huy Quan). On their way to finding the stone they stumble across a palace that leads to the gateway of the Temple of Doom run by an evil Thugee cult. The action and special effects are first-rate as you would expect, though the story is a tad weaker than it was in "Raiders". Plus, Capshaw's performance leaves something to be desired. She goes so far over-the-top in some scenes that you'd wish Karen Allen would show up as Marion. Nevertheless, Capshaw isn't all that bad. She does make an impression during the times when she's not screaming. But Ke Huy Quan (now known as Jonathan Ke Quan) comes off better as Indy's young sidekick. The following year he starred in the Spielberg produced Richard Donner directed "The Goonies", but then didn't appear in much after that. "Indiana Jones and the Temple of Doom" is great fun only if you can get by Kate Capshaw's simpering wimpering character or the over-the-top violence. I found it to be exciting from beginning to end.

***1/2 (out of four)

POINT OF INTEREST: this was the film that lead to the creation of the PG-13 rating in 1984 (along with Spielberg's other 1984 movie "Gremlins"). Both "Indiana Jones and the Temple of Doom" and "Gremlins" feature violence that most people felt was too strong for a PG rating, though the MPAA felt that it wasn't strong enough to merit an R rating (other Spielberg movies that got PG ratings that were quite intense were "Jaws", "Poltergeist", and the original "Raiders of the Lost Ark"). So after "Indiana Jones and the Temple of Doom" and "Gremlins" opened in theaters at the beginning of the summer movie season of 1984 and became two of that year's biggest hits, the MPAA realized a new rating had to be created. The PG-13 rating was born. In August 1984, the first movies were released with the new PG-13 rating ("Red Dawn" and "The Woman in Red"). It's not a new rating anymore. The PG-13 rating has held up very well these last 18 years and it'll still go strong in the years to come. But I'll always remember "Indiana Jones and the Temple of Doom" as the leading factor to the creation of the PG-13 rating.

Reviewed by Kristine ([email protected]) 9 / 10

One of my favorite sequels!

I know that there are a lot of haters when it comes to Indiana Jones and the Temple of Doom, it has it's flaws and is by no means the strongest movie of the Indiana Jones series, but I just have so many good memories about this film and still to this day when I watch it, it gives me chills and excitement. The characters are memorable, the script is great, and Indiana is still pulling in the action packed excitement continuing from Raiders of the Lost Ark. The direction, editing, even the special effects are great. You have to love Short Round and Willy, the two new side kicks to Indiana's new adventure. Now I agree, Willy can get a little annoying here and there, but she was just so hilarious in that scene with the bugs and having to save Indiana and Short Round. Plus, Short Round has some of the most memorable lines of the entire series "Okey, dokey, Dr. Jones, hold on to your potato!", cheesy, but so funny. Harrison Ford still has Indiana down to a tee, this was the role that was meant for him.

In this prequel, we start off in China on a trade off gone wrong with Lao Che, he ends up meeting a beautiful and very high maintence American girl, Willie. They escape together with Indiana's little side kick, Short Round and accidentally without knowing, they've escaped onto Lao Che's air plane. They wind up in India, where they find out about these rocks that can restore the village they're in, also the children have been kidnapped by Mola Ram and Indiana must free the kids and restore the rocks so the village can be safe again.

Indiana Jones and the Temple of Doom is a fun sequel, I don't know why people complain so much about it. I can understand if people say it's the weakest of the series, but on it's own, this is a fantastic movie. It's one of my biggest recommendations to my friends as well as other film viewers. It just has everything you could want: action, romance, alligators, and heart sacrifices, lol, OK, that sounded gross, just trust me this that this is such a fun movie. It's one of my favorite films, I know that sounds bad, but I just love this film. It's a lot of fun and Indiana and Short Round are just the best buddies to watch argue on screen. This is an awesome sequel, definitely a must see.


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