Little Caesar


Action / Crime / Drama / Film-Noir / Romance


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December 19, 2013 at 12:55 AM



Edward G. Robinson as Little Caesar - Alias 'Rico'
Douglas Fairbanks Jr. as Joe Massara
Sidney Blackmer as Big Boy
720p 1080p
693.73 MB
23.976 fps
1hr 19 min
P/S 1 / 3
1.23 GB
23.976 fps
1hr 19 min
P/S 1 / 6

Movie Reviews

Reviewed by ccthemovieman-1 8 / 10

Dated, And Some Acting Suspect, But Still Good Viewing

Boy, is this gangster movie dated but Edward G. Robinson makes it so entertaining! Robinson, like James Cagney, can dominate a film. He certainly does that in this movie, and is sure fun to watch as "Enrico Bandello."

Everything about the movie, including the DVD transfer (although a lot better than the VHS) is dated-looking and sounding, but that helps make it interesting. The dialog is so passe that it's almost weird. I put on the English subtitles so I could understand everything because the slang of those days is something foreign to us nowadays. The different expressions of the day are fun to hear (and read).

The acting by the man (Thomas Jackson?) who plays the main cop is also strange, very wooden-like. He just didn't sound natural. Some of the other actors were likewise, others were fine. It was one of the early "talkies" so maybe things were still needed to be smoothed out, film-wise and acting-wise. In other words, some of the actors sounded professional and others amateurish.

The following year, James Cagney's "Public Enemy" came out and was much better, production-wise. What a big difference in the camera-work, for one. This film may not be the caliber of "Public Enemy" but it's still good and one to have in your collection.

Reviewed by Donald J. Lamb 7 / 10

"Is this the end of Rico?" - Yes, But the Start of My Favorite Genre - Mob Movies

LITTLE CAESAR was made at a critical time in U.S. history. Prohibition was in, the depression was overwhelming, and mobsters were running rampant. I don't think the filmmakers realized it, but they have made a movie that paints the "Mafia" as glamorous and flashy. A message appears before the flick, telling the public how "we" must stop gangsters like Tom Powers (James Cagney,PUBLIC ENEMY) and Rico, (Edward G. Robinson, LITTLE CAESAR). The movie probably had youngsters and adults alike wanting to live the life of a man who had a city in his grasp, and no one who was anyone was "yellow". All seriousness aside, this blueprint of a long history of mob pictures is silly, dated, and damn watchable. You can't take your eyes off the screen.

A film with dialogue like the ultimate cliche "Go on. I'm...done for" must be a waste of time right? Not if you appreciate pre-historic cinema and the Vitaphone films of the early talkie period. Actors like the great Edward G. Robinson were born to talk and deliver lines at machine gun pace. This is what the audiences of the time were looking for. And that mug. Audiences would not see such a face on a gangster until Brando's GODFATHER. If you love GOODFELLAS, THE GODFATHER, Cagney and Bogart films, and even PULP FICTION, this is a must see. Experience an American original - the first potent "La Cosa Nostra" movie. Rat tat tat tat tat!!!

RATING: 10 of 10

Reviewed by Camera Obscura 5 / 10

Still holds up very well

Seminal gangster film about the rise and fall of Enrico Bandello, a Chicago hoodlum, based on the novel by W.R. Burnett. The prototype for Enrico was, like so many other gangster heroes, mobster Al Capone. If you know a little bit about his life story, you got your basic gangster plot for practically all films that followed, like Tony Camonte in SCARFACE.

This film was the first of "the big three", together with PUBLIC ENEMY (1931) and SCARFACE: SHAME OF THE NATION (1932) and provided the blueprint for the modern gangster crime flic. It was the first gangster film to reach a wide audience and launched Edward G. Robinson to stardom. The story is simple and straightforward and might feel a little overly familiar to modern audiences, but the film lost little of its power and still holds up pretty well. It's a tough movie, but mostly tough talking with not much violence on screen.

But the film would probably be instantly forgettable without Robinson's superb performance. Whenever he's on screen, his presence is incredibly menacing. The rest of the cast is so so, but Thomas Jackson as Flaherty, Rico's nemesis, gives a wonderfully cynical performance, mocking Rico and all the other gangsters. Like most other early gangster films, it lacks the real emotional depth and complexity that came with later films, like the French gangster films of the fifties or THE GODFATHER and was made primarily as popular entertainment. Pleasant entertainment nevertheless with Edward G. Robinson portraying the first classic gangster role in screen history.

Camera Obscura --- 8/10

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