Mulholland Falls


Crime / Drama / Mystery / Thriller

Rotten Tomatoes Critics - Rotten 31%
Rotten Tomatoes Audience - Spilled 39%
IMDb Rating 6.2 10 13743


Uploaded By: OTTO
Downloaded 23,948 times
October 09, 2014 at 05:34 AM



Jennifer Connelly as Allison Pond
Rob Lowe as Hoodlum
John Malkovich as General Thomas Timms
Melanie Griffith as Katherine Hoover
720p 1080p
812.60 MB
23.976 fps
1hr 47 min
P/S 1 / 6
1.65 GB
23.976 fps
1hr 47 min
P/S 4 / 5

Movie Reviews

Reviewed by randywhitten 8 / 10

An Unexpected and Pleasant Surprise.

After years of reading bad reviews about Mulholland Falls, I recently turned on this DVD with low expectations and was totally surprised by how much fun this great little popcorn movie was; right down to the soundtrack . Great cast, great look and about as much logic and charm as the old 50's detective magazines. After seeing Nick Nolte in this, I'm now hoping to see him in a future Tarrantino movie. Nolte would also be a perfect fit in one of the upcoming Sin City sequels. I also have new respect for Roger Ebert, one of the few critics who enjoyed the movie for what it was meant to be. It seems to me that those who didn't like this movie, missed its point. While this isn't Academy Award material, it's a hell of a lot better than the critics would make you believe it was.

Reviewed by mhoney-1 7 / 10

Pretty good cop thriller (spoilers within).

...Or at least that's kind of what this movie reminds me of in only the most basic ways. This film is okay, with good performances and a mildly-engaging plot, but the finale is kind of lackluster. Mulholland Falls is where the elite L.A. Hat Squad takes unwanteds to teach them a lesson. Nick Nolte is the world-weary boss. This is not one of his best performances, and he seems to overact just a little bit. Chazz Palminteri is his best friend, a short-tempered member going to sessions with a psychiatrist to help deal with his anger. Meanwhile, Chris Penn and Michael Madsen have little to do, though a scene where Madsen tries to pick the lock on a gate to a military base rather than have Penn blow it off is a funny bit.

They are trying to figure out how a girl found out in the desert was killed. Apparently impact with the ground did it. She was Nolte's mistress for six months during his marriage to Melanie Griffith. The trail leads to Gen. Thomas Timms (John Malkovich) who also knew the girl as his mistress. Malkovich turns in another good supporting role as a cancerous military man. Treat Williams, one of the officers and the real bad guy, turns in a fairly mediocre job.

All in all the movie falls short, but it does include some nice uncredited turns by Bruce Dern as the Chief of Police, and Rob Lowe and "CSI"'s William Petersen as a couple of hoods. (The latter of which is taken to the title location)

Reviewed by Robert J. Maxwell ([email protected]) 5 / 10

Derivative cops & corruption

It's not an awful movie but it comes rather late in a cycle of cops vs. corruption in high places during the fifteen years between Chinatown (set in 1937) and L. A. Confidential (1954) and encompassing True Confessions (ca. 1948) and Farewell my Lovely (1941). That is to say, we've seen much of this before. So have the writers, the director, and the composer. So instead of John Huston as a corrupt entrepreneur we have John Malkovich as an apparently homicidal head of the Atomic Energy Commission. The period is evoked by clothing and cars, especially a big black Buick convertible over which the camera lingers like a proud lover. But, forsooth, what ugly beasts they were, weighing as much as a Sherman tank, getting the same mileage as a prime mover, having the suspension of a giant trampoline, and decorated like a whore with chromium and fake louvres. The cops occupy the same gray area as the cops in L. A. Confidential or any of the other similar movies, dumping unwanted gangsters off "Mulholland Falls," their mocking name for a steep hill off Mulholland Drive.

Good cast, though. Nolte brings his brute-force persona to the role, gravel voiced, tough, inelegant. Chaz Palmintieri is a semi-comic sidekick (not his forte) who is, we can tell before too long, fated to undergo what so many other devoted partners without prominent roles undergo. Malkovitch is great as a wheezing, dying, ex-general who gets off a good riff on how, since atoms are mostly empty space, the very floor we stand on, our very own bodies, are little more than empty space giving off an illusion of solidity.

(I used to tell my classes the same thing and when I was finished and waiting for the applause, I'd notice that everyone was staring at me as if I'd turned into some kind of marmoset.) Jennifer Connolly has only a few lines, but what lines they are! There are few more gorgeous creatures than she now gracing the screen. Melanie Griffith is given a washed-out very blonde look. She delivers in her small part what is probably her most intense and believable performance. At no time was I ever embarrassed for her. Treat Williams is pretty good as an eminence verte. The other actors aren't faceless -- we recognize Baldwin and Ed Lauter -- but they might as well be.

The art direction lacks the temporal precision found in Chinatown or Farewell My Lovely, where even the tumblers and highball glasses were diachronically sound. Except for some subtle work in the general's house. The living room is, without ostentation, pretty gruesome in its decor -- stuffed pheasants, a table lamp that stands on (get this) stuffed deer feet!

No wonder the general babbles on about atoms. The score is as derivative as the rest of the movie. Dave Grusin has borrowed heavily from Chinatown's melancholy theme, arpeggios on plucked strings, and tremolo violins bespeaking uneasiness.

Underneath it all, though, it's another cops vs. villain movie. There are a couple of shootouts, a double plane-throwing, one or two mashed bodies. The characters are almost desperately differentiated but they are not captured. They don't do things like get a shave while they argue with other customers and banter with the barber. The film doesn't really seem to HAVE much of a setting, and it doesn't have much in the way of inhabitants. The scenes are strictly functional. Nothing is lingered over. There is no beauty here.

On the plus side, there are some great shots of a DC-3 (or C47), one of the most pilot-friendly aircraft ever put together. Some of them are still flying commercially after 50 years. How friendly are they? A crew was flying one through dense fog over Greenland during the war when the flight started getting very rough indeed, pieces of ice banging against the fuselage, vibrations, terrible shocking bumps. Then the engines stopped entirely and the plane slowed to a halt. The crew found that they had made a wheels-up landing atop a glacier without knowing it. On the negative side, a minor carp, in the scene when we first meet Treat Williams, a radio operator in the background says something like "Tango three, out." Wrong phonetic alphabet. In the early 50s it would still have been "Tare three, out."

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