My Darling Clementine


Action / Drama / Western


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May 28, 2014 at 05:01 AM



Henry Fonda as Wyatt Earp
Victor Mature as Doc Holliday
Walter Brennan as Old Man Clanton
Ward Bond as Morgan Earp
720p 1080p
752.08 MB
23.976 fps
1hr 37 min
P/S 4 / 12
1.64 GB
23.976 fps
1hr 37 min
P/S 3 / 8

Movie Reviews

Reviewed by Lechuguilla 10 / 10

Shakespeare In Tombstone

Set amid the sweeping vistas and the towering sandstone buttes and spires of Monument Valley, this John Ford film, about Wyatt Earp (Henry Fonda) and his encounters with the Clanton gang in rowdy Tombstone, Arizona, fulfills our need to experience the Old West as mythic romanticism. The visuals are striking. El Greco skies oppress a majestic and lonesome landscape of rock, dirt, dust, and cattle. Ghostly human figures confront death in heavy rain. Indoors, small, overhead lanterns emit soft light in tough barrooms. The B&W cinematography conveys a somber, moody, idealized vision of the nineteenth century American frontier.

But the film's romanticism is not just the product of adroit cinematography. The relaxed narrative weaves multiple, seemingly insignificant plot lines into a unified whole, and thus depicts the Old West as a place and time of humor, wit, religious faith, amiable conflict, even poetry and philosophy.

And so, in his heartfelt soliloquy of "the undiscovered country", Granville Thorndyke (Alan Mowbray), that congenial thespian rogue who quotes Shakespeare and who seems so out of place, adds texture and soul to the script, as a precursor to violence and death. This is after all ... Tombstone.

Inspired by the real life gunfight at the OK Corral, the story is less factual than suggestive. It's not just the film's fanciful portrayal of the shootout that abets credulity. It's the setting ... Tombstone is nowhere near Monument Valley.

But this is not a textbook. It is a romanticized cinematic interpretation of a long-ago culture, using a textbook incident as a premise. The film's theme centers on the nobility of outcasts and the basic goodness and humanism of frontier people. It's a broad-brush character study of historical figures like Doc Holliday (Victor Mature), Old Man Clanton (Walter Brennan), the Clanton sons, and of course Wyatt Earp and his sons. Although one could argue that Fonda lacks the tough guy strength and roughness that we would expect for a frontier legend, the casting and the acting are overall quite good. Editing, costumes, and production design also enhance the film's credibility.

Understated and meditative in tone, "My Darling Clementine" is a different kind of Hollywood western, one that conveys a humanistic theme with emotional depth. Characters are multi-dimensional, unvarnished, and as striking and memorable as the stately buttes and spires of Monument Valley.

Reviewed by Steven Mears ([email protected]) 10 / 10

Flawless acting, direction and photography combine to produce the pinnacle of the western genre.

Absolute perfection. Without a doubt, `My Darling Clementine' has secured its place in film immortality, resting proudly at the top of the list of the finest westerns ever made. It represents the genre at its peak and the career high point of all involved, including director John Ford and star Henry Fonda. `Clementine' achieves the difficult blend of drama, action, romance and occasional comic relief necessary to appeal to all viewers. This is the kind of film at which Ford excelled - straightforward and powerful, sentimental but never maudlin. It is needless to say that this is the definitive portrayal of Wyatt Earp and the gunfight at the OK Corral. It may not be the grittiest, most penetrating or historically accurate rendition, but it mixes just the right quantities of realism, legend and Hollywood magic. Its characterizations leave no room for improvement. Henry Fonda was born to play Earp. His folksy, unpretentious demeanor, coupled with the hard edge of a man who must occasionally deal out justice through the barrel of his gun, produce a multidimensional performance that others approaching the role could only dream of. With his portrayal of the tubercular Doc Holliday, Victor Mature forever shed his light image and began a series of solid dramatic roles. Other actors have played Holliday as flamboyant and eccentric, but Mature is effective in approaching him as a fatalist who has relinquished his aspirations of greatness and now lives life one day at a time. He forms an alliance with Earp because he has nothing better to do, and nothing else to live for. Walter Brennan's Old Man Clanton is a study in evil personified, and will certainly shock viewers who know him only as the crotchety but lovable grandfather he played on so many occasions. The rest of the cast is uniformly fine, featuring many members of Ford's `stock company' which followed him throughout his career. Ford's direction is strong and sure-footed. Although this was familiar territory for him, he was careful to instill each scene with a certain degree of uniqueness so the film would never appear routine. In this he was entirely successful, and a brief glance at his filmography confirms that this holds true throughout his body of work. The cinematography is breathtaking. Vast outdoor imagery and intimate gatherings of people are conveyed in an equally compelling manner. Earp's soliloquy at his brother's gravestone, a church dance sequence and the gunfight itself are among the film's many highlights. Only so much praise can be given in a review such as this; it must be seen to be appreciated.

Reviewed by bob the moo 5 / 10

Classic western

Wyatt Earp and his brothers are driving cattle to California. They stop off at Tombstone and go into town, leaving the youngest brother behind to mind the cattle. On their return they find their brother murdered and their cattle stolen. Wyatt decides to stay in town with his brother as the town's marshal to bring law and order and catch the murderer. In the town he not only comes up against the hard-drinking Doc Holliday but also the Clanton's.

Easily the best film that tells the story of Wyatt Earp and the gunfight at the OK Coral. There have been more action packed versions or more ponderous versions but this is still the best. The shootout itself is supposedly the most accurate, as director Ford said `I talked to Wyatt Earp, he told me how it was and that's how we did it' (I'm paraphrasing cause I can't remember the direct quote). However the shootout is not as dramatic as a result – in fact it is very short and straightforward. The strength in the film is the wider story. The story is well told with attention to character and has a good comic feel running right through it.

The script allows for good dialogue and the actors bring it to life well. Fonda was always at his strongest in these type of roles and is morally strong. His easy screen toughness really holds the attention. Mature has a good role in Doc, but is not the best doc ever I think. The Clantons are all underused and don't really make a big impact until the final section. Darnell makes a big impact and Downs is good despite being more subtle.

The film is as much Ford's as Fonda's. His black and white film is as lush as many colour films you see. His use of shadow is powerful – witness his death shroud on Holliday's face as he talks to Chihuahua who is literally and metaphorically entering into the light. The old west looks as sparse as I imagine it was. Ford's only weakness is that he doesn't bring much tension to the actual gunfight, but his warming, comic telling at other points means that his strengths vastly outweigh the odd weakness.

Overall this film is rightly a classic that appears in many critics top 100 lists. I was surprised to see it not in the top 250 of imdb (at time of writing). I guess that when modern films are `good' hundreds of thousands of people see it and it moves quickly up the internet polls, however older classics like this can tend to be forgotten as those same users slowly discover it. However, regardless of on line polls this is a very good film that is easily the best telling of the Wyatt Earp story.

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