Once Upon a Time in America


Action / Crime / Drama


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January 19, 2012 at 11:57 AM



Jennifer Connelly as Young Deborah
Robert De Niro as David 'Noodles' Aaronson
Joe Pesci as Frankie Manoldi
Elizabeth McGovern as Deborah Gelly
1020.99 MB
23.976 fps
3hr 49 min
P/S 25 / 145

Movie Reviews

Reviewed by sebwalrusfr 10 / 10

Best movie ever made?

Simply the best movie ever made. Dot.

Life. Love. Friendship. Nostalgia. Souvenirs. Childhood. Adulthood. Betrayal. Children's dreams. Psychology. Sex. Manhood. Womanhood. Romance. Illusions. Acting. Ambition. Glory. Fate. Masochism. Sadism. History. Death...

Some even say it's a movie on Italian Mafia...

This movie is to cinema what "A day in the life" is to modern music : an evocation of what life is, in a global approach, with its darker sides and its epic moments, and in the end everything is vain and you die. Magnified as always by the superb work of Ennio Morricone, and the perfect acting of De Niro and Woods, it was for Sergio Leone THE movie of his life, his long time cherished plan, his masterpiece to end with. Additionally, it has become THE movie of the 20th century.

Reviewed by oldguybc 10 / 10

A masterpiece and an atrocity!

This movie was a masterpiece. It ranks as one of the very best in film history, if not the best. At Cannes people yelled and screamed, couldn't believe just how good it was. The profound atrocity was a combination of two completely brainless acts, the first being Zack Stienberg's hatchet job for US release, supposedly requested by either Warner Bros or The Ladd Company (one blames the other now) and the second was the lack of anyone (and everyone)to post anything in this great film for Academy Award consideration, of which probably as many as 14 nominations and 4 sure- fire Oscars went down the toilet.

These atrocities were perpretrated, I believe, with two reasons in mind, the first to preserve the dim hope of "The Killing Fields" (Daly & Semel's baby) of garnering any awards... and second, to try to boost up the non- foreign chances. Warner Bros knew just how good it was, that goes without saying. The problem was... they already had their share of cash cows and they wanted a real star- studded showpiece to point at. The small minds already had their showpiece but, alas, it was an "eye- tallyan" flick with a producer/director who didn't communicate well. The hatchet job was carefully planned, I believe... the so- called "sneak preview" was done in Canada and not well received, probably due to the fact that the sound system was over- amped and the film 'broke' 3 or 4 times during the showing, what a farce! The awards snub started with the GGs and carried right thru. What a myriad of stupid and utterly pointless decisions! Must have literally tore Leone's heart out when he learned what they had done.

Morricone's score was a sure- thing Oscar, no question about it. DeNiro and maybe even Woods would have fought it out for best actor, Tuesday Weld as supporting actress, any one of 4 or 5 other supporting actors & actresses, most notably William Forsythe, cinematography, film editing, the list goes on & on... (best picture...Amadeus???? give me a break!!) Just what in the hell were they thinking?

Saw it in a theater 20 years ago and then again on TV about 1998 and finally in its correct format(on DVD) about two years ago and again last week at a friend's house. Stirred up all those angry thoughts all over again... sorry about that, getting' old & crotchety.

Reviewed by jeanpaul-3 5 / 10

Mesmerizing and haunting tale of love, greed, regret, betrayal and revenge

This is, for me, one of the finest examples of cinematic art. It isn't a simple, cut-n-dried 90 minute little package that gets wrapped up with a pretty bow at the end. You get pulled in by the enigmatic opening that unwinds the threads of the story to be found later. For many people having half an hour of purely visual story telling, of stories that are only mysteries at that point, before anything becomes truly linear is difficult to follow and discourages to many people. Our own memories are only snippets that only become linear as we concentrate on scenes from our lives. Once Upon a Time in America is like that as we follow Noodles through the `significant' part of his life - the times that formed him. When the story actually starts, we meet the girl that he always loved but could never have.

David `Noodles' Aaronson (DeNiro) was a kid on the very mean streets of Brooklyn when organized crime was born in America and he grew into and out of it. That's the simplest synopsis of the plot. The reality is that this isn't a movie about gangsters. Being a gangster is the easiest way for Noodles to survive and get ahead, but it also alienates and ruins his one love. Whenever he is close to giving himself to Deborah he always gets pulled back into the gang, in some form or another.

DeNiro's portrayal is of a gangster, through and through, who also has a conscience that, while not preventing him from being a ruthless killer, rules his life with regret, remorse and guilt. Leone takes a bit of poet/historic license by showing the Brooklyn Bridge being built in the background (the bridge had been built 40 years before), but it symbolizes Noodles' own growth. When the bridge is just pilings and incomplete towers, Noodles is just forming his future. By the time the bridge is complete, Noodles is nothing but a gangster and the bridge is majestic. When he returns 35 years later our view of the bridge is from under a freeway -- the world has moved along, but the bridge and Noodles are just as they were.

The length: If you're looking for a brief distraction that you'll barely remember 30 minutes later, this isn't the movie for you. However, if you are prepared and able to be undistributed for the nearly 4 hours that this film uses to compress a lifetime -- you will be rewarded with many facets of thought and examination.

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