Operation Petticoat


Action / Comedy / Romance / War


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June 12, 2014 at 09:20 PM



Cary Grant as Lt. Cmdr. Matt T. Sherman
Tony Curtis as Lt. JG Nicholas Holden
Dina Merrill as Lt. Barbara Duran RN
Marion Ross as Lt. Colfax RN
720p 1080p
870.57 MB
23.976 fps
2hr 4 min
P/S 1 / 7
1.85 GB
23.976 fps
2hr 4 min
P/S 2 / 5

Movie Reviews

Reviewed by ozthegreatat42330 9 / 10

I can't find enough good things to say about this movie

I have read this film called "fluff" with which I can most certainly not agree. I first saw in in first run forty seven years ago and it remains just as fresh and delightful today after many more viewings. Tony Curtis is at his very best in this picture as a shore-side con man reassigned to sea duty aboard the USS Sea Tiger in the opening days of WWII. Suave Cary Grant is as always flawless in his performance as the captain of the badly damaged sub, trying to keep it in the war with bailing wire and sealing wax. Edwards uses tight camera shots, well cut to maintain the illusion of the claustrophobic conditions of the sub, and witty dialog to keep the plot rolling. The chemistry between the principals and the supporting cast make this one of the best ever. That Edwars would go on to many other comedy triumphs is not at all surprising after seeing this film. I must see for anyone with a funny bone.

Reviewed by Snow Leopard 5 / 10

Works Quite Well as Light Entertainment

As long as you don't expect anything substantial, "Operation Petticoat" works quite well as light entertainment, thanks to a lively script with some pretty good material, two good leading performances by Tony Curtis and Cary Grant, and a solid supporting cast. While the whole story has very limited plausibility, it has its own internal logic and consistency, rather like the better of the more manic screwball comedies of an even earlier era.

The submarine setting is used creatively, and it has just enough realistic detail to keep it from getting too silly. Grant and Curtis have rather different styles, yet they work well together in setting the right tone for everything, and in involving the rest of the cast. While it would be hard to single out any of the other cast members, since none of them have a particularly large or important role, they all do well enough, and they make the secondary characters a solid part of the story.

There are plenty of amusing highlights, such as the pink paint and Curtis's scrounging expeditions. For all that it is just fluff, it fits together well, making for an entertaining, unpretentious movie.

Reviewed by (celluloidrabbit) 5 / 10

Top talent makes this a winner.

There's really no reason to expect that this easy-going military comedy should hold up so well after almost 50 years. While extremely popular as a Christmas release in '59, it then boasted two top box office stars to bring in the crowds, which most critics agreed were the primary attraction supporting some rather thin and predictable material. But the merits are considerably more than reviewers originally gave credit for, and the film endures as a cleverly crafted entertainment on several levels. Its uncomplicated premise accommodates humor less derived from incident than from character and situation, making it seem far less pretentious than most films of its kind. Service comedies of this period tend to follow a pattern set by MR. ROBERTS, which was based on a hugely successful stage play and quite reverent to those origins. PETTICOAT is far more spontaneous, so even if plot threads tend to be a bit familiar, its the delivery rather than the content which holds our attention. Of course it doesn't hurt to have Cary Grant at the peak of his powers, hitting all the right notes, balancing the role of naval officer with innate dedication combined with his own charismatic charm and seemingly effortless humor, a performance which is both naturalistic and funny. Curtis, too, had found his groove at this point (he had just completed his tour de force for Billy Wilder, SOME LIKE IT HOT) contributing just the right balance of ingenuousness and star-of-the-month savvy to make his `second banana' role a success. But the lion's share of the credit must go to Blake Edwards, then in the early stages of his most successful period as a master comedy craftsman, boisterous yet sophisticated, among the last of a breed of Hollywood stylists on the rise at a time when the old studio system was nearing its end.

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