Action / Comedy / Drama / Romance

Rotten Tomatoes Critics - Certified Fresh 96%
Rotten Tomatoes Audience - Upright 75%
IMDb Rating 7.4 10 37102


Uploaded By: FREEMAN
Downloaded 347,137 times
March 24, 2017 at 06:58 AM



Adam Driver as Paterson
Kara Hayward as Female Student
Sterling Jerins as Young Poet
720p 1080p
869.53 MB
23.976 fps
1hr 58 min
P/S 11 / 155
1.8 GB
23.976 fps
1hr 58 min
P/S 13 / 138

Movie Reviews

Reviewed by Howard Schumann 9 / 10

Life itself is poetry

I'm not sure if Jim Jarmusch ("Only Lovers Left Alive") in Paterson wants to make America great again by giving us his vision of the way it used to be, or is telling us that we only have to look around us to discover that it's great right now. Performed by a brilliantly authentic Adam Driver ("Midnight Special"), Paterson is not only the name of the city in New Jersey known for its resident poet William Carlos Williams, but is also his name. He is a poet whose Haiku-like verses (actually written by Ron Padgett) are reminiscent of the city's own poet William Carlos Williams. He writes a new poem every day (or finishes an old one) on the #23 bus he drives before and during his trip. Though his loving, energetic, somewhat scattered wife Laura (Golshifteh Farahani, "Finding Altamira") keeps asking him to make copies of them, he resists the idea, preferring to keep them in his secret notebook.

The film has little conflict, family dysfunction, or mental health issues. It is about what works and even (wonder of wonders) about a marriage that is not falling apart. Like most people with jobs and families, Paterson has a daily routine. There's too much variation in his day to call it a takeoff on Groundhog Day, but it does have that "same old, same old" quality. He awakes shortly after 6am, has a bowl of cereal that looks suspiciously like Cheerios, walks to his job driving the #23 bus through the streets of Paterson, listening in on conversations (often with a broad smile on his face) of passengers who talk about anything from Italian anarchists to boxer Hurricane Carter and comedian Lou Costello.

He comes home at six, corrects a leaning mailbox that moves daily thanks to his grumpy English bulldog Marvin (RIP), has dinner (some on the exotic side) talks with Laura who fills him in on the many projects she has going on including painting black and white circles on draperies, learning to play the guitar, and making cupcakes to sell at the local farmers market. He then takes Marvin for a walk and goes for a beer at the local pub where he chats with the owner Doc (Barry Shabaka Henley, "Carrie"), and often acts as a moderator between Everett (William Jackson Harper, "True Story"), a dramatic actor who desperately wants to reunite with his ex-wife Maria (Chasten Harmon.

The poems that Paterson reads as the words are flashed on the screen are not about odes to nightingales (though there's nothing wrong with that) but about down-to-earth things, such as one about matches, inspired by Ohio Blue Tip matchboxes that have disappeared from our lives. In "The Run," he says, "I go through trillions of molecules that move aside to make way for me while on both sides trillions more stay where they are. The windshield wiper blade starts to squeak. The rain has stopped. I stop. On the corner a boy in a yellow raincoat holding his mother's hand." In other poems he lets the world know how much he is in love with his wife, though he confides in us that he occasionally looks at other woman, something which as far as I know is still legal.

To Paterson, a poem should be simple and direct and he is moved by one such poem by a 9-year-old girl who recites it to him while she is waiting for her mother and sister. He complements her on her poem about a waterfall, remembering a few lines and reciting them to Laura when he gets home. Contrary to most films where, except for films about wealthy financial elites, work does not play a big role in the life of the characters, Paterson makes real what daily living is about for a majority of working people. The film has warmth and humor wrapped in a portrait of a city which has seen better days, a city in which Jarmusch creates a structure of closely observed small moments revealed with empathy.

Paterson is a man who is not looking for life to give him satisfaction but who brings satisfaction to it, a man who knows that satisfaction does not depend on accumulating things but in being grounded in who you are and what you can bring to the world. He comes to appreciate that poetry is not extraneous to life but that life itself is poetry. Although the film presents an idealistic picture of a city without visible slums, drugs, and crime which we know exists, Jarmusch may be providing us with a welcome counterpoint, showing us the way our cities should be and can be again.

Reviewed by raven-64-833785 10 / 10

Alluring, Charming, Unforgettable

From reflections in a puddle, cardinals singing, waterfalls, a harlequin guitar, shadows, designer cupcakes and more, the love of a creative and happy couple spills over the small town of Paterson, New Jersey. The ordinary becomes extraordinary. Paterson, who shares his name with the community at large, is a bus driver. The daily bus route takes him through the heart of town where Paterson overhears intriguing conversations, records observations in his notebook, generates poems and opens lunchbox surprises from his lovely and artistic wife, Laura. The couple's chemistry, expressed in kisses, constant conversation, cheer and trust, is remarkable. "She understands me really well," says Paterson. Lucky guy. Lucky girl. The attractiveness, talent, color and charm of Laura and Paterson is infused in everything they do including Paterson's nightly tavern visits, the plain yet peculiar meals they have together, waking up in the morning and walking the dog.

Even in all its outward simplicity, there is astonishing and wonderful depth to the film characters, scenes, themes and conversations. This artistic sensibility that is infused in everyday life, is something I loved so much about Japan and Paterson shows what this imaginative awareness looks like in small town North America. Truly there is inspiration and beauty everywhere. While the film delves into music, paintings and other mediums, its main artistic focus is on poetry. There are nods to the poetry of William Carlos Williams, Wallace Stevens and others. The poems Paterson comes up with in his jaunts around town are brilliant and beautiful. A box of Blue tip matches inspires, rather sparks, a love poem. A poem called Another One is about seeing other dimensions, which is what this incredible film encourages itself.

Paterson is delightfully layered with surprising wisdom, complexity, diversity and humor at every turn. Twins make appearances every so often, for example, to remind us of one of the film themes; there is always someone out there like us that matches our hearts, and we are never really alone. Articles and images on a tavern wall take us to other dimensions in time in an instant. The on-screen chemistry between actors Adam Driver (Paterson) and Golshifteh Farahani (Laura) is critical to the film, and they are more than up to the task. They are outstanding, alluring and entirely convincing. The compassion and charm of this film is unforgettable. It reminds us that love and splendor spring from the unlikeliest of places. Seen at the 2016 Toronto International Film Festival.

Reviewed by Teyss 5 / 10

Poetic "Groundhog Day" without the fun

First of all, I kindly remind IMDb users that, if you want to click on "Yes" or "No" at the bottom of this review, the question is: "Was the above review useful to you?", NOT "Do you agree with the above review?", nor "Do you agree with the rating without reading the above review?". Thank you.

Second, just to explain where I stand, I do like artistic movies, even slow ones, and even some of Jim Jarmusch's. They are offbeat, contemplative and somewhat poetic. In "Paterson", poetry is obviously his chief ambition: the main character is an amateur poet, there are talks about (more or less) famous poets and it relies on "everyday poetry", if this makes sense.

- One poetic component is repetition: the main character has the same name as the city he lives in; we see many twins (thus a "double repetition"); events occur repeatedly; there are a few correspondences (for instance Laura has the same name as Petrarch's muse); the camera focuses on leitmotifs (watch, cereals, lunchbox, mailbox, beer glass, etc.). All this creates "internal rhymes" that, interestingly, are missing from Paterson's poems. What about these poems, by the way? They are sort of nice in their genre, however do we really need to hear them two or three times each, and see them written on top of that? It would have required an outstanding style, which I think is lacking.

- Another poetic ingredient is oddity: strange elements slowly spill into an otherwise ordinary life.The black and white motifs created by Laura progressively invade the house: curtains, painting, carpets, clothing, and even the spare wheel cover of their car. When Paterson and Laura go to the cinema, they watch a horror movie which is, echoing Laura's motifs, in black and white (an additional correspondence). Small objects have a magical touch, notably the matchbox. Everett draws a gun in the bar. There are uncommon encounters, for instance the young poetess, the separating couple and the Japanese tourist. Entertaining, in a way.

- Another phenomenon is the "enchanted bubble" sensation. It is a happy life: Paterson and Laura have a relatively easy time (although he seems on the edge, yet nothing wrong happens); they love each other; everybody is friendly; it is always sunny. There are no news from the outside world. The couple is isolated from family, real friends and neighbours, if any; they have no TV, no computer; he has no mobile phone. The rare issues are trifle: gang youngsters in a convertible just provide a fair warning; the Indian driver's problems are not so dramatic (especially considering how he describes them); Everett's gun is fake; the bus breaks down without consequences. The only drama is the loss of the secret book, however Paterson continues to write on another notebook given by Providence. Moreover, it is comforting to see hidden talents behind apparently simple personalities (writing, cooking, decorating, chess, etc.): it demonstrates we all have something to express.

- Last, there is some form of humour, notably with the above-mentioned invasive motifs, the grumpy dog and the contrast between Paterson and Laura. She is enthusiastic, eccentric, willing to try all sorts of activities; she dreams of fame and actually is rather talented. He is reserved, quiet, slightly puzzled by her; he just wants a peaceful life and is talented as well, as a writer. She always is onto something new (and sometimes weird) while he is stuck in routine. Amusing, to an extent.

And then? Well, that's about it. The movie mainly relies on these bits and pieces. It is enough for a short film, however here it drags on for almost two hours. In the end, the ensemble feels somewhat pointless: this is partly intentional, of course, but it did limit my appreciation.

So what is missing? Probably, "Paterson" does not go far enough in its ambition. For instance, the bizarre touch could have been pushed further, to explore a different dimension. Or the humour. Or the elaboration of a stronger poetic structure. Or a progression of some sort. Or the inclusion of themes, adding depth and triggering another emotion than just having a pleasant time.

I cannot rate the movie lower than 5/10 because it is not terrible. There are a few interesting ideas, characters are likable, it is laid back, it changes form the standard blockbuster. Yet I cannot rate it higher because it did not appeal to me: it doesn't have much substance, doesn't evolve and doesn't provide a lasting impression, unlike exceptional films that linger in the mind for days. Not bad, not great, just in the middle. Half-baked.

But then, appreciating poetry is very subjective. Hence it is understandable some persons find the movie captivating and rate it 10/10 (which is easier to defend than the same rating for "Police Academy 6"). On the other hand, it also is understandable persons find it utterly boring and rate it 1/10 (which is easier to defend than the same rating for "Citizen Kane"). Question of personal sensitivity to this style.

"Paterson" tries to illustrate James Tate's brilliant quote: "Poetry is everywhere; it just needs editing." Unfortunately, I missed the editing part. Maybe I am narrow-minded.

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