Q & A


Action / Crime / Drama / Thriller

IMDb Rating 6.5 10 4229


Uploaded By: LINUS
Downloaded 10,521 times
April 21, 2016 at 02:06 PM



Nick Nolte as Captain Michael Brennan
Luis Guzmán as Det. Luis Valentin
Timothy Hutton as Asst. Dist. Atty. Aloysius 'Al' Francis Reilly
Armand Assante as Roberto 'Bobby Tex' Texador
720p 1080p
969.23 MB
23.976 fps
2hr 12 min
P/S 0 / 2
2.01 GB
23.976 fps
2hr 12 min
P/S 0 / 6

Movie Reviews

Reviewed by paul2001sw-1 ([email protected]) 8 / 10

New York Confidential

Guess the film from the following description of its characters. A young man investigating misdeeds in the police force, motivated by the memory of his father (a legendary policeman) but also by the pain of having lost the affections of a woman he loves to another player in the drama. A renegade cop, rampaging violently through the city, but revered on the force for standing up to the scum on the streets. And the renegade's boss, who protects him, partly because he himself is on old-school Irish policeman; but partly because he appreciates having his own private bag-man, especially in his dealings with organised crime. Throw in some prostitutes for a little background colour, and it sounds like a perfect description of 'L.A. Confidential'. But it also describes this tough and underrated movie made by Sidney Lumet some years before Curtis Hanson's film.

Whereas Hanson's film was stylised, and glamorised violence (provided the cause was just), Lumet has gone for a more realist approach, and his bad cop (played mesmerisingly by Nick Nolte) is completely rotten, in fact resembling Harvey Kietel's 'Bad Liutennant' in Abel Fererra's movie. The film is dated by its ghastly electronic soundtrack, and more interestingly by its portrait of New York at a time when the city was at its lowest ebb. But it's a very well assembled thriller, exploring issues of race, mixed loyalties and the meaning of good policing without flinching from a grim picture of life on the margins of law abiding society. Lumet has had a long career, but this is one of his better films, and ultimately more truthful than Hanson's stylish charade. Each are good, in their own way: why is only one so appreciated?

Reviewed by ProfessorFate 8 / 10

In Defense of Jenny Lumet

Many reviews here have trashed Jenny Lumet's acting in this film and I want to go on record saying that I thought she gave an above average performance. I know, she's the director's daughter, but I think she more than holds her own opposite the likes of Timothy Hutton and Armand Assante (she doesn't have any scenes with Nolte).

Lumet plays a girlfriend from Reilly's (Hutton) past. Reilly dated her when he was a beat cop and has since risen to Assistant DA. When the film begins it has been 6 years since their break-up and she strolls into a tense interview session on the arm of notorious drug czar Bobby Texador (Armand Assante). Obviously shaken by her involvement in the case, Reilly attempts to talk with her about their past. I think Lumet is quite convincing in her scenes with Hutton: wrenched emotionally as she kicks him out of her mother's apartment and touching as she discusses their failed relationship. She's no Meryl Streep, but she effectively conveys the anguish of a young woman forced to re-visit her painful past.

Nolte is incredibly powerful as rogue cop Mike Brennan, a brooding, unstoppable evil force unlike any other character Nolte has played. His Mike Brennan is a distant cousin to Denzel Washington's Oscar-winning performance in "Training Day". Assante is nearly perfect as the menacing-yet-philosophical drug lord Bobby Texador. One of my favorite aspects of this script is the multi-faceted nature of Assante's character. Audiences aren't usually asked to identify with drug dealers, but Lumet's script and Assante's performance make Texador into more than just a one note crook. Both he and Nolte were Oscar-worthy, yet neither was even nominated (Jeremy Irons and Joe Pesci took home the male acting Oscars in 1990).

My only criticism of the film is the way racial and ethnic stereotypes are forced into almost every scene: the hard-drinking Irish cop, the Italian mobsters, the shyster Jewish lawyer, the street-brawling Puerto Rican gang members. Maybe Lumet had a point to make by concentrating so obsessively on his characters' ethnic origins, but it seems like over-kill. Despite this flaw, Q&A is still an absorbing and powerful film.

Reviewed by seymourblack-1 8 / 10

Nick Nolte is brilliant!

"Q&A" is ostensibly about an investigation into an incident during which a small time drug dealer was shot and killed outside a nightclub by a street cop. In fact though, the movie's about something far more profound as it portrays New York City and its justice system as being inherently racist on every level and also asserts that the type of justice dispensed is determined predominantly by the ethnicity (and corrupt interests) of the people involved on both sides of the line.

Homicide Bureau Chief Kevin Quinn (Patrick O'Neal) appoints Assistant D.A. Al Reilly (Timothy Hutton) to head up an investigation into the shooting of a Puerto Rican by NYPD detective Lieutenant Mike Brennan (Nick Nolte). Quinn makes it clear that Reilly only needs to collect some witness statements and then present them to the Grand Jury because, in his opinion, the case is so straightforward that it doesn't merit any greater attention especially as he regards Brennan as an excellent cop who gets results. Things get complicated and dangerous, however, when Reilly and his fellow investigators start to unearth evidence of corruption and suspect that Brennan may not be blameless for what happened.

Reilly is young, inexperienced and eager to do well in his career but nevertheless (despite the steer he was given by Quinn) feels duty bound to pursue his inquiries thoroughly to discover what actually happened on the night of the shooting. It's soon revealed that the drug dealer was working for a major operator called Bobby Trexador (Armand Assante) who has Mafia connections and Reilly is surprised to find that the girl who was the love of his life is now involved in a relationship with Texador.

Reilly meets Nancy Bosch (Jenny Lumet) on her own and wants to get back with her but it emerges that they had separated after Nancy had seen the expression on Reilly's face when he discovered that her father was black and despite every explanation he'd given her since, Nancy had been haunted by the experience and couldn't consider a reconciliation under any circumstance.

The investigation doesn't go in the way that Quinn had ordered but also ends unsatisfactorily from Reilly's point of view. The experience brings the young investigator into contact with a whole range of people from a variety of different ethnic groups and also culminates in him becoming considerably less naive than he was at the start of the process.

Nick Nolte's portrayal of Brennan (who is corrupt, bigoted and extremely threatening) is incredibly powerful as he looks physically imposing and capable of extreme brutality. Brennan is coarse and very dangerous because he operates by his own rules and is especially adept at covering up his wrongdoings. In situations where his superiors become suspicious of his methods, they quickly decide not to take any action because in a city where the threat of crime getting out of control is always present, his methods at least provide good results.

Patrick O'Neal is perfect as the autocratic, smooth and calculating Quinn who doesn't intend to let principles or regulations get in the way of his political ambitions and Assante is impressive as Trexador who's a very non-stereotypical crime boss. Timothy Hutton also does well in conveying the idealism and gullibility of a young man who like Quinn and Brennan is an Irish American.

"Q&A" is extremely thought provoking as it provides an uncompromising depiction of a situation in which any efforts to control crime and corruption (especially by orthodox methods) are inevitably hampered by the deleterious effects of rampant racism. This problem is portrayed as being intractable with no potential solutions being readily available.

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