Riot in Cell Block 11


Action / Crime / Drama / Film-Noir

Rotten Tomatoes Critics - Certified Fresh 100%
Rotten Tomatoes Audience - Upright 76%
IMDb Rating 7 10 1224


Uploaded By: OTTO
Downloaded 12,253 times
April 29, 2014 at 06:50 AM



Paul Frees as Monroe
Dabbs Greer as Schuyler
William Schallert as Reporter
Neville Brand as James V. Dunn
720p 1080p
695.62 MB
Not Rated
23.976 fps
1hr 20 min
P/S 0 / 0
1.24 GB
Not Rated
23.976 fps
1hr 20 min
P/S 0 / 1

Movie Reviews

Reviewed by Dalbert Pringle 6 / 10

And Justice For All (?)

In one way - 1954's "Riot In Cell Block 11" was kind of like watching a slice of Film Noir that goes to prison with no chance of parole - (Well, sort of) - Minus, of course, the femme fatale angle.

As far as prison pictures go - This gritty, low-budget, tough-guy tale (though mighty tame by today's standards) still packed a substantial wallop even without a non-stop barrage of profanity and bloodshed.

Filmed (in b&w) on location at Folsom State Prison, California - This particular picture is notable for being one of the first in its genre to have the disgruntled convicts manipulate the media in order to make their grievances about prison conditions known to the public.

Yes. This picture featured typical, prison stereotypes. And, yes, it contained its fair share of unintentional humour, as well - But, all the same - (With its fast-paced, 80-minute running time) - It was still well-worth a view.

"Riot In Cell Block 11" (which was produced on a $300,000 budget) was directed by Don Siegel, who would later go on to direct Clint Eastwood in 1971's Dirty Harry.

Reviewed by Wilbur-10 7 / 10

Not to be confused with 'Prisoner Cell Block H'.

Gritty, realistic, semi-documentary style, early film from Don Siegel - two years before 'Invasion of the Body Snatchers'. Essentially a social comment film about the poor conditions in prisons, 'Riot in Cell Block 11' doesn't force its point with cliches and manages to be an effective 'B' Movie.

The storyline starts quickly with a group of prisoners taking their warders hostage and barricading themselves in their cell block. Narrative then follows the proceedings to their conclusion, the action never straying from the prison itself.

Film succeeds mainly as a result of not having any forced characters - none of the prisoners are particularly likable and there are none of the usual dumb characterisations usually found in prison movies. The various authority figures deal with the situation they are presented with in a matter of fact way, and the films stark style remains through to the end.

As I was watching 'Riot in Cell Block 11' I was dreading some wise old sage prisoner coming out of the woodwork, due for parole the following week, who was somehow going to contrive to get himself shot just as the riot was coming to a close, to enjoy a lengthy death scene in someone's arms. Thank goodness nothing like this occurs.

Film made me think of 'Killer's Kiss', in that they are both 1950's low-budget movies with great potential, from a soon-to-be famous director. 'Riot in Cell Block 11' succeeds in all areas, and while its targets may be low it certainly deserves more recognition.

Reviewed by gavin6942 8 / 10

Early Siegel

Several prison inmates, to protest brutal guards, substandard food, overcrowding and barely livable conditions, stage an uprising, in which most of the inmates join, and take several guards hostage. Negotiations between the inmates and prison officials are stymied, however, by politicians interfering with the prison administration, and by dissension and infighting in the inmates' own ranks.

The producer Walter Wanger (known for Ford's "Stagecoach" and Hitchcock's "Foreign Correspondent") had recently been in prison for shooting his wife's lover, and his experience there motivated this production. The film was shot on location at Folsom State Prison with real inmates and guards playing background roles.

"Riot in Cell Block 11" was the first film work for Sam Peckinpah, who was hired as a third assistant casting director by Don Siegel. Wanger and Siegel would team up again two years later for "Invasion of the Body Snatchers".

The Criterion release is a must-have, with plenty of background information on those involved, the inspiration, related writings and an excellent audio commentary from a noted film historian.

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