Sharky's Machine


Action / Crime / Drama / Thriller


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May 01, 2015 at 05:29 AM



Burt Reynolds as Sgt. Tom Sharky
Rachel Ward as Dominoe
Charles Durning as Lt. Friscoe
Robert Duncan McNeill as Teen on bus
720p 1080p
872.42 MB
23.976 fps
2hr 2 min
P/S 0 / 2
1.85 GB
23.976 fps
2hr 2 min
P/S 5 / 5

Movie Reviews

Reviewed by bkoganbing 7 / 10

Burt Goes In For Vice

Sharky's Machine finds Burt Reynolds as a narcotics cop who after a failed buy and bust that wasn't his fault, but that got a few people killed in it, he finds himself demoted to the vice squad in Atlanta.

The prestige is hardly as good as the narcotics beat, but it does have its fringe benefits. One night after a roundup of working girls where one of their books falls into their hands, the guys ask for surveillance on Rachel Ward's place. She's an expensive item, servicing both notorious mobster Vittorio Gassman and law and order gubernatorial candidate Earl Holliman.

Their surveillance however records a murder and the rest of the film is Sharky and his new colleagues from vice trying to solve this prestige case.

Though it's a Burt Reynolds film and those usually have some humor to them, the comedy is kept in check as the film turns as deadly serious as Dirty Harry. It was reported in fact that Clint Eastwood was offered this film.

Look for some good performances by fellow vice cops Bernie Casey and Brian Keith and by Henry Silva the coked up brother of Gassman who does the dirty work of the organization and loves his job.

It's not a bad film, a mixture of Dirty Harry and Laura. Why Laura? You'll have to see Sharky's Machine for that answer.

Reviewed by clockwork8812 8 / 10

Dirty Harry Goes To Atlanta

That's how Burt Reynolds describes this film, which happens to be his best ever. He plays Tom Sharky, a vice detective who's on the trail of an international mobster (Vittorio Gassman) and the man he's financing to be the next governor of Georgia (Earl Holliman). In the novel by William Diehl, the story is more complex because the guy's running for president. This is a very long movie that feels more like three hours instead of two. The filming in downtown Atlanta and the Peachtree Plaza hotel sets the mood just right for the story. Reynolds doesn't do much laughing in this one compared to his comedy films. He's very serious here, especially in the beginning of the movie because he gets demoted for a dope bust that goes wrong. At times though, the movie plays more like a voyeuristic drama than a crime film with Burt trying to get close to the mobster's woman. Only towards the end of the film does the violence get cranked up that leads to the bang bang climax. Just like the great jazz score in DIRTY HARRY by Lalo Schifrin, Sharky's Machine features an excellent urban jazz soundtrack with many guest stars including Chet Baker, Julie London, Flora Purim & Buddy De Franco, The Manhattan Transfer, Doc Severinson, Sarah Vaughan and Joe Williams. Al Capps handles the score with magic. This movie has become one of the best crime dramas ever. Check it out.

Score, 8 out of 10 Stars

Reviewed by Poseidon-3 5 / 10

A pretty well-oiled machine.

In a departure from his customary late '70's/early '80's fare (and sporting a new, close-cropped toupee), Reynolds directed and starred in this tough, lurid crime drama. He plays a narcotics cop who, after slightly botching a drug bust, is demoted to the vice squad. Here, he becomes involved in the surveillance of a high-priced call girl (Ward) who is linked to a gubernatorial candidate (Holliman.) This leads to all sorts of violence and intrigue as it is discovered that the call girl is but one piece in a puzzle of corruption and criminal behavior. Reynolds does a decent job, both in the director's chair and in front of the camera. He wisely surrounds himself with an array of strong character actors and gives each of them the opportunity to register with the audience. His familiar brands of charm & sarcasm are present, but in a much more toned down way. Casey gets one of his most significant big screen roles, Keith has a few amusing moments and Durning bellows and mouths off in his enjoyable, expected way. Gassman is an appropriately sleazy crime lord and Silva is a chilling (if sometimes unintentionally funny) assassin. Ward's performance is a matter of taste. Many viewers are swept away by her looks and find her acting strong. Others see her as pretty, but unspectacular as an actress. In either case, this was a major showcase for her which did not translate to a major big screen career. Drawbacks of the film include a muddled storyline in which the bad guys' motivations aren't made particularly clear. Also, the sound effects and the blaring song score are cranked up much higher than the dialogue which makes for an uncomfortable audio situation. There is some nice aerial photography, notably containing shots of Atlanta's Peach Tree Tower. The music varies from classic tunes by top talent to loud, horrific and agonizing "music" by inferior singers whose voices are almost as bad as Reynold's torture on the boat. Though the film is engrossing and stylish, just a nip and tuck along the way would have made it even better.

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