Shut In


Drama / Thriller


Uploaded By: FREEMAN
Downloaded 110,494 times
February 16, 2017 at 08:38 AM


Naomi Watts as Mary Portman
Oliver Platt as Dr. Wilson
David Cubitt as Doug Hart
720p 1080p
668.26 MB
23.976 fps
1hr 31 min
P/S 165 / 529
1.38 GB
23.976 fps
1hr 31 min
P/S 116 / 419

Movie Reviews

Reviewed by Tony Heck ([email protected]) 5 / 10

A movie with really good acting but just never really settled into something I could get involved in.

"I just want to help you." Mary Portman (Watts) is a child psychologist that has lost her husband and is taking care of her invalid son. She does her best to counsel other children while her life is crumbling down. She becomes concerned with one child in particular and now she has to decide to do what is best for the child. What she wants, or what others think. This is a movie that is worth watching because of Naomi Watts. She does everything she can to hold this movie together but it still just doesn't work. The movie starts off OK, but by the end it was hard to tell what was actually happening and what was real and what wasn't. I do like movies you have to think about, but this one just didn't make sense and you are left thinking about what is happening, then something else strange happens and you are trying to figure out how it fits and then something else happens and you just give up. That is not a good thing to happen in a movie. Overall, a movie with really good acting but just never really settled into something I could get involved in. I give this a C-.

Reviewed by Zbigniew_Krycsiwiki 2 / 10

There's no reason to watch this one.

The beginning of this film has Watts' character suffering the sudden loss (in a car crash) of her husband, which seemingly sent his 15 years old son (her stepson) into catatonia. She then cares for him (despite the fact it was clearly established that he was aggressively violent toward her, and his father, and the three of them never got along with each other).

Then, a small boy Watts is counselling disappears from her house, in the freezing cold winter in Maine. She then seems to be going mad, both searching for the boy, and blaming herself for her stepson's accident, which it turns out, was all an act by him to get attention from her, despite the fact that again, they didn't get along to begin with, so why does he suddenly care if she pays attention to him?

Far too complicated of a setup, especially for a film which cannot decide where it wants to go, this then degenerates into a really lame combination of this year's The Boy (which was quite derivative of several other films), Halloween (during the hiding-in-the-closet climax), and The Shining, with Oliver Platt's character obviously standing in for Scatman Crothers' Dick Hallorann.

Seriously, anyone who cannot figure what his fate will be is a moron.

There is so little to say about this one because there is so little substance to anything here. None of its under developed plot threads make any sense, or go anywhere. Seeing Oliver Platter just kept reminding me of Lake Placid, and made me want to watch that again. That's a far better movie than this.

Reviewed by MisterWhiplash 1 / 10

lame, boring, insipid, and insulting. a toxic combination for one of the worst of this year

Shut In represents the worst that the horror/slasher/stalker/thriller genre(s) have to offer, but it's also lame in the way that is all too common to screen writing. It's got a hackneyed story that for the first two thirds is dull as dishwater - deathly serious when it should be interesting, or at least giving us more with the character that Naomi Watts plays (or, I should say, passively inhabits until she gets her quick pay day for filming) - and then in the last third becomes atrocious as far as doing what I'm sure they thought of as "homage" to the Shining when it comes off as being a shallow and insipid rip-off.

It's unimaginative in the ways that should matter for it to either be a legitimately good movie about a mother taking care of her invalid son (the opening shows her aggressive teenage stepson, going off to some special school after being expelled with his dad, and the two get into a car wreck that leaves the father dead and the kid in a lobotomized state), while also tending to a seemingly troubled boy who is practically deaf (this Jacob Tremblay, making sure like Jennifer Lawrence and Kristin Stewart before him among many others to get in that s***y horror movie in early in his career) and who runs away and he may be a ghost now, OR if it became a sleazy exploitation picture with hints/direct references to incest and gratuitous nudity and violence.

Instead this is kind of lazy, boring thriller where the main character has dream sequences that are meant to trick us to make us think something terrible or suspenseful is happening (she's washing her son and then tries to drown him, so early on in the movie, wow that's effed-oh wait nevermind). It does something I cannot abide or stand by when it comes to clichéd screen writing which is not carrying the courage of its storytelling convictions: it should take its premise of a woman in a snow-bound Maine area and run with it in creative ways, not in fake-outs and dreams/nightmares that are meant to make us jump. And, as is the case with spineless horror thrillers from Hollywood (The Darkness was another one this year, but at least that had the slightest bit of something different with the conceit of its premise), it's PG-13. Soft, squishy, one F-word and 'partial' nudity with Naomi Watts (or, as Jerry Seinfeld might say, "Bad naked" in the scene we actually see her exposed in an act of escape from a bathroom).

This isn't the kind of movie that could have been saved necessarily by stronger performances - Watts is doing her best to keep above water, and Oliver Platt is there to, uh, deliver lots of clunky exposition about medical stuff and "there's no such thing as ghosts" - but I could have at least seen someone with stronger balls or crazier sensibilities. Here, Charlie Heaton is the son (or, sorry, 'step son', got to continue to say that, god forbid they went for the much more dangerous territory), and he comes off less like someone who could give this a pair of over-the-top magnificence (think 80's Nicolas Cage or early Crispin Glover for example), and is instead like a 2nd rate Dane Dehaan. By the time his 'secret' is revealed it's a) so preposterous that, as it turns out, was actually a *joke sub-plot* on Arrested Development, and b) if it's meant to be serious it doesn't hold up to a shred of scrutiny. Compared to this, this year's The Boy is Hitchcock's Psycho.

But at least The Boy tried to give it a good go with giving good actors some decent dialog, and once it finally went full-stupid it was so mind-blowing as to grab my attention by the throat (the ending, as uproariously silly as it was, at least tried something different). This does nothing different, aside urinate on The Shining and Stephen King in general, and if I wasn't being angry at other times I was nodding off almost about to sleep, which is very hard for me to do given the light and sound of a theater experience. It's not scary, not thrilling, not dramatic, not exciting, not enticing, not well acted (yeah, it's a career low for Watts), and it's not even much of anything. I'd expect it on a ten-pack DVD of bargain basement horror flicks you can get in Wal-Mart, not on over 1,000 screens.

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