Superman Returns


Action / Adventure / Fantasy / Sci-Fi


Uploaded By: OTTO
Downloaded 123,495 times
October 09, 2011 at 07:44 PM



Marlon Brando as Jor-El
Brandon Routh as Clark Kent / Superman
Kate Bosworth as Lois Lane
Kevin Spacey as Lex Luthor
751.50 MB
23.976 fps
2hr 34 min
P/S 5 / 54

Movie Reviews

Reviewed by dpogue21 1 / 10

Bryan Singer owes Superman an apology

First, let me just comment on what I liked about the movie. The special effects were fantastic, and very rarely did I feel like I was watching a video game. There, that is the last nice thing I have to say about this film. In fact, I would just like everyone reading this to take note that I can't even put into words how hard it was for me to write this review without swearing.

I have innumerable complaints about the film, but four major complaints jump to mind. My first major complaint has to do with the incredible cheesiness of the "plot twist" (if you can call it that since most people probably saw it coming a mile away) where Lois's 5 year-old son turns out to be the super-powered child of Superman. When the crying super-child throws a piano at Lex's henchman to save his mother, I almost got up and left the theater. Singer could have made a much better Superman movie without resorting to cheap gimmicks like a seemingly fragile but latently super-powered illegitimate child. It's been 5 days since I saw the movie and I still want to vomit.

My next major complaint has to do with the fact that Superman lifts a continent made out of kryptonite up into outer space. It doesn't take comic book guy from the Simpsons to point out what's wrong with that. I don't know how many comic books Brian Singer has read, but when Superman is exposed to even a small amount of kryptonite he barely has the strength to stay on his feet. Whoever had the idea to have him fly a large island made out of his greatest weakness into space has no business being associated with any Superman-related projects ever again. The concept is as ridiculous as making a Dracula movie where the title character has a stake through his heart and still manages to fly a spaceship made out of garlic into the sun. Why not just have Superman eat kryptonite? He can eat it and then brush his teeth with it, and then go to sleep in kryptonite pajamas. That's not any more absurd then having him hoist a continent of kryptonite into space and then fall powerless through the atmosphere without burning up in re-entry or splattering all over central park when he hits the ground.

My third major complaint has to do with the fact that Singer slaps movie-goers across the face with religious symbolism the entire movie. I have to take issue with his characterization of Superman as the only son of a God-like Jor-el sent to Earth to be a savior. Jor-el wasn't all-wise, he was just a scientist. And he didn't send his son to earth to be a savior, he threw him in a rocket and hurriedly fired it into space because his planet was about to explode. I'll buy the Christ allegory if Brian Singer can show me the part in the Bible where God sends Christ to Earth because Heaven was about to explode, and then radioactive pieces of Heaven become Christ's primary weakness. Furthermore, the "crucifixion" scene where Luthor stabs Superman in the side with a kryptonite "spear" just makes me want to slam my face into a brick until I'm too brain-dead to notice the brazenly obvious and inappropriate symbolism that will be tainting the man of steel for the foreseeable future. They might as well rename this movie "Superman Returns: the Passion of the Christ."

And speaking of Luthor, my last major complaint has to do with Singer's depiction of Lex Luthor. Lex Luthor is a shrewd, cold-hearted business tycoon who is more apt to run for President (which he does in the comics) than try to destroy the world. The man wants money and power; he wants to be in charge, not wreck everything. Yet the Luthor we see Superman Returns, as well as all the previous Superman movies, is a wacky theatrical dunce who comes up with zany schemes to destroy the world. If Singer had the slightest loyalty to the characters instead of the (quite awful) previous Superman movies, this film might not be such an unbearable travesty. Maybe Singer's next project can be a Batman movie where he focuses on the interpretation of Batman from 1960s TV show. ZAM! WHAP! POW!!

To summarize, I don't know what I hate more, the movie itself or the fact that so many people seem to be giving it good reviews. Everyone is entitled to their opinion, but if you don't hate this movie then your opinion is wrong. I sincerely encourage anyone who reads this not to see this movie if you haven't already. Don't see it, don't buy it when it comes out on DVD, don't rent it...basically don't contribute any money towards it in any way. This movie does not deserve to make any money. In fact, I think that for every person that sees this movie, Bryan Singer should be fined 45 billion dollars. If you're a Superman fan and you really want to see this movie, just bend over and have someone kick you in the balls and you'll get the same experience without having to waste 2 hours of your time.

Reviewed by b_flic 5 / 10

Strong Potential/Weak Execution!

Bryan Singer has made it no secret that he was going to make this film a sequel of sorts to the first two Superman films which starred Christopher Reeve. Which I though was an interesting idea even though I thought Superman 2 was lame. However, I thought the premise of Superman returning after a long absence was a great idea, unfortunately Singer's heavy reliance on the first two films really crippled this film.

Some minor film details are included in my comments below which may hint at spoilers...


I attended a screening of Superman Returns last night, and even though I'm not the biggest Superman fan, I was REALLY looking forward to seeing this film. I have to admit I had misgivings about the casting of Kate Bosworth and Brandon Routh because there were too young. However Brandon Routh was the BEST Superman yet and Kate Bosworth really did very well as Lois Lane. Kevin Spacey was GREAT as Lex Luthor, especially when he and Routh (briefly) shared the screen. However Parker Posey was wasted in a dull cliche.

The opening credit sequence was amazing. Hearing the original Superman theme gave me chills. The next 45 minutes of the film were awesome. Lex's reintroduction demonstrates at his ruthlessness even on a smaller scale. Clark Kent/Superman's return home was thoughtful and well done, as was the reintroduction to the crew at the Daily Planet.

However, because Singer assumes that we all saw the first two films he apparently does not feel the need to develop any of the characters outside of Superman and Lois. Lex Luthor's character is just a caricature of a mustache twirling villain, and even though Spacey does this very well, it's hard to take him seriously as a threat. His "evil" plan is nothing more than a rehash of Gene Hackman's Lex Luthor the 1978 film except using crystals instead of nukes. There is NO REAL logic behind his motives at all if you think about it. More importantly you just don't care if he succeeds or not. Lex Luthor's character is only validated in the very brief face to face confrontation with Superman at the end.

Let me say that Lex/Superman confrontation at the end is one of the BEST scenes in the whole film and further proof of wasted potential. Lex Luthor shows how truly evil he can be, and again Spacey does an amazing job here. The on screen presence of Brandon Routh and Kevin Spacey together was SO good. Routh could really hold his own next to Spacey. Too bad Singer couldn't have found a way to elaborate on this scene or do something more interesting with the characters than just having Luther (figuratively) twirl his mustache and have Superman pine over Lois Lane the whole film.

Overall, this film is bound in a weak story with plot holes big enough to drive a truck through. The story relies too heavily on the Superman/Lois Lane love story so much so that the rest of the film, and the other characters, just feel like an after thought.

Reviewed by Greg Eichelberger 5 / 10

Good effects, but ultimately emotionally uninvolving

I was finally able to screen the newest adventure from Warner Bros. and DC Comics Films, "Superman Returns," starring relative unknown Brandon Routh in the role the late Christopher Reeve rode to stardom upon.

Now, some 28 years after Richard Donner's classic "Superman" hit the big screen, director Bryan Singer ("X-Men," "X-Men 2"), with a trillion dollar budget, tries his hand at helming the ultimate graphic novel adventure.

Sadly, Singer is no Donner.

While wonderful to look at, and sometimes interesting to ponder, this newest version of the saga of the Man of Steel leaves one with an impressive vapidity; a passive disinterest and an emotional detachment which overwhelms one with a cold, empty feeling.

In an effort to do what last year's "Batman Begins" did to the Caped Crusader franchise – bring a new dark, brooding vitality to the series, "Superman Returns" succeeds only in making one wish for the deft hand of Donner, as well as the acting ability of Reeves, Margot Kidder (as Lois Lane), Ned Beatty (as a stupidly evil henchman, Otis) and especially Gene Hackman (as the best Lex Luthor ever).

The plot takes place supposedly five years after the action in Superman II (from 1981), when scientists discovered proof of such a world, Superman journeyed there (evidently without telling anyone of his plans) to find if it was possibly a living planet. It wasn't so now he's back – but things have changed in his absence.

Mainly, that his love interest, Lois Lane (Kate Bosworth, "Win A Date With Tad Hamilton"), is involved with the nephew of Daily Planet editor-in-chief Perry White, Richard (James Marsden, who played Scott Summer/Cyclops in the "X-Men" films) and they now have a young son about five-years-old.

He won't let go, however, even flying to her mansion to spy on and stalk her – in a very unSuperman-like scene.

Despite that last heartbreak, it's Lane's famous "Daily Planet" editorial, "Why The World Doesn't Need Superman," for which she will collect a Pulitzer Prize (huh?), that really stings Clark/Man of Steel.

That's one of the first problems I had with this version. In the first two films (nothing matters after part two), Superman saved Lane's life at least four times (from a helicopter plummeting of a skyscraper; from being buried alive in the desert; from a plunging elevator in the Eiffel Tower; and from going over the cliff at Niagara Falls. After all of that, she writes an article saying no one NEEDS him anymore?!

Then, in a nice bit of CGI work, the powerful hero rescues her again (from a plane plunging to earth), stopping the craft from crashing nose-first on the infield of a Major League baseball stadium. It's truly an awesome scene.

Meanwhile, in the frozen North, evil madman Luthor (Kevin Spacey, Academy Award winner for "The Usual Suspects" and "American Beauty") is out of prison and raiding Superman's Fortress of Solitude, making off which his collection of priceless crystals.

Routh is handsome all right, and looking close enough to Reeve (except his eyes are CGI'd blue from their natural brown) to keep us comfortable (his voice, though, is creepily similar to the late actor); so I have no real problem with him in the lead role.

Likewise, Sam Huntington as bumbling photographer Jimmy Olson, was adequately goofy in comic relief; while Frank Langella (as blustery Perry White) is good in just about any role he plays (see "Dracula" and "Dave" for proof of this).

The inclusion of Jack Larson (the original Jimmy Olson in the 1950s series), and Noel Neill (who played one of the Lois Lanes in that show) in cameo roles as a bartender and a rich, dying widow, respectively, was also a nice touch.

The other parts, however, do concern me. Bosworth is just too spineless and ineffective to be a hard-nosed reporter for a major newspaper, as well as the only real confidant our hero has in his life. To me, the spunky Parker Posey (who portrays Kitty Kowalski, Luthor's gun moll) would have made a much better Lois.

As for Spacey as Luthor, well, to me, he just is not evil enough. Gene Hackman had a deliciously devious demeanor, coupled with a madman's desire to rule the world – with basically realistic plans to do so. Spacey seems more of an annoyance than a real threat.

Another crime this movie commits, is that it goes on and on – at least 20 minutes after it should have concluded.

Now there will be fans out there who will no doubt blast me for this opinion, claiming how I dare I compare the 1978 and '81 films to this one.

To those detractors, I simply say that this new picture invites comparisons, utilizing the same opening credits, the same theme song, archival footage of Marlon Brando (as Jor-El, speaking dialogue from the original film), even the same scene where Superman flies Lois around New York (the only thing missing is Kidder's corny voice-over).

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