The Babadook


Action / Drama / Fantasy / Horror / Thriller

Rotten Tomatoes Critics - Certified Fresh 98%
Rotten Tomatoes Audience - Upright 75%
IMDb Rating 6.8 10 142360


Uploaded By: OTTO
Downloaded 353,792 times
November 17, 2014 at 02:44 PM



Essie Davis as Amelia
Daniel Henshall as Robbie
Noah Wiseman as Samuel
720p 1080p
703.99 MB
Not rated
25.000 fps
1hr 33 min
P/S 22 / 102
1.24 GB
Not rated
25.000 fps
1hr 33 min
P/S 11 / 235

Movie Reviews

Reviewed by Andrew Gold 9 / 10

Genuine terror

The Babadook isn't for the mainstream crowd. If you're looking for jump scares and scary monsters you wont find any here. The Babadook is a movie that taps into the basal emotion of fear. It portrays the truly terrifying things in life - grief, loneliness, and despair. Not things that freak you out but things that make you unsettled, disturbed, and human.

The acting is fantastic, the story itself is unique and told brilliantly through its subtle writing and directing, it's very well paced, I could go on and on. What I love about this movie especially is the suspense. There is always tension present throughout the movie, like there's an underlying unease to every shot. The way Jennifer Kent crafts these shots is bleak and macabre but not to the point where it's depressing. You're always on the edge of your seat. And I can't give enough credit to Essie Davis. Her performance is Academy Award worthy material, seriously. The son is great as well. At first he may seem obnoxious, and to an extent he is, but he acts exactly how a kid would act in that situation. You believe him. You believe everything these characters are doing, and that's what makes this movie work so well.

The Babadook really is one of the best horror movies I've seen in a long time and I've seen a lot. Is it scarier than The Conjuring or Sinister? I wouldn't say that, but that depends entirely on your definition of scary. This movie explores the more disturbing and realistic side of the genre, I'd say it's more haunting than said movies for sure. It's psychological horror at its finest. It actually gets under your skin, and when a movie can do that, it has done its job.

Reviewed by Mek Torres 10 / 10

Beyond the Creeps

At first glance, The Babadook may sound like a tale that warns people to not let children put creepy stories up into their heads. It may also be like one of those old horror movies with children being influenced by the ghost. The titular monster seems to have the potential of being a silly urban legend, such as Slender Man or the Hash Slinging Slasher (sorry about that), that is destined to be flooded with fan fiction, or simply just another horror movie icon, but the film surprisingly has a different aim than just scaring the audience. It might as well be a character study of a mother having a hard time moving on after the tragedy she's been through losing her husband and trying to raise her only son. The real horror doesn't come out that quick, but there is already a pretty compelling movie when it come to its characters. The tension is just the prize for being intrigued by the story's core.

One thing people must know about the film is it's not generally about The Babadook monster. In spite that the antagonist has an ambitiously great campy design and his story is told well by a twisted storybook with wondrously illustrated diorama, the movie is still laden on the more human element of the tale, which is the struggle of a mother who is unable to live normally. The pacing of her life may move too fast for the film, but the sadness and deprivation beneath those regular troubling days are totally manifested even without extending any of its breathing. The plot mostly concerns Amelia finding a way to overcome Samuel's behavioral issues and her memories with the accident than dealing with the whole supernatural threat, for sure it is trying to build some slow burn, but even without that horror movie sense, it still feels like they're being tormented by life.

It deliberately takes their personal grief seriously, making sure that they actually aren't insane, and nobody else could ever understand what they're going through. This is pretty much the most compelling view of the film, which makes them reasonably trapped into their own nightmares. Mister Babadook only becomes the boiling point of the ordeal. And when it hits to the part of the real scares, it sells well whenever the monster attacks. Instead of loud lazy jump scares, it rather spreads away signs of his presence and its effects to the family. His appearance has more terror if he's lurking in the shadows. It also has a nice use of practical effects to endure its very effective creeps. The performances of the two leads are outstanding for bringing the real heart of the picture. Essie Davis embraces the character, making her fear, depression, and shifting madness all visibly genuine. Same to the young Noah Wiseman who as well gives his character's actions some sense of anxiety.

Some horror fans might get slightly disappointed for not giving The Babadook monster enough of the characterization he deserves. The other story is a lot more interesting to follow than his diorama tricks, and that is why I keep stating that the the movie is best viewed as a gloomy fairytale about a mother and a son fighting to keep a hold of themselves and promise to protect each other from the odds, even if the promise doesn't always apply, than just another horror movie being shown in our theaters. While it still has the right amount of admirably campy scares, the film often explores to the larger and much affecting side of the story, and that sure offers beyond than what you expect to this stale genre.

Reviewed by Peter Tucker 8 / 10

Great Australian horror film

You've heard of feel-good films, well this is not one. It's creepy and disturbing pretty well all the way, a good old horror fantasy with a nod to the psychological canniness of Nightmare on Elm Street but much more economical in terms of special effects, casting and I would imagine budget. It nevertheless maintains tension and atmosphere along with some high-flying dramatic sequences from the actors which bear comparison with The Exorcist. The plot also connects nicely with the psychological and existential conflicts facing a single mother whose son's birth coincided with the tragic death of her husband, and the whole nasty Babadook phenomenon, and its unresolved outcome, can certainly be read as an allegory of this traumatic event. Maybe it's over-reading to say the film also contains a Nietszchian lesson about the importance of embracing every aspect of one's life and history, no matter how horrific - but it works for me. The acting is amazingly good from the two leads, although the supporting characters are a bit stereotyped, a directing decision presumably. Sets and locations are charged with a bleak gloom, and the colour accordingly verges on monochrome. Love the specially made children's book, and Mr Babadook's physical character, as well as the wonderfully curated vintage movie footage appearing throughout on the TV screen. And a special word for the very fine intricately crafted sound design.

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