The Big Sleep


Action / Crime / Film-Noir / Mystery / Thriller


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February 18, 2016 at 01:47 PM



Lauren Bacall as Vivian Rutledge
Humphrey Bogart as Philip Marlowe
Dorothy Malone as Acme Book Shop Proprietress
Elisha Cook Jr. as Harry Jones
720p 1080p
796.07 MB
23.976 fps
1hr 54 min
P/S 2 / 6
1.69 GB
23.976 fps
1hr 54 min
P/S 7 / 13

Movie Reviews

Reviewed by zedthedestroyer 10 / 10

Just Ignore That Discombobulated Plot

"The Big Sleep" is one of those movies I never tire of watching. Bogie, playing Philip Marlowe - one of his finer roles, commands the screen, wise-cracking with felons and coppers alike, giving a few beatings and taking a lot himself. The night scenes are wonderfully shot, with shadow and fog effects being used perfectly. The main reason to watch this movie, though, are the scenes between Bogart and Bacall. Their on-screen chemistry (fueled by their off-screen romance) lends the most weight to the film. My favorite of their exchanges is when Bogart, tied up yet still smoking, tells Bacall to "take this cigarette out of my mouth". And, of course, they kiss. A short while later, she helps Bogie take out a hired killer. Bogie remarks "I didn't think they made them like that anymore." They certainly don't.

Reviewed by Dennis Littrell 8 / 10

Classic private eye tale with Bogart and Bacall in fine form

This classic of American cinema, actually made during the war and released in 1946, got a whole nation of young men affecting Bogey mannerisms, raising their eyebrows or showing their teeth while grimacing, and especially pulling on their earlobes while deep in thought, a smoking cigarette dangling between their lips. It was the genius of Howard Hawks, who directed, to do everything possible to make Humphrey Bogart a matinée idol, including having Lauren Bacall slump down in the car seat so as not to tower over him. With this movie a new kind of cinematic hero was created, the existential PI, a seemingly ordinary looking guy gifted with street smarts and easy courage, admired by men, and adored by women.

Hawks fashioned this, part of the Bogart legend, with a noire script penned by William Faulkner, et al., adapted from Raymond Chandler's first novel, that sparkled with spiffy lines, intriguing characters, danger and a not entirely serious attention to plot detail. Hawks surrounded Bogey with admiring dames, beginning with the sexy Martha Vickers who tries to jump into his lap while he's still standing (as Marlowe tells General Sternwood), and ending with the incomparable Lauren Bacall, looking beguiling, beautiful and mysteriously seductive. In fact, every female in the cast wants to get her hands on Bogey, including a quick and easy Dorothy Malone, bored in her specs while clerking at a book store. Hawks also employed some very fine character actors, most notably Elisa Cook Jr., and Bob Steele, the former as always, the little guy crook, (Harry Jones), and the latter, as often seen in westerns, the mindless heavy with a gun (Canino). Charles Waldron played the world-weary general and Charles D. Brown was the butler.

I was reminded somehow of the old Charlie Chan movies with the dark, mysterious, ornately-decorated interiors heavily carpeted and studded with ethnic statuettes, especially the house on Laverne Terrace that Bogey keeps coming back to, and the glass-paned doors and glass-separated cubicals of his office and others. The atmospheric L.A. created here has been much admired and imitated, cf., Chinatown (1974) and L.A. Confidential (1997), two very superior movies that continued the tradition.

In comparing this to the book, I have to say it's a little on the white-washed side, and not as clearly drawn--'confused' some have said. Of course liberties were taken with Chandler's novel to make it romantic. Chandler's novel emphasizes cynicism, and romance takes a back seat to manliness and loyalty to the client. An especially striking difference is in the character of General Sternwood's younger daughter, Carmen. She is vividly drawn in the book as something of monster, a degenerate sex kitten who would try and do just about anything. She is twice encountered butt naked by Marlowe, once in his bed. Being the sterling guy he is, he turns her away. (Right. I could do that.) Another difference is in all the sleazy details about the low-life underworld of Los Angeles that are omitted or glossed over in the film, including Geiger's homosexuality and his gay house guest, Carol Lundgren. (Of course there was a code in those days.) Bacall's character in the movie is actually a fusion of Vivian and Mona Mars from the book, made nice for movie fans. In the book, Marlowe kisses Vivian, but turns down her invitation for more intimate contact. In the movie, of course, there is no way Bogart is going to say 'no' to Bacall. In the book Marlowe seems to prefer whiskey to women.

Most of the sharp dialogue comes right from Chandler's novel, including Bogart's grinning line, 'Such a lot of guns around town, and so few brains.' Interesting is the little joke on Bogart in the opening scene. In the novel, Chandler's hero is greeted by the purring Carmen with the words, 'Tall, aren't you?' Well, the one thing Bogey ain't is tall, and so in the movie Carmen says, 'You're not very tall, are you?' Bogart comes back with, 'I try to be.' In the novel, Marlowe says, 'I didn't mean to be.'

By the way, the film features Bacall singing a forties tune and looking mighty good doing it.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)

Reviewed by classicsoncall 8 / 10

Interesting DVD Release of the Proto-Noir Classic

Starting out, I must advise that my review here is for the 1945 pre-release version of "The Big Sleep", which had quite a few scenes redone prior to it's release to general audiences in October 1946. With filming already completed by Spring of 1945, there were two main reasons for the year and a half delay; first, with World War II underway, Warner Brothers felt compelled to get it's war related films into theaters while they were still timely. Secondly, Producer/Director Howard Hawks was convinced he had to re-shoot some scenes involving Lauren Bacall, who was critically panned in her latest film, "Confidential Agent" with Charles Boyer. In the original print, Bacall is presented in a few scenes wearing a distracting veil, and it's her more glamorous side that the studio needed to capitalize on.

Much has been made of the complexity of the "The Big Sleep", and deservedly so. On my latest viewing, I took pen in hand to keep track of the characters and situations. That only helped so much. For example, Humprey Bogart's character, private detective Philip Marlowe is tailing rare book dealer Arthur Gwynne Geiger for his client General Sternwood; Geiger allegedly holds gambling debts involving a few thousand dollars on Sternwood's daughter Carmen (Martha Vickers). Following Geiger's auto to his residence, Marlowe studies his surroundings, and then hears a woman's scream and gunshots, followed immediately by two cars careening out of the driveway. Entering the house, he discovers the lifeless body of Geiger, and a spaced out Carmen Sternwood. Out of this scenario are offered two, maybe three possibilities. First, General Sternwood's chauffeur Owen Taylor is implicated, as he had fallen in love with Carmen and wanted to defend her from blackmail. Secondly, a shady Geiger accomplice Joe Brody may have done it, OR may have chased the guilty Taylor from the crime scene either to retrieve some incriminating blackmail film or to remove him as a potential witness. OR, the spaced out Carmen could have killed Geiger herself, and although this wasn't offered as a possibility in the film, she WAS present, and may have been entirely coherent when the murder was committed.

And this is how the story proceeds. Even more characters are introduced to spin off the original plot, and Marlowe is off investigating the proprietor of a gambling house named Eddie Mars, Brody's accomplice Agnes Lozier, the salesgirl at the rare bookstore, and Harry Jones (Elisha Cook Jr.), a tail on Marlowe who gets rubbed out after setting up a meeting with Agnes that might provide more information to go on.

All of the intrigue aside, it's the chemistry once again between Bogey and by now, Mrs. Bogey, Lauren Bacall that propels this movie forward. Whether just sizing each other up at the beginning of the film, or as unwilling accomplices and possible lovers by film's end, it's the snappy banter and smoldering tension between the two that put the sizzle into this edgy noir thriller.

As if to prove how great an actor Bogart was, this film offers us a glimpse at his incredible range. Of course I'm referring to the bookstore scene in which Bogey portrays a nerdy client seeking information on a non existent rare book. With a mere upturn of his hat's brim and a cleverly positioned pair of glasses, Bogart completely transforms into an almost unrecognizable comic character who befuddles and infuriates the store's proprietress. He follows that up with a walk across the street, and a double entendre filled conversation with a disarmingly seductive Dorothy Malone in a scene that could have lingered into X-rated territory if not for the task at hand.

One could go on and on about "The Big Sleep", and others have, but to appreciate the film's mystery, darkness and noir complexity you'll have to view it. But don't try to solve the case, you won't want to hurt yourself.

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