There is a kind of theory according to which a horror or thriller film would lose all its frightening effect if it did not have a musical support as a backdrop, and its greater or lesser intensity regulates the viewer's tension levels. And this is true, at least in most of these types of movies. But there is always an exception that proves the rule. In The Birds, an iconic film by director Alfred Hitchock (inspired by the eponymous short story by Daphne du Maurier), such musical intrusion was dispensed with, as the director wanted to give voice to these apparently harmless beings that terrorize the population of Bodega Bay (Bernard Herrmann appears in the credits only as sound consultant). The film, which dates from 1963, continues to promote an intense discussion about its meaning and the most varied hypotheses have been put forward, since the ending is left open, with the birds victoriously watching the removal of humans (of course Hitchcock knew that not giving an explanation would contribute to accentuating the mystery and interest that the film arouses, it is not his best film, but it is certainly one of the most enigmatic). Choosing the blonde on duty (one of my favorites) was also a winning bet. Tippi Hedren, the unlikely heroine, perfectly plays the role of the fragile young woman, who is able to stand up to the bloodthirsty bird though. Her image of scared eyes and disheveled hair covering herself with her hand is memorable. As far as I am concerned, the scene dominated by the couple of lovebirds always comes to mind, swinging along the curves, in the convertible on the way to Bodega Bay, inside a cage, without having the right to enjoy the landscape, as a trigger for the revolt of the birds.

Before and since "The Birds", you've had all manner of creatures to make their impact in horror films. The brilliance of Alfred Hitchcock is that he doesn't go for the obvious - the great white shark, the rampaging gorilla, or the Jurassic dinosaur. What could be more welcome than a few songbirds to brighten up and add some cheer to an otherwise ordinary day? As the crows congregated in the schoolyard it seemed like they exuded evil in a strange way, foreshadowing an event outside the normal scheme of things. With all the slash and gore spectacle prevalent in horror films today, one has a keen sense as a viewer that nothing presented on screen is real. But take one look at the plucked out eyes of farmer Dan Fawcett slumped against the wall of his home, and you begin to wonder, wow! could something like that ever really happen?

Offsetting the grim spectacle of the bird attacks, I thought Hitchcock did a nicely nuanced job with some offbeat humor that might not seem obvious at first. Would a pair of caged lovebirds really respond to inertia the way the ones in Melanie's car did taking those curves on the road to Bodega Bay? I thought that was a neat touch. And how about shortly after the sparrow attack at the Daniels home, when the diner waitress orders baked potato with the fried chicken? Hitchcock's little way of a preemptive strike on the feathered set before things really get going.

One thing seemed kind of odd though. Recalling that sparrow attack down the chimney into the Daniels parlor, wasn't it strange that no one screamed? Not even a sound out of any of the people in the room, including little Cathy Brenner (Veronica Cartwright). That certainly wasn't played very realistically; I pictured myself in that room shouting out a few well chosen four letter words besides 'bird', I can tell you that.

As for the players, Tippi Hedren did a commendable job in virtually her very first screen role. There was something mysterious to her persona that might have been construed as to contributing to the bird attacks. That idea was voiced later in the story by the panicked mother who wanted to leave town as quickly as possible with her daughter. I couldn't really warm up to the idea of Veronica Cartwright and Rod Taylor portraying a brother and sister with the apparent age disparity, but that wound up working out OK.

The inconclusive finale left me feeling a little baffled since there was no real resolution to the problem with the birds back in Bodega Bay. It felt a little like the ending to the original "War Of The Worlds" (1953) where everything kind of worked out for the best, but with no sense of closure or comfort to it.

Before closing I have to throw out this bit of ornithological trivia, and I'm curious why Hitchcok didn't use it in the film. There was in fact a reference to a flock of crows in the picture, but the more accurate description would have been a 'murder of crows'. Seriously, you could look it up, the term came about because a group of crows is known to kill an already dying animal in order to feed. A whole bunch of them looks kind of spooky too!

The first and only time I've watched this movie was with my mom when I was a little kid. Back at that time, the movie frightened me to new levels, as it was horrifying to see flocks of birds attacking people mercilessly.

I don't remember the actual plot of the story, which consists of a San Francisco socialite following a boyfriend to a small town, where all sorts of birds suddenly begin to attack people. I just remembered the birds viciously attacking the town's residents, people trapping themselves in buildings and gas stations blowing up, indirectly caused by the birds.

Unlike conventional horror movies, where you would normally see ghosts, goblins, vampires and zombies, "The Birds" is a film that gives you a normal everyday creature suddenly attacking people in huge numbers, something you don't expect to witness. This, as a result, is a very interesting concept for a horror movie and definitely send chills to your spines.

All the scenes of mayhem, chaos and people running for their lives are disturbing, yet suspenseful. One of Alfred Hitchcock's greatest works, this movie is a must-see for any horror movie fan.

Grade B+