The Congress


Action / Animation / Drama / Sci-Fi

Rotten Tomatoes Critics - Certified Fresh 74%
Rotten Tomatoes Audience - Spilled 54%
IMDb Rating 6.5 10 14355


Uploaded By: OTTO
Downloaded 78,054 times
May 21, 2014 at 02:55 PM



Robin Wright as Robin Wright
Sarah Shahi as Michelle
Jon Hamm as Dylan Truliner
Paul Giamatti as Dr. Barker
720p 1080p
868.32 MB
25.000 fps
2hr 2 min
P/S 1 / 4
1.85 GB
25.000 fps
2hr 2 min
P/S 5 / 49

Movie Reviews

Reviewed by FilmMuscle 5 / 10

A Unique Idea Eventually Turned Into a Muddled Mess

The Congress explores a fascinating concept that I've always contemplated ever since my realization of technology's limitless advancement: how indispensable are actors, exactly, or any other worker for that matter? How much are we all worth to powerful corporations that use their affluence for improving efficiency and convenience, consequently attenuating and diminishing the workforce with the introduction of stunningly-adaptable and proficient computers/machines.

This is what Robin Wright faces (quite interestingly portraying herself in this role) as an actress whose best work is far behind her. Suddenly, a vastly impressive, yet potentially detrimental, new system has materialized as studio execs attempt to convince her into scanning her entire body, motions, and all sets of emotions so that they won't need her anymore, thus branding Robin as a merely expendable human being. In the future, they'll be able to use her likeness whenever they want in whatever film they choose. She's nearing her 70th birthday? No big deal; she's still 30 years old in her scanned form—on the big screen. While she's retired and spending the rest of her days either on vacation or miserably attending to her ill son (whose health—vision—is gradually deteriorating), her semblance is starring in some enthralling and intense action flick as a young, sexy spy.

With the way I described it, it seems like this newly-realized technology has many remarkable assets, but at the same time, it clearly possesses sizable flaws. The worker is therefore deprived of any right/ability of choice (in this case, especially), and one's identity— one's character—is no longer in their control. It is now in the hands of a possibly avaricious, manipulative, typically corporate Hollywood studio. Robin's under a lengthy contract, and there's nothing she can do about it from that point on. From the time of her signing, she is forbidden to act ever again—forbidden to express her talents. She is hence a nobody who isn't given any hint of attention and praise any longer.

As you can see, the film starts out with such a unique and original premise. The first hour of the picture continually fleshes this idea out to the fullest extent. And during that hour's duration, time really flies by and the movie's engaging quality persists throughout. However, all of a sudden, the film takes an unexpected and bizarre direction towards its last half, guiding us into an animated world as opposed to the prior live-action format. It's with this final act that the film unfortunately stumbles and loses its original vision. The plot becomes embarrassingly incoherent and escapes into hallucinatory and purely trippy chaos. This would be an accurate depiction of my reaction as the film progressed: "What? Huh? Oh okay, I get it. Wait, what? What's going on? Oh, okay…" It's a truly frustrating experience that amounts to a strange and unsatisfying climax that's swathed in ambiguity and confusion. The Congress is the exemplar of how unevenness can truly spoil a narrative, carrying a compelling concept at first but squandering its potential simply because the storytellers had no idea how to continue the tale after its concept had been fully explained.

Reviewed by Bruno Youn 8 / 10

Welcome back Ari Folman!

Highs: A very imaginative film for sure. The animation is unique, being unlike anything I've seen. It resembles Waltz with Bashir in a way, but here we enter in a fantastic world filled with strange and colorful characters / backgrounds. The Congress contained plenty of interesting and, at times, hilarious cameos by celebrities, religious icons, historical figures and so forth. I was also impressed by how much drama there was in this film. Robin Wright portrays this decadent actress who accepts one last job that will change the rest of her life. I liked how the animated world connected with reality for the most part.

Lows: The animation is often spectacular, but can be too cartoonish on certain occasions, not being for everyone. This futuristic view of the movie industry is really over the top, but this wasn't a huge deal for me as it's mainly a sci-fi film. There are a few silly dialogues and jokes that dragged the first half a bit.

Verdict: The Congress is a great follow-up to Waltz with Bashir and is definitely the wildest trip I've had watching an animated film in a long time.

Reviewed by Magic Mike 9 / 10

Beautiful, innovative, subversive, brave

The movie itself is a metaphor for some of the new trends that are happening around us. It makes a hinted implicit discussion about things like the Internet culture (avatars, virtual life), Intellectual Properties, rights, freedom, terrorism, capitalism, life extension. The movie is deep and few people can really get to the bottom of it and get the messages. My wife for example, got out from the movie unable to explain it. I, on the other hand, thought that the messages in the movie were powerful. It reminded me for moments "Vanilla Sky" and the "Matrix" though a bit different. The animation seems deliberately hand made and old (as Disney's movies) and I believe this is yet another critique about the cutting-edge Pixar computerized movies, made by hundreds of people and co-producers that shape up each character (which is an owned intellectual property). Producing this movie was a bold and brave move – it may get mixed critique from the intelligent, and might be mocked by the superficial crowd, but I say it is brave and brilliant!

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