The Debt


Action / Drama / Thriller


Uploaded By: OTTO
Downloaded 43,689 times
December 01, 2011 at 10:17 PM



Jessica Chastain as Young Rachel
Marton Csokas as Young Stephan
Sam Worthington as Young David
Helen Mirren as Rachel Singer
753.84 MB
23.976 fps
1hr 53 min
P/S 9 / 35

Movie Reviews

Reviewed by Twodude Review 8 / 10

A debt of gratitude for an enjoyable movie

It's always nice when you see a movie trailer that looks pretty good, and then when you see the movie it far exceeds your expectations. The Debt, a remake of a 2007 Israeli movie of the same name, is a suspenseful espionage thriller about a team of Israeli Mossad agents as they attempt to track down "the Surgeon of Birkenau". The movie incorporates flashbacks and flash-forwards in a controllable fashion, with approximately half the movie taking place in 1966 and the other half taking place in 1997. The film is based on a screenplay co-written by Jane Goldman and frequent co-collaborator, Matthew Vaughn, a rising star known for his writing and directing of films such as the underrated Kick -Ass and the 2011 summer hit X-Men: First Class. Director John Madden, best known for his Oscar winning movie Shakespeare in Love, crafts an intriguing film that although predictable at times keeps you engaged. In The Debt, Madden has made some great choices in casting; beginning with Oscar winner Helen Mirren and Oscar nominee Tom Wilkinson, both of whom provide stellar performances. Jessica Chastain, Martin Csokas, and Sam Worthington, although not having any Oscar nominations of their own, give captivating performances during the movie's most brooding scenes.

I enjoy espionage films, such as Munich, Spy Game and North by Northwest, immensely. The Debt's strength, much like those other three films, is that it's character and story driven and not dependant on action or special effects to maintain its viewers. The pacing is steady and there's a lot of intensity as the agents attempt to accomplish their mission. The subject matter of the film is a dark one, and that's reflected in the film. Unlike your neighborhood police department or county sheriff's department, intelligence agencies do whatever is necessary to get the result they are seeking; such as some uncomfortable visits, for the patient as well as the viewer, with Dr. Bernhardt, played disturbingly by Jesper Christensen The movie kept me intrigued throughout, and I find myself often sliding up to the edge of my seat, unable to tear my eyes away from what was happening. As the film drew to a close, most questions are answered and closure is provided, unlike just about every other movie made today.

Grade: B+

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Reviewed by chaz-28 4 / 10

The Debt's potential is spoiled by sloppy writing

Is the truth actually what happened or what everyone believes happened? The Debt attempts to answer the question and almost succeeds if it were not for some very poor screen writing. It is 1966 and Mossad has finally tracked down the infamous Birkenau surgeon, Dieter Vogel (Jesper Christensen). Dr. Vogel is very high on the list of Nazi war criminals the Israelis are hunting down because of the atrocities he committed at his concentration camp. He would deliberately blind children to see if he could change eye color and cut off hands and feet and reattach them on the wrong limbs to see what happened.

The spy team assigned to kidnap him and bring him to justice are team leader Stephan (Marton Csokas), David (Sam Worthington), and Rachel (Jessica Chastain). Their story is told in flashback and the first half of it is absolutely riveting. Rachel poses as a woman with fertility issues and becomes a patient of Dr. Vogel who is hiding as an OBGYN in the Soviet sector of East Berlin. The tension during the examination room scenes are the highlight of the film with both Rachel and the doctor verbally maneuvering to ensure the other person is who they think they are.

After a convincing action sequence, the story abruptly turns from a kidnap/escape scenario into a hostage situation. This is one of the points where the film just falls apart. Mossad and their agents are the best in the entire world at their art. There is no way such highly trained agents would fall victim to and resort to the amateur hour theatrics which come with the hostage sequence. The script is riddled with illogical and bizarre events which only occur during the film's most important sequences for some reason.

Fast forward to 1997 and now older Rachel (Helen Mirren) is at her daughter's book release party which describes the team's successful mission to Berlin all those years ago. Older Stephen (Tom Wilkinson) is also around for the recollections. The 1997 scenes are adeptly written and filmed, especially scenes with Mirren. Tom Wilkerson is just along for the ride. Unfortunately, the movie's climax is one of the most preposterous situations a decent film has been saddled with. It is so ridiculous that a two hour meeting with the writers would still not convince me this was the best way to resolve the story's actions and issues. The mood and atmosphere are destroyed and the audience collectively shook their heads in disbelief at the mockery on screen.

Screenwriters Matthew Vaughn, Jane Goldman (X-Men: First Class, Kick-Ass), and Peter Straughan (The Men Who Stare at Goats) adapted this screenplay from an earlier film. The Debt's first hour is quite good with adept flow from 1997 to 1966 and the truly suspenseful scenes between Chastain and Christensen. However, their handling of the hostage situation and the absurd climax are what really hurt this film and makes the audience shake their heads with the 'Oh, what might have been' lament.

Reviewed by Adam Frisch 5 / 10

Great suspense and some genuine surprises.

The Debt is a Nazi hunt/spy thriller all rolled into one and it's nice to see a classic thriller that takes the subject matter seriously and relies on suspense to keep us in its grip. I was at the edge of my seat for most of the time and there's plenty of surprising turns in the story to keep even the most jaded enthralled.

Most of todays inept filmmakers rely on blowing stuff up hoping that this will count as suspense. It also is such a breath of fresh air in an appalling year of C -grade superhero movies and obscure comic book adaptations. Hopefully this does well so Hollywood can go back to making well written thrillers and dramas like they used to.

Best suspense thriller of 2011 so far.

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