The Descent


Action / Adventure / Horror / Sci-Fi / Thriller

Rotten Tomatoes Critics - Certified Fresh 85%
Rotten Tomatoes Audience - Upright 75%
IMDb Rating 7.2 10 167455


Uploaded By: OTTO
Downloaded 119,868 times
June 04, 2012 at 09:47 AM

599.31 MB
23.976 fps
1hr 39 min
P/S 8 / 104

Movie Reviews

Reviewed by David Curtis 10 / 10


I loved it, I went in expecting something along the lines of "Dog soldiers", something funny and enjoyable but instead I got a roller coaster ride of tension and fear. So often these days horror movies just aren't scary, they make you jump they have a little bit of atmosphere and that's it, well this film was scary. It was tense, well acted, and the director made great use of the setting to scare the hell out of you. I don't want to go in to a lot of detail in this review, as I don't want to spoil the experience for anyone who reads it, and that is what this film is an experience I came out of the cinema shaking. This film is well worth your time.

Reviewed by outy 8 / 10

Easy to miss, hard to forget.

There aren't that many British horror films, so it's not too much of a stretch to call this one of the best British horror movies i've seen. It has flaws, but i've only seen a few films in my life that don't. It's incredibly entertaining though.

The basic premise: Fun-loving, adventurous Sarah suffers a personal tragedy, a year later her friends rally round and they go on a caving trip in the Appalachian Mountains in the US. Things go awry.

It's a slow starter this film, the tension is palpable from the start but things don't properly kick off for nearly an hour. Don't get me wrong, it's never dull, but the pacing of the film is similar to that of a roller-coaster. There's an uphill wind-up that builds suspense, but when it goes over the edge it just doesn't let up until you come to a juddering halt. All the horror techniques are used here, there are enough jumps (both telegraphed and not) that every pause will have you ready to flinch, but there's also fantastic use of suspense and everything about the film oozes menace and foreboding. A special mention is needed for the music. Like all good scores, it goes mostly unnoticed. But it's intertwined beautifully with the film, it moves you and misleads you, it swells from background plinks and plonks to grand, blaring orchestral pieces. The lighting is also masterful. When the girls split up, Marshall uses different lighting to indicate which person or group you are looking at. Whether it's through infra-red camera, luminous green light-sticks or red flares and torches, you instantly know who you're looking at, and that cuts down on the confusion very effectively. Flaws? The dialogue is a little clunky at the start, there's a few moments of cgi as they first enter the cave that are pretty shoddy. Other than that it ticks all the right boxes. Great acting, great plot, excellent gore levels, perfect ending. Not everyones cup of tea, but definitely mine. Hell hath no fury

Reviewed by matt_cub 9 / 10

Masterful horror film. Spoiler free review

If nightmare inducing horror is not your bag then the less you know about The Descent the better. Geordie writer-director Neil Marshall has delivered an accomplished, well acted, out and out horror movie that comes as much of a pleasant surprise as his first major feature Dog Soldiers did back in 2002. Shot in a mere 7 weeks The Descent sees a sextet of undeniably attractive action women leaping headfirst into an Appalachian potholing adventure that goes wrong so quickly you are left wondering if any one of them will survive, let alone ever see daylight again.

There are comparisons to be drawn to Marshall's 'Soldiers of course - again the story is stark and wonderfully economic. Again there is group of six people, predominantly one sex accompanied with a lurking, ominous threat and again there are more nods to popular film culture than you probably realise. The Descent however has a sense of humour that is suitably pitch black.

Long before the cave appears we play witness to a traumatic event that underlies the plot and serves to both unite and tear apart relationships in equal measure. Mostly affected are fragile Sarah and physically strong Juno, an adrenaline junkie who leads the group further and further beneath the ground. No time is wasted in recreating the primal feel of crawling through tunnels with hard hats scraping the dust from the rocks, choking and inducing paranoia all the way as it lingers in the stale, torchlit air. It's here Marshall gets a little inventive. Playing with various different lighting techniques our heroines become colour coded through scenes via glow-sticks, flashlights and video camera. Sounds echo when visuals are briefly lost and deliciously bone crunching they are too. Events escalate quickly and the whole ride becomes what can only be described as a non-stop relentless assault on the senses that will demand repeated viewing.

The only thing that will ruin this movie for you is word of mouth, which ironically is exactly what this film will need to become commercially viable. But the less you know, the more you will enjoy it. Have fun spotting references to Carrie and Apocalypse Now by all means, but don't be fooled into thinking this is a mere standard entry into the much saturated genre-movie staple. The Descent will rank as one of the most unashamedly terrifying British films ever made. It was made by people that love good cinema, and it shows. The Descent was made before The Cave, and now has an alternate ending for new audiences.

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