The Eagle


Action / Adventure / Drama / History


Uploaded By: OTTO
Downloaded 62,198 times
May 11, 2012 at 06:26 AM


Channing Tatum as Marcus
Donald Sutherland as Uncle Aquila
Mark Strong as Guern
Jamie Bell as Esca
720p 1080p
700.92 MB
23.976 fps
1hr 54 min
P/S 7 / 35
1.50 GB
23.976 fps
1hr 54 min
P/S 5 / 22

Movie Reviews

Reviewed by Xlegion 6 / 10

Just OK!

The movie has a fairly good opening in my opinion, a rather dull middle and a predictable ending.

The problem with it for me is the same problem I'm seeing with a lot of the new action films. The cameras stays very tight, action is all blurred and close up, so you can't see what's going on. The sound track is all keyed up so you won't be concentrating on the errors in the action. (Which you can't really see anyway) Golly, give me the days of good stuntmen back again.

I liked the opening half hour or so, but the middle is so much like a North American Indian film you lose all sense of the time period. I agree with the former reviewers comments, Gee, if the Britains lived like this why bother with them.

I prefer the mini-series "Rome" to this any day.

The theater chains are also destroying the movie going experience as I have to agonize over 15 minutes of commercials before the main feature starts.

Reviewed by mdazl 9 / 10

Surprisingly Awesome!

The Eagle wasn't desperate or overly ambitious— it was exactly what you'd want from a tale of friendship and adventure! I'd been prepared for a ten minute opening montage educating us on the socio-political climate of Roman-occupied Britain, but I was pleasantly surprised with the character focused introduction. I know it's a little unaware, but I didn't go see this movie for historical accuracy, or to be being preached to about the triumphs of the human spirit. It's a very simple story, but epic in its presentation. You get swept into their journey to find the lost Eagle and restore honor to Marcus's family. There are several graphic (but never gory) battles, and a memorable relationship evolving through the movie.

The casting was on the money; it was a treat to see O'Hare (Russell Edgington from True Blood), and Sutherland as Marcus's caring uncle. This is undoubtedly Channing's best work— he is completely believable as a leader but not infallible as we find out early in the movie when he is injured. Jamie Bell was brilliant as Esca; he has a lovely tortured look about him, with just a hint of unpredictability that makes him seem dangerous. I won't give it away but he has multiple reasons to want Marcus dead, which makes their friendship so compelling.

As for the (apparently huge) Bromance issue, it's made even more obvious by the absence of a female lead, which I'm fine with. If there isn't a well developed female character, then I'm grateful we were spared the token hot-girl who contributes absolutely nothing to the plot (other than to offset any male bonding that goes down later in the movie). The Eagle didn't need that; sexuality was never a character driving theme. There's definitely love and respect between Marcus and Esca, but don't expect them to have any chick flick moments. I only say this because some of the more clumsy interviewers have been harping on it, and it's tacky. Obviously if Channing and Bell ever did do a gay themed movie, I'd be thrilled/elated/first in line, but I'm not calling gay every time I see two guys next to each other having emotions. I guess people are going to see what they want to see— they're both really good looking guys risking their lives for each other, I get it.

At the end of the day, the only thing I found lacking were parts of the dialogue, especially in the beginning. That's just nit-picking though. The Eagle was leagues above movies like Troy and Alexander in terms of heart, however don't go in expecting Gladiator-esque material. It may as well have been a classic sports flick, and the Eagle their Superbowl trophy— there's something distinctly American about it. You will however end up caring about the characters, which to me, makes a movie worth watching.

Reviewed by Movie_Muse_Reviews 7 / 10

Much less rousing and dramatic than a "Gladiator," but a solid action epic

The latest modern film to play swords-and-sandals dress-up is "The Eagle," starring Channing "Pretty Boy" Tatum, a name I bestowed upon him having played "Pretty Boy" Floyd in Michael Mann's "Public Enemies" back in 2008, albeit a part of no significance. I suppose when they coined the term "hunk," no one expected it to apply so literally to the thick and broad-shouldered 30-year-old.

Tatum plays Marcus Flavius-Flave Aquila (okay, just Flavius), Roman centurion and son of a disgraced commander who disappeared along with the entire Ninth Legion and Rome's beloved eagle standard in the north of Britain in 120 AD. Fast forward 20 years and son has chosen to be posted in Britain in hopes of gaining back his, his father and Rome's honor by discovering the fate of the legion and recovering the eagle. For Tatum, this trip into dangerous territory beyond Hadrian's Wall, as it turns out, is also a test of leading man meddle.

Heading up the real American heroes of "G.I. Joe" doesn't exactly count for star capability, and while "The Eagle" barely holds a candle to the Roman epic of all Roman epics that is "Gladiator," it certainly can be seen as a more serious step and one in which the target audience has no interest in ogling him -- just watching him kill rebellious "Seal Men," (precursors to Scots).

Tatum's grades are definitely passing, but he earns more sympathy than attention. He's not quite a commanding presence, but Jeremy Brock's script doesn't exactly show us anything about him other than he feels disgraced and he's a good soldier. Flashbacks and dreams about his father riding off never to be seen again are hardly adequate ways to build a hero who can rally our spirits. He can throw down with the best of them, but he's better stoic.

For the most part, "The Eagle" follows suit. Kevin Macdonald, a versatile and underrated director who has an Academy Award for Best Documentary and also directed Forest Whitaker to his "Last King of Scotland" Oscar, keeps the action moving and more old school -- old school being the days before CGI. The fight in the beginning all the way to the journey beyond the wall and the perils he faces excite and hold attention. For an epic film that places honor and friendship at the center, the stakes just never feel high enough. You'll make an investment in hoping for a peaceful ending, but nothing stirs beyond that.

The film tries to create several dynamics such as Marcus' daddy issues and the relationship between Marcus and Esca (Jamie Bell), his servant whose life he saved, who over the wall could betray him at any moment, but little doubt seeps in. After all, while Esca's a tough and resilient guy, he was once Billy Elliot -- he's probably not screwing anyone over. Actually, Bell's performance hurts Tatum's when all is said and done; he's much more unpredictable.

Roman history nuts will find little to enjoy from that perspective with "The Eagle" as political undertones are practically non-existent and you have Americans playing Romans and Brits playing savage Brits. Brock's script sticks to the action and compelling events, using a historical period to create a tone, much in the way "300" did. Appropriately adjusting expectations for "The Eagle" to this level will help it retain the honor it deserves for capturing 120 minutes worth of interest with eventful action sequences.

~Steven C

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