The Equalizer

2014

Action / Crime / Thriller

75
Rotten Tomatoes Critics - Certified Fresh 61%
Rotten Tomatoes Audience - Upright 77%
IMDb Rating 7.2 10 249319

Synopsis


Uploaded By: OTTO
Downloaded 1,159,323 times
December 12, 2014 at 11:12 AM

Director

Cast

Marton Csokas as Teddy
Denzel Washington as Robert McCall
Haley Bennett as Mandy
720p 1080p
873.46 MB
1280*720
English
R
23.976 fps
2hr 12 min
P/S 21 / 98
1.95 GB
1920*1080
English
R
23.976 fps
2hr 12 min
P/S 6 / 13

Movie Reviews

Reviewed by Ruiz Manalo 2 / 10

A Script Written By A 5-Year-Old Aspiring Hollywood Screenwriter

Sorry Denzel, not even your amazing talent could save this laughably insultingly lame, simple-minded, patronizing movie straight from the mind of a toddler trapped in a 38 year old Hollywood screenwriter fantasizing about saving abused hookers from fat Russian mobsters. But 2 good things about this movie: 1) Denzel AND 2) Mustache twirling, bootleg Kenneth Branagh main villain.

And from this point on my review will simply be titled "Hollywood Thinks...."

1) Hollywood thinks that Russians speaking to each other randomly pepper-in English for some odd reason & then go back to their native language to say important info like "Yes"

2) Hollywood thinks every man only gets mad about injustice when it's a young attractive female who is being abused and beaten by rich, fat, ultra violent, mustache twirling foreigner/weirdos.

3) Hollywood thinks ex-CIA members go around wiping out entire crime families not because they want to stop crime or injustice to the general public, but because one white woman was abused by Russian pimp-mobsters who very obviously had done that type of thing to countless men/women before. But it is okay for the hero to murder people because, hey, they hit a woman & they are one-dimensional evildoers who don't deserve even a trial or gas chamber for their crimes, they deserve a vigilante death.

4) Hollywood thinks the Russian mafia and the Boston PD are both incompetent fools: These rocket scientists run around saying things like "no witnesses" but brashly brandish guns in broad daylight and shoot at things all the time out in public while doing faux-military hand- gestures thought up by the 5 year old screenwriter while playing Contra. And apparently half of the corrupt cops in this universe are making gobs of money with the oh-so-dangerous yet generic "mafia" groups while the other half is shaking down Mexican Jack Black's mom for pocket change at a taco stand because that's such a booming industry in the Southy Projects. Feed me to thah POOR by dah way.

5) Hollywood thinks an ex-CIA member can lecture mobsters about lying, killing, and insulting a government agency for corruption...as if they have such a squeaky clean record. And they also think we the idiot simpleton audience is supposed to shake in our boots at these tired, played out tropes revolving around the "RUSSIANS" and "CIA" and "CORRUPT COPS" who talk like caricatures from an unreleased Sopranos sub-plot.

6) Hollywood thinks that every vigilante murder, destruction of property, torture, etc. can be written off as legitimate because said vigilante was an ex-CIA/FBI/Law enforcement officer with some current tie to an operational government contact (in this case a female instead of a male because that is just so out of the box & unexpected) So progressive this film.

7) Hollywood thinks they need to shoot everything in slow motion because MATRIX.

8) Hollywood thinks people with guns often give vigilantes 20 minutes of slow motion time to plan out killing them with random blunt or sharp objects just after adjusting skull-shaped items to foreshadow their doom.

9) Hollywood thinks the audience is stupid (and they may have a point) so constantly have characters yell out things like "OH THIS IS THE RING I LOST" and "OH MY GOD YOU DID IT!" because we idiots could not done figure that out oh golly geez and a wippdee doo!

10) Hollywood thinks by shooting people talking that are famous and telegraphing what is good and evil, over and over again with the same idiotic tropes, that it counts as great cinema. F**K Hollywood and F**K this movie.

Reviewed by Lloyd Bayer 7 / 10

Gruesome at times, The Equalizer is a rewarding action film for every single Denzel Washington fan out there.

Rooting for a badass hero with a kickass attitude has never been as satisfying as watching Denzel Washington dish out some brutal punishment. This is exactly what you get in The Equalizer, an action thriller based on the late 80's TV series of the same name, but amped up with ultra-violent realism.

Reunited after their collaboration in Training Day, Washington (received his first Academy Award in a leading role) and director Antoine Fuqua are back in this simple yet deadly effective action film. Using a Mark Twain quote about people who find their true purpose late in life, Washington plays Robert McCall, a loner and tragic widower with a mysterious past. On the surface, he is an amiable home depot worker who keeps to himself, indulging in conversations only when spoken too, and slave to some sort of OCD while remaining invisible to people around him. After befriending a Russian teen escort called Alina, (Chloe Grace Moretz all grownup), and discovering she is the victim of sexual abuse, McCall's nice-guy demeanor melts away to expose an aura reverberating layers of darkening complexity. There's a tightly restrained compassion in McCall's eyes, fighting a father-figure compulsion to do what he must, while Alina's is a muted plea for deliverance. This scene takes place in a diner they frequent in Boston, and it's the first of two powerful moments in the film. What follows is the film's first action sequence in a Tarantino-styled dialogue first, and blood splatter later, McCall dispatches Alina's Russian pimp and his goons. When news reaches Moscow, mob kingpin Pushkin sends Teddy (Marton Csokas), to clean up the mess. Covered with satanic tattoos, Teddy is anything but the moniker he goes by and with half the Boston PD on his payroll, it's just a matter of when and where McCall is eliminated. Or so they think.

Having previously scripted The Expendables 2, Richard Wenk's story here is nothing new when considering McCall's proverbial 'set of skills', a comparison if you must, to certain characters Liam Neeson has played. On the other hand, there is a mechanism in place, partly due to the aforementioned OCD, allowing McCall a brief study of the situation before striking with lethal accuracy. While that sounds like a knock-off version of combat tactics employed by Guy Ritchie's titular hero in Sherlock Homes (2009), the payoff is watching McCall take out bad guys with improvised weaponry. It gets a bit hokey towards the end, with McCall using all manner of booby traps to slice, dice and blow up Teddy's dumber-by-the-minute henchmen. Having said that, it is still rewarding to watch Washington demolish enemy after enemy and this is largely due to Csokas' terrific portrayal of Teddy's loathsome nature. To that effect, the best scenes in the film are when Teddy and McCall are face-to-face and denting each other's armour with nothing but well written dialogues. One such scene is a powerful dinner table battering-of-wits, a taut reimagining of that iconic scene in Heat (1995).

While humour and drama throw some light on Boston's mob controlled dirty cops, McCall's relationships with his colleagues, and even a short segment that suggests his origins as a trained killer, The Equalizer really shines with Fuqua's deft handling of action scenes. But topping it off is Washington in a vigilante role that is the best we've seen in years. Fans of Man on Fire (Washington opposite Dakota Fanning) and Léon: The Professional (Jean Reno opposite Natalie Portman), both films about male heroism influenced by female protégés, are in for a visual treat. Heck, who needs improbable superheroes when you have an average Joe with extraordinary capabilities and all without hiding behind a mask or costume? Although compelled to use the N-word, I'll just say – Ma man Denzel. . .doesn't disappoint and neither does The Equalizer.

Reviewed by ToddWebb 6 / 10

Mostly atmosphere, zero story

At the end of it all, I found this movie very boring. The story is old as dirt. The plot is so obvious that as soon as characters appear on screen one can identify, "He'll be killed," "She'll be kidnapped and used as bait," "Something bad's gonna happen to him," and my all-time favorite, "He's the innocent, likable guy introduced early then ignored for 90 minutes (so we'll forget about him), only to have him turn up as a hostage in the big showdown." And every prediction is spot-on.

Example of bad writing: Two thugs walking up to a door. The last thing Thug 2 says to Thug 1 as they approach the door, "Whatever you do, don't call him Little John." Very next shot, inside the door, Thug 1 starts talking smack... and guess what he does? When the setup is literally 5 seconds earlier, we all see it coming. Give us the setup in a different location, maybe? Or at least disguise the setup amidst a longer, funny/entertaining conversation? Nope, just lay out that one line setup, then walk on in. We the viewers will just deal with it.

Denzel's character is likable. I mean, insanely likable. Beyond the depth of my willful suspension of disbelief likable. He's always friendly, always in a good mood, always smiling. He's ecstatic just to be alive. Everyone loves being near him. He's never "just a guy." He's more helpful than a college professor, more inspirational than a priest, more motivational that a fitness instructor. Every scene in his workplace (which is visited repeatedly throughout the movie) includes no less than 2 background guys smiling giddily when Denzel arrives to work, and laughing loud at every word Denzel speaks. Going to work at Home Depot - sorry, "Home Mart" - surely isn't like that in real life.

But there's more to Denzel, isn't there? Who is this guy? Where'd he come from? Who knows? We'll never know. But clearly he's bad-ass. More moves than Shakira and deadlier than Seal Team Six. He seems to know how to handle any situation and any number of attackers - just because. No reason; he's just awesome. If you ever saw the classic comedy PLANET TERROR, just think of the scene, "Give him the gun. Give him all the guns." Because, ya know, he's just so bad-ass for no logical reason.

The bad guy was awesome. While Denzel's fight scenes were a lot of super-close blurry shots, the few scenes where the Bad Guy establishes his badness were rather good, very tense, very violent and cringe-worthy.

THE EQUALIZER has all latest bells and whistles with music, atmosphere, and build-up. The one female lead is developed nicely (especially compared to every other innocent victim who may as well have stepped out of Little House On The Prairie). Much of the movie is very tense, and keeps you hanging on to each scene, waiting to see what happens next. But ultimately, we all know Denzel will kick ass, so it's all just a waiting game. It felt very long. The wait is made so much worse when the viewer knows exactly what's coming. There's just no surprises here. You've seen this movie 500 times, I'm sure.

Oh yeah, and Denzel knows everything. He appears magically inside buildings and rooms where one shouldn't be able to sneak in. He has cell phone numbers one shouldn't have access to - the characters even comment on it, "How the hell did you get that number?!" No answer. Doesn't matter. It's a movie. Just turn off your brain and enjoy the tension building. How does Denzel know when the bad guys will appear at a time and place, so he can intercept them in the night? Don't know, doesn't matter, I guess. How does Denzel sneak into a closet-sized room without the occupant noticing? How does Denzel have time to set up his trap, rig wires, etc, without anyone seeing this work being done? Who cares, the resulting deaths are cool.

Go to sleep. Tune out. Enjoy. But don't expect to take this movie with you. You'll have forgotten it by the time you leave the parking lot.

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