The Face of Love


Action / Drama / Mystery / Romance

Rotten Tomatoes Critics - Rotten 43%
Rotten Tomatoes Audience - Spilled 33%
IMDb Rating 6.2 10 3961


Uploaded By: OTTO
Downloaded 43,292 times
July 18, 2014 at 03:44 AM



Robin Williams as Roger Stillman
Ed Harris as Garret Mathis / Tom Young
Annette Bening as Nikki Lostrom
720p 1080p
748.43 MB
23.976 fps
1hr 32 min
P/S 0 / 2
1.43 GB
23.976 fps
1hr 32 min
P/S 2 / 7

Movie Reviews

Reviewed by Tony Heck ( 6 / 10

The movie is a little slow moving but the anticipation of her coming clean is what keeps you watching.

"Am I a bad person?" Nikki (Benning) is madly in love with her husband. While they are on vacation he unexpectedly and suddenly passes away. A year later she is still trying to get over him. When she goes to a museum she spots Tom (Harris), a man who looks exactly like her dead husband. This begins a complicated romantic relationship. First thing I have to say about this is that the acting is great and the movie is very emotional. The emotion that is invokes though is a mix between sadness and anger. Nikki makes you feel sorry for her and makes you despise her at the same time. You know why she is doing what she is doing but you can't help but see and feel how selfish she is being. The movie is a little slow moving but the anticipation of her coming clean is what keeps you watching. She is a woman who is hard to root for but at the same time you can't really root against her. That is the sign a a beautifully written movie. Overall, a slow moving movie that keeps the anticipation high which keeps you watching. I give this a B-.

Reviewed by shawneofthedead 5 / 10

Intriguing, with moments of shattering insight, but ultimately disappointing.

When does deep, abiding love tip over into unhealthy, tragic obsession? The answer, apparently, is all the time, in oddly affecting romantic drama The Face Of Love. Buoyed by a strong cast, this tale of a woman falling for her dead husband's doppelganger manages to gloss over some of its more troubling implications for quite a while. But, ultimately, writer-director Arie Posin fails to disguise the fact that an interesting premise does not a great film make.

Nikki (Annette Bening) is devastated by the sudden death of her beloved husband Garret (Ed Harris). Without him, she drifts through a haze of loss and grief, unable to walk through her house or visit the museum without being reminded of him. After five years as a widow, she meets, quite by chance, Tom (also played by Harris), a man who's the spitting image of her deceased husband. She tracks him down at a liberal arts college where he teaches, and the two strike up a romance: one that never quite manages to free itself from the troubling spectre of Nikki's still-burning love for Garret.

Posin reportedly sat down to co-write his script after his mother gave him an idea for the story: she had spotted someone in the crowd who looked eerily like her dearly departed husband. There's certainly a host of interesting ideas revolving around this premise. When does love turn into obsession? When does it keep the ones left alive from moving on? To what lengths can love drive a person? Indeed, The Face Of Love occasionally hits upon moments of quite startling insight, particularly when Nikki walks through her beautiful, empty house like someone already dead.

But the film also gets too caught up in its own premise. The relationship between Nikki and Tom unfolds in a realistic but also deeply creepy way: she frequently refers to him as Garret, and clearly slips into the delusion that her husband is alive far more frequently than she reminds herself that she's with an entirely different man with his own identity and feelings. That's not the bad part; in fact, it's quite intriguing and tragic in its unsettling fashion.

What works less well is the way in which it all ends. The inevitable confrontation between Nikki and Tom is much delayed - she hides a family photograph with Garret, and for some reason he googles Nikki but never thinks to google Garret - and, when it finally takes place, is deeply anti-climactic and a bit silly. Instead of dealing with the very real ramifications of Nikki's actions (she takes Tom to the scene of Garret's demise to "make new memories!"), the film chooses to skip a year ahead, picking up the story in a ham-fisted way that gives no one any real emotional closure - not Tom, not Nikki, and certainly not the audience.

What joy there is to be had in this film comes from its astounding and very committed cast. Bening expresses more hope and despair in her face and eyes than the script sometimes allows her; she's the reason Nikki comes off as sympathetic and heartbroken rather than crazed and callous. Harris' part is pretty thankless, but he imbues Tom with a sad hopefulness: the way he proclaims that his heart soars because of the way Nikki looks at him will likely break yours. (Robin Williams, by the way, pops up as a neighbour who's long held a torch for Nikki, but isn't given very much to do.)

In some moments, The Face Of Love makes a very strong case for its existence. Within Nikki's heartbreak, one can find shades of dangerous obsession and tragic delusion. Bening alone maps Nikki's desolation in a wonderfully sensitive way. But, because of the deeply strange manner in which the film chooses to resolve Nikki's relationship with Tom, it all rings too hollow in the end. This is not, as it turns out, The Face Of Love, but more The Farce of it.

Reviewed by archiecm 5 / 10

My issues got in the way.

This is my reaction to the film. There will be spoilers so read this after you've seen the film. It's not to be read by anyone wondering whether or not to go see the film because it will ruin the ending for you and even the middle. Nikki follows Tom because she is struck by how much he looks like her late husband. The likeness is exact, actually. What happens is that she gradually gets involved with Tom but doesn't tell him why she's so smitten. He basks in her love gaze and returns the affection. I had a lot of trouble watching her conceal the true reason for her attraction to him. It was dishonest and set a poor precedent for any future the relationship might have. Since his looks are exactly like her husband's, he has a right to know this so he can decide if her feelings for him can ever change and be about him, Tom -- not him the Garrett look-alike (if that was his name). So my stomach churned more with each dishonest date they had and with each evasive act she committed with her neighbor and daughter. Why? My goal was for her to find another relationship and she was ruining it. When he did discover the truth he was going to be very angry and never trust her. She had to be the one to tell him how things really were. But she didn't. She didn't because, I figured out, she didn't want another relationship. She wasn't over the old one. In fact, she wanted to keep on living the old one. She wanted to use Tom to fantasize that the old one wasn't over. Perhaps it never needed to end after all. Logic would have told her she couldn't play that game forever but she was quite drastically short on logic. One example of this was when her daughter showed up while Tom was upstairs in the bedroom. To prevent a scene she should have said, "Daughter, this new man looks exactly like Garrett. That's weird but you should get ready for it because he's coming down. It's partly why I am attracted to him." Instead she tells her daughter stuff that isn't useful because there's no groundwork. For, "Please understand, I really need him," to work you have to first know what the odd part is (that he looks like Dad) and Nikki leaves that out. So the daughter freaks.

So it's not a movie about a woman getting on with her life. It's a movie about a woman who found a way to stay stuck and not get on with her life. I found that very hard to watch. And the ending didn't make it any better. In fact I wanted to see a couple of other paintings by Tom, not just the one of her in the pool. Was that all he did of her? He had a year after their breakup.

I don't know what to make of the film. I do know I lived part of my life that way -- not getting on with my life but in my case it was my unhappy childhood I couldn't or wouldn't get over. And I was mostly powerless even with therapy, to move on. It is a sad kind of craziness. It's a waste of a life to be stuck but I don't know that everyone has the same chance of changing that . . . or what happens that allows them to move on. For me it was a change of therapists and approaching old age. I don't know if Nikki ever did move on. We don't get to see that part. As we watch her taking in that painting at the art show we see her with a chance to get to know Tom for himself and of course, it's too late. So now she has another loss to deal with.

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