The Grand Budapest Hotel


Action / Adventure / Comedy / Crime / Drama / Romance / Thriller


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June 05, 2014 at 10:43 AM



Léa Seydoux as Clotilde
Saoirse Ronan as Agatha
Tilda Swinton as Madame D.
Ralph Fiennes as M. Gustave
720p 1080p
759.80 MB
23.976 fps
1hr 39 min
P/S 12 / 322
1.45 GB
23.976 fps
1hr 39 min
P/S 20 / 205

Movie Reviews

Reviewed by Jan Kalina 10 / 10

"There are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity... He was one of them. "

Wes Anderson is one of the last directors -auteurs- who's got complete control on the film set and has the power to make whatever kind of film he desires. His distinct visual style is apparent since his 1996 debut Bottle Rcoket. But that was just a start, with every film he made he was perfecting his technique more and more. This marvelous attention to detail, the way he composes his shots( tracking shots, the symmetry, the characters running in slow-motion), chase scenes, love story, nostalgia, explanatory montages, the colourful set design and the prevalent theme of every one of his films: family. This all adds up to the reason why the audience enjoys Anderson's film so much. This all is brought to perfection in Grandhotel Budapest.

Through complex narrative framework, which itself is a mockery of all these films that are being narrated by someone and is also being an excuse for not being too realistic, we get to a story of a young lobby boy named Zero Moustafa and Gustave H. (Ralph Fiennes)the concierge of the Grandhotel Budapest. Many of the female guests of the hotel mainly come to enjoy Gustave's company. When one of these ladies passes away, Gustave grabs Zero and boards a train for her mansion. Soon he's blamed for her murder and hunted by police led by Edward Norton and a grim-faced assassin played by Willem Dafoe. There also is a love story between two young teens - Zero and Agatha (Saoirse Ronan) who has a birthmark in the shape of Mexico.

I frankly don't understand how can this film be successful in the USA. This film is just so typically European, that I guess some aspects of the film Americans just aren't familiar with. Some of the humor reminded of old French, Italian and Czech comedies.

Wes Anderson remains to be a stand-out filmmaker who never disappoints with any of his creations and is a safe bet to rely on his qualities. You won't want to return to the real world when the credits start to roll.

Reviewed by Jonathan Edge 9 / 10

A Grand Adventure

I would consider myself a Wes Anderson fan, however in saying that, I have only seen a handful of his movies. I was very excited for The Grand Budapest Hotel, because of its excellent cast, the fact it's directed by Wes Anderson and just by how unique it looked. After watching The Grand Budapest Hotel, I can confidently say that it's my new favourite Wes Anderson film, and probably his best.

As I was hoping, the story to The Grand Budapest Hotel is very original and unique, some may even say strange. And as the movie goes on, the story only gets wilder and wilder. The film is often very hilarious, with some seriously funny dark humour thrown in there as well. Characters are extremely well written, with the bond between Gustave and Zero being the backbone of the whole movie as it's so well written. The Grand Budapest Hotel features an odd narrative structure that works very well for the film, again adding to the uniqueness and freshness of it. I wasn't exactly sure how the story would play out, as I purposely avoided all promotional materiel so I would know as little as possible before watching. This was a great benefit to my viewing experience as I loved everything I saw, and felt as though nothing was spoiled from watching too many trailers.

I haven't been a huge fan of most of Ralph Fiennes' work since his phenomenal performance in 1993′s "Schindler's List", but this is easily his best performance since then. He proves he can do comedy just as well as he can do drama, providing a perfect balance of both. Newcomer Tony Revolori is excellent as well. I won't get into the whole supporting cast because there's so many who were all so great, but I was particularly impressed by Willem Dafoe, Adrien Brody, Harvey Keitel, Jude Law and Saoirse Ronan.

The Grand Budapest Hotel is definitely a Wes Anderson film, down to its very core. If you know his style, then you known what to expect, as this movie is full of it. Thankfully though, it's not a case of style over substance, with a great story to accompany the gorgeous visuals. The colour palette is beautiful; it's nice to see lot's of bright colours when so many other films are so dark and dreary. The set design and costumes are perfect, and there's so much attention to detail within the sets. The cinematography is phenomenal, and I really like how the film was presented in different aspect ratios.

You really can't go wrong with this film. It's probably Wes Anderson's best film, it has gorgeous visuals, excellent acting and a wonderful story. If you're a fan of Wes Anderson's previous work, you cannot miss this, and even if you're not a fan you should go and see it anyway.

Reviewed by seregapuchkov 10 / 10


It has often been said that Wes Anderson walks the fine line between folly and genius. In the "Grand Budapest Hotel", however, this distinction no longer exists: the ridiculous becomes brilliant, and brilliant has never been this ridiculous.

It is his best work, or at least the film which has all of Anderson's creative impulses working in one direction, producing a coherent work of art. His films have always been quirky, charming and out-of-this world, but never before has the audience been immersed in Andersonland as fully as with this film. The colours, the camera movement that switches between different parts of the set, the music, the lens angle distortion, the ridiculously stellar cast, all of Anderson's trademark elements, combine to produce the ultimate Anderson film. The absolutely ridiculous CGI is used perfectly to add to the surrealism of the movie. It is also extremely well crafted, not only visually, but structurally. Unlike some of his previous work, the editing, the pacing and the rhythm of "Budapest" are pitch-perfect.

Is it a great film? I'm not sure. It does not attempt to cope with the issues of death, love, despair, the big ones. On the other hand, it seeps with nostalgia, a bittersweet longing for an age long past, and the fascinating characters it produced. It is technically a detective comedy, and one has to note that the genre seems to suit Anderson's peculiar brand of filmmaking very well. But never before has Hitchcock's Macguffin been as explicitly embodied as by the "Boy With the Apple". The plot is merely a mechanism that allows Anderson to transport his vision onto the screen, a vision of a peculiar world seemingly different from our own, but filled with just as much loss and, at the same time, human compassion as ours. There is comedy, but its either very subtle or incredibly over the top, and most viewers are uncomfortable with both. There isn't a single 'ordinary shot', pretty much every image is out of place to such an extent that they begin to form one coherent film, and a fantastic one at that.

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