The Hallow


Action / Horror

Rotten Tomatoes Critics - Certified Fresh 71%
Rotten Tomatoes Audience - Spilled 49%
IMDb Rating 5.7 10 10583


Uploaded By: LINUS
Downloaded 917,066 times
March 03, 2016 at 06:34 PM



Bojana Novakovic as Clare Hitchens
Joseph Mawle as Adam Hitchens
Michael McElhatton as Colm Donnelly
Michael Smiley as Garda Davey
720p 1080p
723.8 MB
23.976 fps
1hr 37 min
P/S 8 / 41
1.49 GB
23.976 fps
1hr 37 min
P/S 11 / 31

Movie Reviews

Reviewed by s3276169 8 / 10

Endearing Modern Schlock

The Hallow or The Woods as it is otherwise known is a UK/Irish collaboration. Its by no means a mainstream horror flick, yet, in spite of its humble credentials, its actually not half bad.

The scares in The Hallow come on on quite early and linger till "after" the closing credits. This should make the impatient viewer quite happy. There is a nominal amount of ratcheting up the tension in this film which is followed by an abundance of reasonably well executed creature scares. The creatures themselves tap into a supposedly Irish mythology about spirits and fairy like creatures that "assimilate" those who violate their forest haven.

There's a lot to like here. The setting is suitably creepy, the premise is well established and convincing. What's also refreshing is the couples very sane reaction when confronted with the creatures, that is, to run like hell.

Perhaps the only downside to this film, I felt, was its early introduction of the monsters. I believe this film would have been more effective with a more gradual application of tension and maybe another ten-fifteen minutes run time.

That said, The Hallow still hits all the right horror buttons and does so in a convincing and creative manner. Eight out of ten from me.

Reviewed by begob 3 / 10

Load of Hallox

A couple with a baby encounter hostility from the neighbours when they move to remote woods, but the threat really comes from the fairy creatures hidden among the branches.

Poorly developed concept that really acts as a showcase for the effects. It's well shot and edited, and the creatures turn up early and in their dozens. But there's no characterisation or motivation, which makes the story unenjoyable. My view is the change should have taken place early on, with suspense building as the couple slowly realise what's happened, and then unleash the beasts.

Credit to the actors for putting passion into this, but there's no way to make the couple likable or sympathetic, and the lack of story-telling skill takes the audience out of it at every turn as the implausibilities mount. Basically, big problems with the screenplay.

The music is accomplished but nothing special.

Overall, needs to go back to the drawing board, although I give it marks for production values. Hard to account for the metascore reviews and the decision to give this funding.

Reviewed by horrorinpureform 4 / 10

A film that tries to speak up but discovers it has no voice of its own.

On the surface, The Hallow seemed like it would offer me something I always look for in horror - a unique experience. It has made a villain out of Irish folklore creatures, like Fairies and Banshees, which is not exactly a common subgenre. The film follows a man who looks for diseases on trees. He relocates to a small Irish village with his wife and baby in order to track a fungus growing in the surrounding forest. As soon as he does, his neighbor starts pestering him about staying out of the forest, because if you trespass on Fairy territory, they will come inside your house and steal your baby.

This movie attempts to give us a spin on monster movies by trying to weave science and fairytale together. Unfortunately, not enough attention was paid to how these two things are supposed to intertwine, and the result simply does not work - the science aspect of the film makes zero sense in the context of the fairytale one, and vice versa. So, instead of sticking to one of these two approaches, and developing it to a point where it works well, they half-assed both and we get nonsense that simply does not fit together into one whole. Not to mention that one of these two conflicting sides was lifted straight out of another UK horror film which is less than 10 years old, which executed it a million times better to boot.

I could have forgiven the ill-fitting (and, to be honest, way too basic) plot if the individual scenes took good advantage of the world the movie was trying to create. This leads me to the "mortal wound" of the film, the one that renders it creatively mute - its individual scenes. While the movie is not about a haunting, it follows every single "family moves into isolated haunted house" trope and then some. It was almost overwhelming. Seemingly crazy neighbor trying to warn family? Check. Exploring damp and dirty attic? Check. Baby monitor making weird noises? Check. Dog whimpering while chained outside? Check. Item dropped in the car by a driver who then crashes while looking for it on the floor instead of stopping the car or just waiting til they get home? Check. Creatures afraid of light, so you have to go outside and restart the generator cause there's no electricity? Check. Little blonde girl who looks like a zombie? Check. Every ounce of the movie was "horror 101", think Haunting in Connecticut or Amityville Remake or any other generic horror.

Even minor details which could have coloured an otherwise gray outing were foregone. The movie sets up fun "lore" as to what hurts the forest creatures and then just abandons it completely. So their skin burn if they touch iron metal? Well then this renders the ENTIRE last act of the film pointless, as the "conundrum" that the characters find themselves in would have been instantly solvable. But for the sake of having a third act at all, they just pretend that the characters forget what they learn instantly and never utilize the knowledge. Not a smart script here. The beginning also made me hopeful for the approach to the villainous creatures - they were never shown, with only shadows and silhouettes and body parts popping up here and there. This was successful in keeping them mysterious and should have been propagated to the second half. Instead, like some other recent horrors (Mama for example), the secretive tension is fully abandoned and by the end we get low- budget cartoonish CGI creatures in full glorious view every few seconds. Tension is simply incompatible with poorly animated fairies. The human characters were empty shells as well. The father shows personality exactly once in the very beginning and then abandons it. The mother displays none, and just does what the husband asks of her subserviently most of the time.

Overall, The Hallow is hollow of entertainment and creativity. I appreciate the initial idea of what the writer and director were trying to do, but the final product is a regression for the horror genre and is near the bottom as far as 2015 horror.


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