The Lover


Action / Biography / Drama / Romance

Rotten Tomatoes Critics - Rotten 20%
Rotten Tomatoes Audience - Upright 79%
IMDb Rating 6.9 10 16082


Uploaded By: FREEMAN
Downloaded 602 times
May 31, 2016 at 01:32 AM


Jane March as The Young Girl
Jeanne Moreau as Narrator
Melvil Poupaud as The Younger Brother
720p 1080p
878.69 MB
24 fps
1hr 55 min
P/S 3 / 19
1.79 GB
24 fps
1hr 55 min
P/S 2 / 17

Movie Reviews

Reviewed by Dark Eye 10 / 10

Meaning behind the scenes

It's not often I get to see a movie like this. The story of L'Amant potrays a most complex and provocative relationship between a young French girl (Jane March) and a Chinaman (Tony Leung). The two lovers' attraction towards each other are purely physical, but there are a lot of psychological burdens and suffering that they can't break free from, since the two of them are psychologically washed-up people who lives within the shackles of society that they live in. At times they treat each other cruelly while at times they treat each other with tender affection, yet we don't know whether they feel true love for each other or not. That's where the story gets very interesting and different.

The sex scenes are indeed graphic, but by no means done in bad taste or just for the sake of sex. The film is much more than about lust, it is about two lovers who found refuge in each other's arms. Jane March and Tony Leung gave great performances, showing the subtleties of conflicting emotions that they had to endure. Beautifully paced storyline with great atmosphere and soundtrack will make this a worthwhile movie experience. Very highly recommended.

Reviewed by deserthordes 10 / 10

Poetic exploration of female sexuality

This movie is one of the very few successful attempts at evoking female sexuality and sensuality in a non-obscene way. It's an exploration of the work of the senses, not so much a story with a plot. Therefore, it is unique in the history of cinema. Whereas other movies featuring a young girl and an older lover are mostly playful, ironic or simply intent on breaking a taboo, this movie brings an ode to the senses themselves in a much more subtle way.

Difficult as this may be, Annaud brings us as close as we can get to the atmosphere of love in a colonial and exotic setting. This delicate setting with its many contradictions (race, gender, age) adds to the experience. (A young girl who explores her own sexuality, couldn't dream of a more well-suiting context). In fact, the "colony" herself is a major character in the movie; the colony with her mighty Mekong River, her smells and colors, her strange sounds and her enigmatic people.

On a more metaphoric level, the Colony represents a temporary space, a place where Western people only pass through, a space that cannot be owned forever, a place of love and hate, just like the lovers' relationship. And in the end, the lovers have to go their own way, just like the colonialists have to leave the colony they love.

The movie is poetically slow, and at times becomes an almost ritual repetition of a single act. Precisely therein lies its 'dramatic content'. Add the beautiful cinematography and you have a nice exercise in film.

Reviewed by Righty-Sock ([email protected]) 8 / 10

An exciting journey along a winding river of passion...

Jean-Jacques Annaud's film version of Marguerite Duras, one of France's most esteemed writers, is quite erotic... told from the perspective of a 15-and-a-half-year-old French girl, who learns very early about passion, love and heartbreak...

It's the crossing of the river... The crossing, on a ferry, of one of the branches of the Mekong, in the great plains of mud and rice of southern Indochina...

A pretty young girl goes back to Saigon... She is standing on the deck, extremely defiant, wearing a silk dress, a pair of 'cabaret' high heels, and a man's hat... She is approached by an elegant dark man from Cholon who is also crossing the Mekong that day towards Saigon... 'I like your hat. It's original. A man's hat on a young girl,' he expresses, and continues: 'If you want I can drive you to Saigon.'

The rich Chinese playboy with a black Rolls-Royce is 32 years old, from that financial minority that owns all the popular housing of the colony... He's back from Paris where he undertook some business studies...

The film, beautifully shot, is a dreamy fantasy of escape through sex... The escape is that of the poor French teenager from the horror of her house in Sa-Dec... While the girl merely abides her innocent mother, she loves her younger brother poetically, without reserve... Her brother is handsome but not bright, romantic but terribly fragile... She fears her elder brother, a brutal and lawless dissolute man, stupidly dependent on his mother... The inexperienced girl wants to see him in pain...

The most remarkable aspect of the story is the strength of character of the young girl who is always a little sad... She finds the strength to proceed against the forbidden with a calm determination... "I've never followed anyone into a room yet.," she exclaims...

The room was dark, shipwrecked, surrounded by the never-ending clamor of the town, carried away by the flow of the town... Her body was in that public noise... Their love was erotic, immediate, unrestrained... It was physical, violent, devastating...

But the girl loves other young woman in the boarding house, the 17-year-old Helen... Her passion for Helene is intense... Helen is immodest... She don't realize she walks naked in the dormitory... She doesn't know that she's very beautiful... She's innocent lingering on in youth...

'The Lover' parallels the life of Duras herself... The setting, in Indochina, is one she knows intimately... The story is set mostly in the early 1920s following the decline of French domination of the territory that is now Vietnam... The film is the most exciting journey along a winding river of passion, which ultimately flows to the sea...

Jean-Jacques Annaud handles the story with real sensuality, romance and dramatic power... He shots much of the film with a distinguished style...

Jane March is attractive, but not obviously beautiful... Her impressionable teenager's gradual understanding of sexuality is well presented... She was subjected to a close, penetrating gaze by Annaud's camera..

Tony Leung, as the rich Chinaman, is the lusty son unable to escape his family's commands...

Although unseen, Jeanne Moreau jaded voice narrates the action and imparts a special flavor... Her words are poetry, as any Duras reader knows...

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