The Machinist


Action / Drama / Thriller


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January 22, 2012 at 11:27 PM



Christian Bale as Trevor Reznik
651.19 MB
23.976 fps
1hr 41 min
P/S 32 / 263

Movie Reviews

Reviewed by Superunknovvn 8 / 10


It's a common rule that people subconsciously decide within the first ten minutes whether they like a movie or not. It didn't even take me that long to know that I would be intrigued by "The Machinist".

The set up is perfect. It's adorable how the movie constantly establishes new plot points without ever getting tedious. As the story goes on it gets hard to believe that the ending will be able to explain everything and you start pondering that there can only be one possible conclusion for all the weird events. It may be disappointing at first to learn that your predictions are probably dead-on and you might go: "Not that old twist again." The beautiful thing, however, is that there's an explanation to the twist that really adds a lot to the concept. Much later, when you've already left the theater and you rethink the whole thing, you'll find that the script is much cleverer than you had thought at first. To me the biggest achievement of the movie in retrospective is, that it's never creepy just for the sake of freaking the audience out (and hell, the carnival-sequence is so friggin creepy and well made, it's delightful). Every scene has its purpose and that is not often the case in horror and mystery movies.

Although the whole cast did a fine job, Christian Bale's terrific performance must be mentioned. Usually I'm annoyed by stories about actors losing or gaining weight in preparation for a role, because mostly it's uncalled for anyway and not even worth a mention. What Bale did to prepare for "The Machinist", however, is nothing short of heroic. He lost 60 pounds and looks so unhealthy throughout the whole movie that it's hard to believe he turned into himself again after the director yelled "cut!".

I can recommend "The Machinist" to anybody who's looking for a movie that keeps you intrigued longer than just during its running time. If after 10 minutes you like the movie, after days you'll find yourself still obsessed with it. I love it, when a movie does that to me!

Reviewed by ThrownMuse 9 / 10

darkly atmospheric horror/mystery

Trever Reznick is an industrial machine operator who hasn't slept in a year and feels as if he is going crazy. A horrible accident in the workplace causes him to fall further down the spiral. Is there a conspiracy against him or is he going insane? The lead character is played with discomforting perfection by a repulsively thin and unrecognizable Christian Bale. This is a very moody and atmospheric film that is reminiscent of Lynch (though, by the end, it is a much more spelled-out than Lynch would do for the viewer). Still, it is a very gripping and disturbing movie. "The Machinist" is one of the better horror films released this year. My Rating: 8.5/10

Reviewed by ([email protected]) 5 / 10

'Thinner' meets 'Memento' by way of 'Angel Heart' a la Hitchcock

THE MACHINST (2004) ***1/2 Christian Bale, Jennifer Jason Leigh, Aitana Sanchez-Gijon, John Sharian, Michael Ironside, Reg E. Cathey.

'Thinner' meets 'Memento' by way of 'Angel Heart' a la Hitchcock

There are a few select actors who have gained or shed weight to make a true transformation on screen but the one that will probably remain imprinted for years to come is the truly shocking display by Christian Bale who lost a whopping 63 lbs. to a skeletal shell of 120 for his portrayal of dank creepy perfection.

Bale stars as the afflicted Trevor Reznik, a shell of a man who works in a machine factory and apparently is nursing some horrible demon that has led to his astonishing appearance, ghostly pallor and paranoia soaked delusions that call to question his amazing confession: How can a man not sleep for an entire year and waste away to a shadow of his being and keep his sanity?

The answer isn't so transparent as Reznik becomes submerged in some sort of dreamscape nightmare of conspiracy theories and the innate distrust of his own mind playing tricks on him one night when he encounters the perpetually grinning Ivan (Sharian sporting the sharkiest Cheshire Cat smile in recent film memory) an apparently new shift employee who distracts him to the point of a horrific accident that causes his employer and co-worker to mistrust him and suspect his deteriorating looks as something a tad more sinister.

Reznik's only solace is in literally a mother-whore relationship he shares with a well-meaning lovely waitress (Sanchez-Gizon) at the airport diner he frequents as much as the hooker he lies with to express his thoughts and odd happenings (Leigh in her umpteenth whore role that must have filled her quota by now).

After the accident Reznik is plagued with a series of Post-Its sporting a game of hangman that leads to a few clues to his rationale and ultimately to his fate of 'Who Am I?'

Directed by Anderson who helmed the criminally underrated spooky horror flick 'Session 9' a few years back returns to a dark story of a man clearly unraveling and destroying himself in the process that echoes Stephen King's 'Thinner' by way of the identity crises of 'Memento' and the psychological thriller 'Angel Heart' yet invokes a sharply executed script by Scott Kosar (who penned the worthy remake of 'The Texas Chainsaw Massacre' last year) that recalls David Fincher meets David Lynch paroxysms of fate and the build up to a discovery that is all too recognizable to the thriller genre in recent years of identity masked as phobic reality with its latter day Hitchcock everyman skewed nicely. Kudos to cinematographers Xavi Gimenez and Charlie Jiminez for its bleak, green/grey drudgery and the Herrmannesque score by Roque Banos mixes perfectly to the dread at hand displays.

Bale went above and beyond the call of duty in his somewhat controversial display of Holocaust invoking demeanor yet it works shockingly well as it delves into the troubled soul of a man who is wasting away not only as a metaphor but as a penance for some hell to pay.

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