The Man with the Golden Gun


Action / Adventure / Thriller

Rotten Tomatoes Critics - Rotten 47%
Rotten Tomatoes Audience - Spilled 57%
IMDb Rating 6.8 10 79313


Uploaded By: OTTO
Downloaded 55,118 times
December 17, 2012 at 01:57 PM



Christopher Lee as Scaramanga
Roger Moore as James Bond
Britt Ekland as Goodnight
Maud Adams as Andrea
720p 1080p
949.82 MB
23.976 fps
2hr 5 min
P/S 7 / 24
1.80 GB
23.976 fps
2hr 5 min
P/S 4 / 16

Movie Reviews

Reviewed by Merwyn Grote ([email protected]) 5 / 10

"Another poor victim has come to a glittering end."

You don't review James Bond movies, you evaluate them, rate them according to how well they meet expectations. There are certain things one has come to expect, even demand of a Bond film and each individual effort either delivers or it doesn't. So, here are ten elements that make a Bond film a Bond film and how THE MAN WITH THE GOLDEN GUN rates on a scale of 1 to 10:

Title: THE MAN WITH THE GOLDEN GUN: Exceedingly lame, the title might be an accurate description of the film's villain, but it is almost embarrassing in its attempt at sexual innuendo. 4 points.

Pre-Credit Teaser: A forty-year-old stereotype of a gangster (black shirt, white tie, fedora, etc.) is lured into a cheesy funhouse, that wouldn't even cut the muster at a fifth rate carnival, to do battle with Scaramanga, the world's highest paid professional assassin. This is supposed to foreshadow a duel of the titans confrontation between Scaramanga and Bond. Instead it introduces us to the rather tacky quality of the entire movie. 5 points.

Opening Credits: Same old same old from Maurice Binder. 4 points.

Theme Song: As bad as the title is, the attempt to turn it into a theme song is even worse. The music itself is catchy enough, I suppose, and the instrumental theme that pops up on the soundtrack now again is decent. But the lyrics are just plain awful in their attempt to cross themes of sex and violence: "His eye may be on you or me. Who will he bang? We shall see." Ouch! Even pop diva Lulu can't do much with such numbingly bad material. 1 point.

"Bond, James Bond": Were it not for the bits of campy humor peppered throughout the film, I suspect that Roger Moore would just nod off. It's only his second film and already he seems bored -- but with this material, who can blame him? 5 points.

Bond Babes: As Scaramanga's mistress, Maud Adams is surprisingly poignant as a woman trapped in a corrupt world and controlled by an abusive man. She shows more depth than we have come to expect from a Bond Girl, but predictably her character is killed off far too soon. And, unfortunately, the film's heroine becomes Mary Goodnight, played by Britt Ekland, the one-time Mrs. Peter Sellers. Though we are supposed to believe she is a British agent, Goodnight is a one-joke ditz of the sort that suddenly became a Bond cliché. The two cancel each other out. 5 points.

Bond Villain: It is said that Ian Fleming wanted his cousin, famed screen Dracula, Christopher Lee, to be the villain in the first Bond film, DR. NO. That didn't work out, but it is hard to say if it was worth the wait to see him here. Lee is a class act and one of the legendary screen villains of all time. Unfortunately, he is saddled with playing one of the dullest Bond villains of all time. Scaramanga seems to be as noted for his good manners as for his bloodlust. Lee seems to be enjoying the role and there is nothing intrinsically wrong with his portrayal, it is just that Scaramanga doesn't seem all the threatening. Why doesn't Bond just shoot him and be done with it? 5 points.

Bond Baddies: As sort of a Mini-Me version of Goldfinger's Oddjob, Nick Nack is apparently an all purpose butler, henchman, adorable sidekick and source of comic relief. At less than four feet tall, Hervé Villechaize is certainly not very threatening, but pound for pound and inch for inch, he is probably one of Bond's more memorable adversaries. 8 points.

Sinister Plot: The world's most notorious hired assassin apparently has a contract to kill 007, though considering Bond dodges three or four assassins in every one of his adventures, it's hard to see what the big deal is. Anyway, Bond is working on an assignment involving a missing scientist involved in harnessing solar energy and it turns out that Scaramanga is trying to take control of the world using solar energy. Wow, what a coincidence! And how lame. 3 points.

Production values: Whatever ill that can be said about the film as a whole, it will always be cherished by Bondophiles for the infamous spinning car jump. In an attempt to jazz up their image, the carmaker AMC somehow persuaded the Bond producers to let them supply the cars for TMWTGG (just as Fords costarred in GOLDFINGER and Chevys in LIVE AND LET DIE), which is the only possible reason that Scaramanga would be driving a Matador. Anyway, it is also the only possible reason that Bond would commandeer an AMC Hornet to give chase. After a fairly well staged chase through the streets of Bangkok, Bond must catch up with Scaramanga by crossing a river via a half-collapsed bridge. Thus, the car trick from two ramps twisted in opposite directions. A neat trick. And if all Matadors could sprout wings and fly like Scaramanga's, maybe AMC would still be in business. 10 points.

Bonus Points: Clifton James, as the big-bellied, tobacco-spitting, none-too-bright southern sheriff, J.W. Pepper, is back and for no apparent reason beyond being a desperate attempt to repeat a joke that fell flat when used in LIVE AND LET DIE. Minus 5 points.

Summary: THE MAN WITH THE GOLDEN GUN was used as evidence that the Bond series was wearing out its welcome. Despite trying new things with the character and the formula, the film seems listless and uninspired. It is a low point, but it is also the lull before the rebirth that would come with THE SPY WHO LOVED ME.

Bond-o-meter Rating: 45 points out of 100.

Reviewed by Righty-Sock ([email protected]) 7 / 10

Scaramanga's trademark weapon was a single-shot, gold plated, 4.2-caliber handgun…

In Guy Hamilton's 'The Man With the Golden Gun', James Bond still enjoys a good cigar, and prefers Dom Perignon '62 above the '64 offered...

He sure does love Swedish babes, and dares to kiss a talented dancer's 'magnificent' abdomen... He slaps a tall, graceful slim girl, and he slaps her hard... He attempts to overtake Scaramanga's car by crossing a canal with no bridge in sight, and pilots a small seaplane to let us see those incredible prehistoric islands off the coast of Thailand...

Francisco Scaramanga (Christopher Lee) is a world's class assassin who has stolen a prize solar energy device, but who only needs one bullet to finish a job... He likes Tabasco sauce, gold jewelry, and a girl in a bikini... He caresses his lover with a golden gun, and loves to kill for a million dollars a shot... He has a 'sign' of great sexual prowess... He perverse love/hate relationship with a mischievous French-speaking assistant, and admires Bond so much that he even keeps a mannequin of him at his island retreat... He claims to be an artist, and challenges 007 to 'a duel between titans' on the sunlit beach... A man of taste, his AMC Matador car suddenly sprouted wings and jetted off into the blue sky…

Britt Ekland spends most of the film either locked in the trunk of Scaramanga's flying car or stuck in the closet of Bond's hotel room while 007 makes love to Andrea (Maud Adams).

Maud Adams remains the only exotic woman to have starred in two different Bond features, and would also have a brief cameo in "A View To A Kill." This Swedish beauty is sick of Scaramanga's sadistic games… It was she who sent the gold bullet to M16 that set Bond on Scaramanga's tail…

Nick Nack (Hervé Villechaize) perfectly proves that the smallest of Bond's adversaries can easily give 007 big trouble... He annoyed 007 right up until the very end of the mission… His tiny mannerisms perfectly fitted the fantasy tradition of the Bond movies... He's seen so quick on his feet as he plays with the controls that operate the 'fun house' on Scaramanga island…

'The Man With the Golden Gun' remains thin and obvious 007 extravaganza with conventional expensive excitements... The boat and car chases merely reprise sequences in both 'Live and Let Die' and 'Diamonds Are Forever.'

Last note: After being absent in 'Live and Let Die,' Desmond Llewelyn returns as the beloved Q, but provides 007 no fantastic gadgets and weapons this time...

Reviewed by michelerealini 6 / 10

Enjoyable Bond adventure, but not one of the very best.

Let me say I like Roger Moore very much, because I grew up watching his films -he's the first Bond I've ever seen. Many people prefer Sean Connery, who is really unique, true... But how can I say Roger Moore is not good? I've also a lot of affection for Moore because I watched on TV, when I was a kid, "The Persuaders" series.

Although that his second Bond outing is not very good. That's not his fault at all, the screenplay is not good and the story itself is not very interesting. Everything is a little slower than usual, the film has neither the liveliness of "Live and let die" -the first Moore Bond flick- nor the liveliness of the previous episodes.

Here Bond has to face a refined assassin -that's all, there isn't a real thrilling intrigue

On the other hand landscapes and John Barry score are fantastic. Also the cast is strong, because Christopher Lee and Britt Ekland bring a lot of glamour. It's a pity that the movie doesn't match the usual standard.

At the time producers Albert Broccoli and Harry Saltzman didn't get along well with each other any more. In '75 their partnership broke up and let Broccoli alone at the command of 007 empire. Maybe this tensions had an influence on "The man with the golden gun", who knows...

Luckily in 1977 Bond came back with one of the best films of the series -"The spy who loved me", a real classic, the definitive Roger Moore entry as Bond.

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