The Net


Action / Crime / Drama / Mystery / Thriller

Rotten Tomatoes Critics - Rotten 36%
Rotten Tomatoes Audience - Spilled 44%
IMDb Rating 5.9 10 51965


Uploaded By: OTTO
Downloaded 59,294 times
February 10, 2014 at 07:35 AM



Sandra Bullock as Angela Bennett
Ray McKinnon as Dale
Jeremy Northam as Jack Devlin
Ken Howard as Bergstrom
720p 1080p
863.20 MB
23.976 fps
1hr 54 min
P/S 3 / 11
1.84 GB
23.976 fps
1hr 54 min
P/S 6 / 13

Movie Reviews

Reviewed by Michael DeZubiria ([email protected]) 6 / 10

25 years ago this would have been science fiction. Today it's cliché.

Odd the way technology works. Less than a decade ago, there was this completely different technological world, a world of pagers, floppy disks, dial-up modems (which are as obsolete as typewriters), and gigantic brick-like cell phones. I remember being amazed at that little tiny flap at the bottom of the phone, as thin as a credit card and yet able to pick up your voice and transmit it through the air. Now it's a feature so obsolete that it may as well never have been there. Sandra Bullock plays Angela Bennett, a lonely computer analyst who is so connected to her computer that she sits on the beach in Mexico, on her first vacation in six years, with her laptop on her lap. It's not only like a source of nourishment but her connection to the world and the establishment and maintenance of her identity.

This is where her problems begin. Like The Manchurian Candidate back in the 1960s (and again in less than a week from this writing), The Net plays on the popular fears of the society in which it is released. The Manchurian Candidate originally played off the fears instilled in people by the recently ended Cold War, while The Net, a much less potent thriller, suggests the scary possibilities of a world in which we are so inextricably connected to computers. Probably the most interesting thing in the movie now is the computers, such as the massive laptops with the tiny screens, the indispensable floppy disks which are now almost nonexistent, the graphics, etc.

Angela Bennett has had her digital identity stolen and replaced with that of Ruth Marx, who has a lengthy police record and who thus takes over Angela's identity. It's pretty clever, I suppose, the way the movie presents Angela as though she hasn't left her apartment in six years and with a mother suffering from Alzheimer's (and thus not able to help identify the real Angela later), but it's pretty hard to believe that not a single person in the office where she worked noticed that Angela started being a completely different person. She had no significant other, was not dating, and no parents who could identify her, but was she such a recluse that even the people in the office she worked in didn't even know what she looked like?

At any rate, the plot of the movie is pretty smartly created, although it is created as though it were an excuse for a lot of chase scenes, one of which takes place on a merry-go-round in a great homage to Hitchcock's Strangers On A Train, one of the many classic films to which the movie alludes, several of them other Hitchcock films. Bennett has been given a disk which contains a website, I suppose, which turns out to contain a weakness in a security system about to be set up to protect everything from banks to Wall Street to the CIA. By holding down Control and Shift and clicking on the little Pi icon in the corner of the screen, you are transported from a ludicrous page about Mozart's Ghost, apparently a god-awful metal band, and into highly classified government documents. The disk provides the bad guys with a reason to want to capture Bennett, and thus you have a movie.

Angela goes from a comfortable but bored computer analyst, doing a lot of her work from home and ordering pizza on the Internet at the end of the day (presumably one of the future possibilities of the internet which never came to exist), to a wanted fugitive, ultimately caught and put into a jail cell for someone else's crimes. She has lost her home, her job, her identity, her life. Bullock actually puts in a pretty good performance in the movie. I'm not a huge fan, but I appreciated the realness that her character had, since she is not an over the top actor, her characters are generally very real because she is as well.

Where the movie trips up is that it tries to suggest that such identity theft could happen to anyone in our technological age, but given the effort put into presenting Angela as someone with no personal contacts with just about anyone, really it could only happen to someone like Angela, and are there really that many people that no one can identify by looks? Even the guy at the local video store might recognize her as the lady who rents under her account. Oh well. There's also a glitch in the end of the movie that Mick LaSalle points out and that only people familiar with San Francisco, where the climax of the film takes place, will notice. As Angela rushes through a Macintosh exhibition at the real Moscone Center, she desperately tries to copy all the computer files before the bad guys get her. Pretty tense, but if she had been smart, she could have gone to The San Francisco Chronicle office, which is a block down the street from the Moscone Center.

But hey, maybe the Chronicle doesn't have high enough walkways out back.

Reviewed by Lady Targaryen 8 / 10

Her driver's license. Her credit cards. Her bank accounts. Her identity. DELETED.

The net is an excellent movie! It's about Angela Bennett(in a great performance of Sandra Bullock) who is a computer expert who works for the Cathedral Company, cleaning virus and testing games for the clients. Angela is a typical nerd who doesn't have friends outside of the cyberspace,almost doesn't take vacations and go out, and stays almost all the time connected. One day her friend Dale Hessman(Ray McKinnon) asks her to help him,sending Angela a disk with a strange program that has many confidential informations. At the same night, when Dale was going to meet her, he is suddenly killed in a plane crash.Going to Mexico in her vacation,Angela meets a beautiful guy called Jack Devlin (Jeremy Northam)who shows to be a cold blood killer bastard and one of the guys behind all the secret of the Diskette.

Her life then turns into a nightmare: All her records are erased and she is given the new identity of Ruth Marx, a woman with serious problems with the police.

This movie is great because it shows how we, humans,depend a lot of the computers and machines(sometimes more that we should) and how vulnerable we are if someday ,someone decides to control and change our personal records,without letting us the chance to prove the error.

Reviewed by cwrdlylyn 5 / 10

THE NET : Irwin Winkler Wastes The Film's Potential...


I certainly didn't expect this movie to be classic when I put it in last night. I was thinking it would be a "no-brainer" stupid little thriller starring Sandra Bullock. Essentially... I was right.

THE NET had the potential to be a better film. The storyline actually creates situations of immense suspense and is paced rather well. The whole computer virus storyline is so confusing to someone not too familiar with computers... and I'm sure there are plot holes in there, but I didn't notice.

What keeps THE NET from being truly good is terrible direction. Lately, I've started to notice how easily a bad director can destroy a film and this was a good example... certain moments in this film are just comically bad.

The scene of Sandra Bullock's boat get away and her impending crash looks terrible. And normally I can forgive obvious special effects... but I'm sorry, the obviously fake rocks, the poorly edited stunt woman, the ridiculous close ups on Bullock's face. This moment is so terrible and just acts like a giant speed bump in the growing action.

Aside from this, Jeremy Northam is god awful in his role. He goes so far over the top trying to be this seductive threat in Bullock's life that I was laughing many times when I wasn't supposed to be. The more threatening, angry, and sexual he tries to get... the less frightening he becomes. Not an ounce of nuance or subtlety. Where was a director telling him to hold back? Or just to tell him... get off my set... you suck! Otherwise, the director, Irwin Winkler, takes far too long at times when he doesn't need to. I liked the Dennis Miller/Sandra Bullock love story that started to develop. But in the end, the scenes are pointless and they come to an abrupt end. And anytime Sandra Bullock was on the run, Irwin Winkler just keeps the camera rolling. There is no example of tightly constructed... suspenseful editing.

On the plus side, despite the flaws, the movie still can be exciting at points... and Bullock has some good moments that show some deeper potential. Had this film been done by a director with a keener eye, perhaps both Bullock and the film could have been much better.

As is, it's the kind of film that's easy to sit through... but that's partially b/c it's so bad it's good. It's not the worst film that ever was, but it could have been far better.

... C/C- ...

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